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I'm allowing myself every opportunity, every tool that every other artist should allow themselves to use. If anybody expects me to not use certain language or certain words, like I have some kind of penalty restriction, it's completely unrealistic.
My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' I've got a life that really matters to me, and that's because of the way I was raised. My ethics are high because my parents did a great job.
I'm in an area where I want to make music that I'm thrilled with, but, you know, I do have to worry about putting food on the table. I'm in that position where I cannot always be gauging what things might become. I have to look ahead, because I'm cautious.
The songs I write should only be gauged by what other writers or peers are doing today. If the barometer for all songwriters was to match his body of work, then anyone you might mention alive or dead is a failure. But I've learned to not be too hung up on what's fair or not fair.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
There are certainly a lot of people - and I won't name names - who are getting by simply on expression. And I guess that's valuable in some sense. But songs are not better just because they're emotionally honest. To write a song well, you have to put some work into it and grind it out.
I don't want to sing songs and write songs that need to have images behind them that are of a specific time. The times we live in today - I mean, there's a lot to work with. But I think that if I was my age in 1975 or 1985, I would have felt the same way because that's what I gravitate toward.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.