Quotes of All Topics . Occasions . Authors
Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
Whatever impatience we may feel towards our neighbor, and whatever indignation our race may rouse in us, we are chained one to another, and, companions in labour and misfortune, have everything to lose by mutual recrimination and reproach. Let us be silent as to each other's weakness, helpful, tolerant, many, tender towards each other! Or, if we cannot feel tenderness, may we at least feel pity!
I have never felt any inward assurance of genius, or any presentiment of glory or of happiness. I have never seen myself in imagination great or famous, or even a husband, a father, an influential citizen. This indifference to the future, this absolute self-distrust, are, no doubt, to be taken as signs. What dreams I have are all vague and indefinite; I ought not to live, for I am now scarcely capable of living.
A woman is sometimes fugitive, irrational, indeterminable, illogical and contradictory. A great deal of forbearance ought to be shown her, and a good deal of prudence exercised with regard to her, for she may bring about innumerable evils without knowing it. Capable of all kinds of devotion, and of all kinds of treason, monster incomprehensible, raised to the second power, she is at once the delight and the terror of man.
Christianity, if it is to triumph over pantheism, must absorb it. To our pusillanimous eyes Jesus would have borne the marks of a hateful pantheism, for he confirmed the Biblical phrase "ye are gods," and so would St. Paul, who tells us that we are of "the race of God." Our century wants a new theology - that is to say, a more profound explanation of the nature of Christ and of the light which it flashes upon heaven and upon humanity.
Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, grieves, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations --all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.
To be misunderstood even by those whom one loves is the cross and bitterness of life. It is the secret of that sad and melancholy smile on the lips of great men which so few understand; it is the cruelest trial reserved for self-devotion; it is what must have oftenest wrung the heart of the Son of man; and if God could suffer, it would be the wound we should be forever inflicting upon Him. He also - He above all - is the great misunderstood, the least comprehended.
Criticism is above all a gift, an intuition, a matter of tact and flair; it cannot be taught or demonstrated--it is an art. Critical genius means an aptitude for discerning truth under appearances or in disguises which conceal it; for discovering it in spite of the errors of testimony, the frauds of tradition, the dust of time, the loss or alteration of texts. It is the sagacity of the hunter whom nothing deceives for long, and whom no ruse can throw off the trail.
Composition is a process of combination, in which thought puts together complementary truths, and talent fuses into harmony the most contrary qualities of style. So that there is no composition without effort, without pain even, as in all bringing forth. The reward is the giving birth to something living--something, that is to say, which, by a kind of magic, makes a living unity out of such opposed attributes as orderliness and spontaneity, thought and imagination, solidity and charm.