Quotes of All Topics . Occasions . Authors
Was it Aristotle who said the human soul is composed of reason, will, and desire?” “No, that was Plato. Aristotle and Plato were as different as Mel Tormé and Bing Crosby. In any case, things were a lot simpler in the old days,” Komatsu said. “Wouldn’t it be fun to imagine reason, will, and desire engaged in a fierce debate around a table?
I often recall these words when I am writing, and I think to myself, “It’s true. There aren’t any new words. Our job is to give new meanings and special overtones to absolutely ordinary words.” I find the thought reassuring. It means that vast, unknown stretches still lie before us, fertile territories just waiting for us to cultivate them.
I was confident that I was a special person. But time slowly chips away at life. People don't just die when their time comes. They gradually die away, from the inside. And finally the day comes when you have to settle accounts. Nobody can escape it. People have to pay the price for what they've received. I have only just learned that truth.
A regular wind-up toy world this is, I think. Once a day the wind-up bird has to come and wind the springs of this world. Alone in this fun house, only I grow old, a pale softball of death swelling inside me. Yet even as I sleep somewhere between Saturn and Uranus, wind-up birds everywhere are busy at work fulfilling their appointed rounds.
I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
We fell silent again. The thing we had shared was nothing more than a fragment of time that had died longe ago.Even so, a faint glimmer of that warm memory still claimed a part of my heart. And when death claim me, no doubt I would walk along by that faint light in the brief instant before being flung once again into the abyss of nothingness
This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be a long process and that you'll work on things slowly, one at a time.
Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
Like it or not, it's the society we live in. Even the standard of right and wrong has been subdivided, made sophisticated. Within good, there's fashionable good and unfashionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match.
it occurred to me what a simple thing reality is, how easy it is to make it work. It's just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it's just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
What do you mean, 'playing really creatively'? Can you give me an example?" "Hmm, let's see ... you send the music deep enough into your heart so that it makes your body undergo a kind of a physical shift, and simultaneously the listener's body also undergoes the same kind of physical shift. It's giving birth to that kind of shared state. Probably.
She's kind of funny looking. Her face is out of balance--broad forehead, button nose, freckled cheeks, and pointy ears. A slammed-together, rough sort of face you can't ignore. Still, the whole package isn't so bad. For all I know maybe she's not so wild about her own looks, but she seems comfortable with who she is, and that's the important thing.
To me, love is a pure idea forged in flesh, awkwardly maybe, but it had to connect to somewhere, despite twists and turns of underground cable. An all-too-perfect thing. Sometimes the lines get crossed. Or you get a wrong number. But that's nobody's fault. It'll always be like that, so long as we exist in this physical form. As a matter of principle.
From the girl who sat before me now...surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.
It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.
I was reborn," she said, her hot breath brushing his ear. "You were reborn," Tengo said. "Because I died once." "You died once," Tengo repeated. "On a night when there was a cold rain falling," she said. "Why did you die?" "So I would be reborn like this." "You would be reborn," Tengo said. "More or less," she whispered quietly. "In all sorts of forms.
Human beings are ultimately nothing but carriers-passageways- for genes. They ride us into the ground like racehorses from generation to generation. Genes don't think about what constitutes good or evil. They don't care whether we are happy or unhappy. We're just means to an end for them. The only thing they think about is what is most efficient for them.
pulled into my convenient neighborhood fast food restaurant. I ordered shrimp salad, onion rings, and a beer. The shrimp were straight out of the freezer, the onion rings soggy. Looking around the place, though, I failed to spot a single customer banging on a tray or complaining to a waitress. So I shut up and finished my food. Expect nothing, get nothing.
There's no sense forcing yourself if you don't feel like it. Tell you the truth, I've had sex with lots of guys, but I think I did it mostly out of fear. I was scared not to have somebody putting his arms around me, so I could never say no. That's all. Nothing good ever came of sex like that. All it does is grind down the meaning of life a piece at a time.
The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
My biggest faults is that the faults I was born with grow bigger each year. It's like I was raising chickens inside me. The chickens lay eggs and the eggs hatch into other chickens, which then lay eggs. Is this any way to live a life? What with all these faults I've got going, I have to wonder. Sure, I get by. But in the end, that's not the question, is it?
I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do." "A rule?" "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.
You end up exhausted and spent, but later, in retrospect, you realize what it all was for. The parts fall into place, and you can see the whole picture and finally understand the role each individual part plays. The dawn comes, the sky grows light, and the colors and shapes of the roofs of houses, which you could only glimpse vaguely before, come into focus.
Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?
A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way.
I've been lonely for so long. And I've been hurt so deeply. If only I could have met you again a long time ago, then I wouldn't have had to take all these detours to get here.' Tengo shook his head. 'I don't think so. This way is just fine. This is exactly the right time. For both of us. [...] We needed that much time.... to understand how lonely we really were.
Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
There wasn't a cloud in the sky, no wind, and everything was quiet around us - all we could hear were birds chirping in the woods. The war seemed like something in a faraway land that had nothing to do with us. We sang songs as we hiked up the hill, sometimes imitating the birds we heard. Except for the fact that the war was still going on, it was a perfect morning.
But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Everybody has some one thing they do not want to lose," began the man. "You included. And we are professionals at finding out that very thing. Humans by necessity must have a midway point between their desires and their pride. Just as all objects must have a center of gravity. This is something we can pinpoint. Only when it is gone do people realize it even existed.
Sitting on the floor, I'd replay the past in my head. Funny, that's all I did, day after day after day for half a year, and I never tired of it. What I'd been through seemed so vast, with so many facets. Vast, but real, very real, which was why the experience persisted in towering before me, like a monument lit up at night. And the thing was, it was a monument to me.
In any case, suffice it to say I enjoyed hearing about faraway places. I had stocked up a whole store of these places, like a bear getting ready for hibernation. I'd close my eyes, and streets would materialize, rows of houses take shape. I could hear people's voices, feel the gentle, steady rhythm of their lives, those people so distant, whom I'd probably never know.
The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. ... [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.
When you see runners in town is easy to distinguish beginners from veterans. The ones panting are beginners; the ones with quiet, measured breathing are the veterans. Their hearts, lost in thought, slowly tick away time. When we pass each other on the road, we listen to the rhythm of each other's breathing, and sense the way the other person is ticking away the moments.
The morning air of the pasture turned steadily cooler. Day by day, the bright golden leaves of the birches turned more spotted as the first winds of winter slipped between the withered branches and across the highlands toward the southeast. Stopping in the center of the pasture, I could hear the winds clearly. No turning back, they pronounced. The brief autumn was gone.
I don't think jealousy has much of a connection with real, objective conditions. Like if you're fortunate you're not jealous, but if life hasn't blessed you, you are jealous. Jealousy doesn't work that way. It's more like a tumor secretly growing inside us that gets bigger and bigger, beyond all reason. Even if you find out it's there, there's nothing you can do to stop it.
Wasn't it better if they kept this desire to see each other hidden within them, and never actually got together? That way, there would always be hope in their hearts. That hope would be a small, yet vital flame that warmed them to their core-- a tiny flame to cup one's hands around and protect from the wind, a flame that the violent winds of reality might easily extinguish.
You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.
At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
Me, I've seen 45 years and I've only figured out one thing. That's this: if a person would just make the effort, there's something to be learned from everything. From even the most ordinary, commonplace things, there's always something you can learn. I read somewhere that they said there's even different philosophies in razors. Fact is, if it weren't for that, nobody'd survive.
Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There-you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)
There are symbolic dreams-- dreams that symbolize some reality. Then there are symbolic realities -- realities that symbolize a dream. Symbols are what you might call the honorary town councillors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometime. It has nothing to do with me.
You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have to polish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy.
In traveling, a companion, in life, compassion,'" she repeats, making sure of it. If she had paper and pencil, it wouldn't surprise me if she wrote it down. "So what does that really mean? In simple terms." I think it over. It takes me a while to gather my thoughts, but she waits patiently. "I think it means," I say, "that chance encounters are what keep us going. In simple terms.
I wander though China. Without ever having boarded a plane. My travels take place here in the Tokoyo subways, in the backseat of a taxi... all of a sudden this city will start to go. In a flash, the buildings will crumble. Over the Tokyo streets will fall my China, like ash, leaching into everything it touches. Slowly, gradually, until nothing remains. No, this isn't a place for me.
Well, think of what I’m doing to you right now. For me I’m the self, and you’re the object. For you, of course, it’s the exact opposite—you’re the self to you and I’m the object. And by exchanging self and object, we can project ourselves onto the other and gain self-consciousness. Volitionally.” “I still don’t get it, but it sure feels good.” “That’s the whole idea,” the girl said.
I'm not sure if I could tell the difference—between just staring into space and thinking. We're usually thinking all the time, aren't we? Not that we live in order to think, but the opposite isn't true either—that we think in order to live. I believe, contrary to Descartes, that we sometimes think in order not to be. Staring into space might unintentionally have the opposite effect.