It is that, but really, it's about how we don't recognise the little things in life, or appreciate the little things in life like belonging. A sense of belonging is a big thing today.

It's always the guys who have absolutely nothing to give that start screaming and yelling about their makeup and trailers. It's a diversion so you don't pay attention to them, because they stink!

I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.

Actors have bodyguards and entourages not because anybody wants to hurt them - who would want to hurt an actor? - but because they want to get recognized. God forbid someone doesn't recognize them.

People wonder why first-time directors can make a brilliant picture, then suck on the second one. It's because they're a little terrified the first time. So they listen to all the experts around them.

I'm sort of a Walter Mitty. I got fewer brain cells than most people, so when I got friendly with cowboys, I started rodeoing. When I was calf-roping, there was something about the dirt that made me feel clean.

I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'

One night I went over to get some dope from some Hollywood tough guy. After I left, my son Scott, who was only fifteen, went over with a baseball bat to kill him. I was laughing out of one eye and crying out of the other. I thought, Who am I kidding?

I've never been difficult to anybody or with anybody on a picture. Especially when you're in that nice status of hierarchy of actors and actresses who get to approve directors. Because once you make that choice, it's my belief that the director's boss.

Never stop asking yourself whether you can do things better. Keep testing every aspect of your business to the nth degree, and challenge every one of your assumptions. The tougher you are on yourself now, the tougher your business will be out there in the real world.

I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.

I never saw my dad cry. My son saw me cry. My dad never told me he loved me, and consequently I told Scott I loved him every other minute. The point is, I'll make less mistakes than my dad, my sons hopefully will make less mistakes than me, and their sons will make less mistakes than their dads.

I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!

I had great, great times as a Little League coach. People were talking about me quitting acting, and they would say, What about your creative juices? Coaching is creative, because you could take a kid who thought he wasn't any good and, within four minutes, change his mind. And I didn't have to wait six months for them to put music to it.

Share This Page