Earlier we used to enjoy films for 25 weeks, Silver jubilee, and Golden jubilee; but now it takes only 3 days to recover the cost.

It's a challenge to stay true to oneself and celebrate our stories. I do so by continuing to be what I am, continuing to be myself.

You either get to play a vicious mother-in-law who hates the bahu, or makkhis and naagins. There is no creative satisfaction in TV.

In fact, a lot of saas-bahus of today share a distinctive bond of support and understanding. I do feel that's the way it should be.

It is good that in our TV industry, stories revolve around female characters more than male characters but there should be no sex war.

I completely believe in the leadership and vision of Prime Minister Narendra Modi and it is because of this that I have joined the BJP.

I joined the National School of Drama in the 1980s and for anyone who joins the NSD, they eat, sleep and breathe theatre for three years.

In the 1990s, when I made my debut, an artiste would get easily stereotyped. So I only got the roles of didis, bhabhis, chachis and buas.

Earlier, even I used to think that I would be doing theatre all my life, but as I grew, I understood that it was not practically possible.

I don't act in sex comedies, and whoever acts in them, I don't think it's bad, because cinema, art and theatre are the mirrors of society.

While touring in and outside Mumbai to do theatre, I got some good offers to act in films, which brought me success and I continued to do movies.

Kajol is a very moody person. If she likes you then she likes you but if she doesn't, then she will not like you. Fortunately for me, she liked me.

As an actor, the whole process of shooting for movie or television is so artificial though the final product may be extremely realistic to the viewer.

Now when one goes to Dubai, one does shop a lot. I bought a lot of exotic food like Tofu and smoked salmon, which are generally not available in Mumbai.

'Bandhan' is easily one of my favorites as the title itself talks of eternal bonds. It is an excellent example of a movie that shows truth always prevails.

Yaar, television has become a very exhausting medium for actors now. It's like you are racing against time in the race for TRPs, which can be very saturating.

I willingly gave up many assignments in films, TV and endorsements, which were far more economically lucrative, for the sake of theatre as I am really passionate about it.

Look at films like 'Raazi,' 'Manikarnika: The Queen of Jhansi' and 'Padmaavat'... women in our film industry have changed the whole scenario. They are no less than our male actors.

The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.

I played a lot of roles in my mother's life. I was her driver when she wanted to go to places, her cook when she was unwell, but one role that remained unchanged is that of a friend.

World Theatre Day is an important day for us, we get to applaud the efforts of renowned playwrights, actors, and directors who have put in toil and blood to create meaningful stories.

I always keep planning to go back to theatre but I am waiting for a challenging and meaningful role. I want it to be something that has not been done before and excite me enough to do it.

Today, television industry means pool of young talents, and if you are not active in it then there are chances that you will be overshadowed by them. It is like newspaper where old becomes stale.

Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.

Theatre remains my first and last love and even when I am noot doing plays, I am associated with it in some way. For instance, I go to Mumbai University as a visiting faculty and talk about the medium.

I take it as a compliment when people want to click photos with us. But at times, it is pretty intrusive. People think that because we come on the big screen or on television, they have a right over us.

Playing Hamidabai was an eyeopener to how much we've lost in the evolution of our culture and society. In many ways, she mirrors my personal life journey, as a woman fighting to stay true to her passion despite all odds.

I was pretty good at studies and when I had come to NSD for my interview, I'd lied that I have got a scholarship to study abroad. I told my family that I had a visa interview, but I was actually here for the interview at NSD.

Earlier, we had shows like 'Hasratein' and 'Shanti,' which had great storylines and mature content. Now, with a hundred shows running five to seven days a week, the TV industry has become very torturous and taxing for the actors.

Normally, people would spend thousands to watch a trashy film in a multiplex, but not shell out a few bucks to watch a play. But in bigger cities, we are more likely to find a bigger section of people who would want to watch a play.

Banaras really pulls you. I had been to the city several years ago for a film shoot. Though I have very fleeting memories of that stay, I still remember that I had gone to Kashi Vishwanath temple and shopped for some Banarasi saris.

I played the role of Mitro in 'Mitro Marjaani' which was directed by Mr. B. M. Shah and it was really amazing because for the first time in Indian theatre, was a woman portraying someone who is bold about her physical needs and is proud of her body.

Whenever the hero and heroines met, they couldn't go beyond a point. They would just hold hands and consummation or kissing would be two flowers meeting or a bumblebee hovering over a flower. In 'Kaagaz Ke Phool,' even though their love was strong, the couple never touched.

Maybe at some point, I will come out with my #MeToo story. Very well known and important people have tried to take advantage of me or have misbehaved. They are still around. When I want to name them, I will name them. It will not be one name, there will be quite a few names.

One day, I got a call from Aditya Chopra and he said, 'Ma'am, I am Aditya Chopra speaking, Yash Chopra ji's son. I am making a film and I have a role for you.' I was so simple at that time, I told him, 'Ya fine, I am shooting at Noor Mahal bungalow, you come and meet me there.'

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