Quotes of All Topics . Occasions . Authors
I think singing and acting go hand in hand. Take an R&B singer: one song says, 'I love you,' the next is, 'Baby, don't leave me', the next is, 'If you leave me I don't care.' You have to drop in and out of different perspectives.
When I was younger I never drank. I never drank, I never did any weed or drugs or anything because I felt it would compromise my position. I was an orphan, and I had a feeling like if I ever hit the ground I may never get back up.
'New Jack City' was a perfect marriage of music and film. They used a lot of musicians: myself, Christopher Williams. People that were popular because of their music were given the chance to act. And the soundtrack was incredible.
I think L.A. radio is learning from the Bay. The Bay is a very classic place. Mac Mall, C-Bo, all that stuff, they love their artists, they're old school up there. My first big concert was playing in the Bay; I played the Fillmore.
Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.
The trick with hip-hop-hip-hop is a sport. The only music that's really, really close to a sport. It starts off, "My DJ's better than yours. I can out-rap you, I can out-dance you, my graffiti piece is better than you." It's very competitive.
I'm normal. I just had a different occupation for a while, and when you're in a different occupation, you have to carry yourself a different way. Most of my art is me bringing you stories from that era of my life. My life now is kind of boring.
You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that.
Because I first made my name as a rapper claiming South Central L.A., people often assume I'm strictly a West Coast cat. But my family was actually from back East. I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey.
I look at my career and I feel I have the potential to maybe mature into a Samuel Jackson-type older cat, and people will still respect me and say 'Yo, Ice-T was wild', into my old age. And why not? I don't necessarily think I'll be rapping in 10 years.
I think, people look at me, and they say, 'You were very aggressive,' I say, 'Yeah,' you know, and I've made a better life for myself, for my son, so I should reflect that with my music now. I shouldn't still be rhyming like that; that would be me lying.
Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.
That's basically the gangster code. Just be yourself. Just be you, dog. The easiest way to get your card plucked around a gangster is to be a fake. If we feel like you're trying too hard, if you're trying to act like you're from the street, you're in trouble.
You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.
I'd say people are victims of circumstances and they're limited to the opportunities that they see. Even though there might be more opportunities, you might not see them. You might just think, "I don't have any options." You usually go to the dark side, in that situation.
I think what's happenin' is that, with the overflow of music, it's been diluted. There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio.
When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.
When I got a chance to rap, I just busted my ass. When I got a chance to act, I busted my ass. Anytime I get a chance. I'm not wasting time. I won't do it if I'm not doing it 110 percent. You've got to work hard if you want to play hard. I like to play, but I know I gotta bust my ass.
Redemption means you just make a change in your life and you try to do right, versus what you were doing, which was wrong. So I think a lot of people get hooked on drugs and when they get over that addiction they go out and they try to talk to kids and they try to work in rehab centers.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
I didn't start off with the responsibility because I didn't think anybody would care. But as you do meet these people influenced by your music, then you start to understand you have a responsibility. I don't think you initially know it until you feel the power of what you're really doing.
When I first started out in music, I was so negative. I was knee-deep in the streets. Then my friends started going to jail. They said, 'Boy, you better start taking this seriously; you got a chance to do something with your life.' That's when I realised I had to focus. The music led to the acting.
Military is a great place for a jock. That's the first thing they test you, they test you physically. If you can run, if you can do the pushups, it's not as hard a transition. If you can't do that, you're going to have a problem because they're going to really work it out of you or work it into you.
You know, you'd hide behind a Public Enemy or Ice Cube, or Bruce Springsteen, or U2, because they spoke for you. But now everybody's bloggin'. I heard somebody say, "Blogging is just graffiti with punctuation." Everyone's an authority so there's nobody in power, 'cause everyone thinks they're in power.
I've been pulled out of my nice new car and laid out in the street by the police, interrogated and then have them get in the car and roll off leaving me lying in the street without even saying 'Get up.' The humiliation that they can put on a black man because they determine that you ain't got the money.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
I'm just disillusioned with the hip-hop sound right now. It's too materialistic. You know, I'm the kind of guy ... I can't do that. If you track my movement, you'll never see a picture of me with any girl that wasn't mine, or my own car. My jewelry, my clothes. What kind of gangsta rapper has a stylist? A stylist?!
You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard.
It's like a paradox. For one side, being popularized rap got better and the other side of it got worse. It's very pop and it's very different now. When you make it as pop and as soft as it is, it lacks its integrity. It lacks its accountability. It lacks a lot of other things that came from that dangerous time in hip hop.
I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
I think that a rap aficionado, the hardcore rap fan, will always go away from pop, in the same way a hardcore jazz fan will never think Kenny G is really a jazz artist. You gotta kind of know there's always going to be that purist who's going to be like if it ain't beats and rhymes, if there ain't a DJ, then that ain't Hip Hop.
My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
I was doing the wrong thing, at the time I thought I was doing the right thing. It's like if you're dealing with somebody who is high on drugs, they can look back at it and say, "Wow, I was destroying myself." But during the period, they think they're doing the right thing. You just have to let the smoke clear so you can see the whole picture.
It's just that when you heard hip-hop, no matter where you were, it was a culture that kind of made you want to try to be part of it. Whether you thought you were an artist, whether you thought you could be a DJ, whether you thought you could breakdance, or whether you thought you could rap. It was the kind of culture that had a lot of open doors.
What's bad for the culture is wack rappers that get held in high regard like they're some great thing because it's the flavor of the month, but everybody knows they can't rap. I don't think it's hard, even for somebody who's not hip-hop, to know that that's not good. When you put them up against somebody that can really rhyme, you go, "Okay, I get it. This is what it should sound like."
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.