Love yourself for who you are, and trust me, if you are happy from within, you are the most beautiful person, and your smile is your best asset.

I can't watch Kevin Spacey's show anymore, though I have loved it earlier, because he has been accused of harassment. It disgusts me as a person.

You can call me a Mumbai girl since I have spent the first ten years of my life here. Then I shifted to Goa, where I got my first modelling break.

Now I don't look at life where I'd say, 'Oh gosh, my life's over if I don't have films anymore.' My approach is that there's so much more for me to do.

My father worked as a mechanical draftsman at Mazagaon Docks and is a Catholic. My mum was a Muslim, so my parents broke quite a few rules to get married.

I would say the most difficult part of film-making is dealing with people you are working with and trying to forget the drama that goes behind the scenes.

I don't think I will ever understand Bollywood. And I'm happy about that because it is a big, crazy, world. It's too complicated and chaotic to understand.

You are a human being and are allowed to be imperfect, and you are allowed to be flawed. There is a lot of beauty in your imperfections, in your uniqueness.

It would be prudish to say, 'I don't want to be a prop in a film,' because there are certain films I've loved doing, as I have looked very glamorous in them.

I always wanted to play a Punjabi girl because I always found them very colourful, in a way. There's always a spark to all the Punjabi girls I've seen onscreen.

There is a glimpse of me that I'd like to keep private. And I believe that is necessary for my kind of sanity. I'd not like the world to know everything about me.

You may look at us actors and think that, 'Oh my God, they are so pretty, so perfect.' But that's not how it is. It takes two hours to get ready and look like this.

Marriage is great for some; it makes them better people. For me, commitment doesn't have to be marriage. It stems from the fact that I have a Westernised world view.

I personally feel my equation with Varun Dhawan is on a different level. I share a great rapport with him. He is very charming, matured, and he knows what to say when.

I didn't realise how much I was alienating people. I would constantly refuse to go out when friends would call. At one point, I didn't realise I was at home for a week.

I don't want my personal life to become a part of public domain. It is something that is sacred and means a lot to me. I don't want it to become some frivolous gossip column.

I'm a fairly mature woman, and I've realised that I'm not going to grow if I keep thinking, 'The other heroine in the film is so much better than me.' I would rather take inspiration from them.

If I'm going to get overshadowed in a film, it's because of something that I haven't done, not because of what the other heroine has done or because I've focused on the amount of scenes she had in the film.

I like that with social media, you can choose how much you want to reveal. If there is an issue that requires clarification, at least you can turn to social media. You know it's coming from the horse's mouth.

I was always a very self-conscious person and was picked on for my body type. I used to feel low and sad all the time, but didn't know I was suffering from depression and Body Dysmorphic Disorder till I got help.

In my first-ever shot, there was a big shell that was dropped on my belly in slow motion. I even asked the director why we are doing it, and he said it would look beautiful... and I wondered, 'Really? But why and how?'

As far as clothes are concerned, for the day, wear something chic: a good pair of jeans, crop, and open hair with a bright lip colour. For an evening, a nice pair of high-waisted trousers and a nice blouse looks great.

Films happened to me accidentally when I met Marc Robinson in a hotel in Goa, where my mum worked as a supervisor. I would often go there, and the manager there would see me and tell my mom that I should try being a model.

I have been parts of some films in the South where I didn't expect certain shots to be shot in a certain way. I wasn't experienced enough; I was very naive. I didn't have the standing of an actor to say that I don't want to do this shot.

I don't think I constantly have to be on a promotional spree or be seen in the newspapers every day or even be part of social parties and film gangs. I'm having my own set of journey, and I am happy with it because I don't want to be like everybody.

There are days when there's no will to do anything. It's not easy for someone in my profession, because you are always meant to be in the limelight. I can't just not turn up, as I will come across as unprofessional, and people won't work with me anymore.

When I first started out in Telugu cinema, I signed anything and everything that came my way. I was 18, was immature, and it felt like a good idea that 'Oh, they are paying me a good amount of money.' I was young, naive; I had zero ambition, and honestly, it wasn't my calling.

I had a different perception of what a relationship or love is like. I was all giddy-headed and fairytale about it in my head, but it's so different. There's a lot of restraint that you've got to have, compromising in certain situations - and you've got to have a lot of respect.

My mum is a rock star, and I idolise her. She was born in a conservative Muslim family, where the girls were not educated much, and she was required to wear a burkha. She felt repressed but dreamt of driving her own car, walking around in jeans and wearing sunglasses, and she did.

When I have actors flirting with me in acting, in my head, I am thinking, 'If I flirt back, I could definitely land a film with this guy. If I consider going to his house for drinks, considering he has invited me, I could definitely get a film with him.' But I just don't want to do that.

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