Quotes by Harmony Korine - Page 2

If Richard Wagner lived today, he would probably work with film instead of music. He already knew back then that the 'Great Art Form' would include a sort of fourth dimension; it was really film he was talking about.
Harmony Korine / Film Director
Art
Talking
Today
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
Harmony Korine / Film Director
Ambiguous
Bad People
Good People
Grey
Horrible
Horrible Things
Beauty Life Good
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I always get sick of these conversations where people are so obsessed with pixels, with high definition, and even with technology in general. I find it just dull and heartless. And so I wanted to use only the worst machines.
Harmony Korine / Film Director
Heartless
Machines
Obsessed
Sick
Conversations
Definition
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I've always been pulled toward people who can't seem to make anything fit. It's like a cinema of isolation, of loneliness. They go outside the system and create their own society to develop their obsession to an insane degree.
Harmony Korine / Film Director
Insane
Loneliness
People
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I tried working odd jobs that had nothing to do with creating, and it was difficult for me. In the end, I just always loved movies. When I'm making a film I feel most alive, like I'm doing the right thing, and I'm in the place where I need to be.
Harmony Korine / Film Director
Difficult
Film
Odd
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I tried working odd jobs that had nothing to do with creating, and it was difficult for me. In the end, I just always loved movies. When I'm making a film, I feel most alive, like I'm doing the right thing, and I'm in the place where I need to be.
Harmony Korine / Film Director
Doing The Right Thing
Odd
Odd Jobs
Right Thing
Movies Always Me
Movies Me Difficult
In The End
The Right Thing
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I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.
Harmony Korine / Film Director
Character
Color
Ideas
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
Harmony Korine / Film Director
Cinema
Confrontation
Disruptive
Time Movies Me
In The Beginning
Making Movies
Wanting
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Often the biggest dreamers get hurt the most. They were pure in their insanity and in their isolation. They were living the dream amongst themselves and didn’t realize it. It’s when they invited the public inside their world that everything went wrong.
Harmony Korine / Film Director
Dream
Hurt
Insanity
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Editing is fun for me. That's where you make things happen. Filming a movie, I just try to set things up and see where it goes. Editing is a puzzle. I often don't even know what I'm trying to say. I'm just trying to make myself laugh. That's it. It's musical, or something.
Harmony Korine / Film Director
Fun
Laughing
Musical
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I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
Harmony Korine / Film Director
Conventional
Masterpiece
Narrative
Cared
Coherent
Directions
Falling
Movies Way Always
Images
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I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to laugh, and that always blew me away.
Harmony Korine / Film Director
Cruelty
Always Me Remember
Afterwards
Blew
Certain Things
Horrifying
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I don't even know how people read new fiction anymore because there's so much old fiction that exists that seems great that's unread. It's overwhelming to me. But, I mean, I do read. But there probably haven't been many people less literate than me that have been in 'The Paris Review.'
Harmony Korine / Film Director
Overwhelming
Great Me People
Exists
Literate
Review
Unread
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
Harmony Korine / Film Director
Elitist
Malls
Big Way
Hopes
Rarefied
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I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.
Harmony Korine / Film Director
Hermits
Nursing
Old People
Retirement
Shoes
Trash
Tapes
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I like things that are never one way. Usually, emotionally, I make the films based on a type of energy. I try to work with things that are more difficult to articulate. And so, that's more of a feeling. And so, the things that have attracted me are more of the things that are morally complicated or emotionally complicated.
Harmony Korine / Film Director
Feelings
Trying
Way
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For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
Harmony Korine / Film Director
Film
Kind
Perfect
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I was born 'Harmony,' and it was weird because when I was a little kid, I was picked on so much that when I was 13, I changed my name to Harmful. I thought it was a tougher name, so I had it legally changed. And then, I don't know, it just didn't seem to catch on, so... legally, my name is still Harmful, but I just said I'll go back to Harmony.
Harmony Korine / Film Director
Little Kid
Catch
Harmful
Legally
Picked
Tougher
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A lot of times you can write a scene with a specific song in mind, and then you lay it over the image, and it kills it. I can never figure out why certain music works. Some music you listen to and say, "Man, that would be great for a movie." But when you try it, it's horrible, because the music itself is cinematic. The weight of it kills the image.
Harmony Korine / Film Director
Men
Song
Writing
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I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene. That was the thing about vaudeville: You didn't have to worry about the beginning and ends of these things.
Harmony Korine / Film Director
Fall
Scene
Worry
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Directing, to me, starts even before we get to the set. Directing is a fluid, an abstract thing. It's not done only purely in the moment. It's an idea that you plant before. It's a location that you show. It's something I whisper in someone's ear. It's a freeform thing. It only takes me a week to write the script, but it's years that you're thinking about it. The execution is really the fast part.
Harmony Korine / Film Director
Thinking
Writing
Years
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Spaceman 3 was one of my favorite bands growing up, and Jason Spaceman is someone I got along well with. I always felt his music was like narcotic gospel - there's something very moody and ethereal about it. Sun City Girls is the same, but different. To me, they're like the premier American avant music act. They're like the Marx brothers of music. I don't mean they're funny like that, but they turn everything on its head.
Harmony Korine / Film Director
Girl
Brother
Growing Up
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The first time I hung out with [David Blaine], he took me to this condemned building, and it had a pizza oven and he crawled into the pizza oven and turned the heat on to 400 degrees or something like that, and he stayed in it for I guess a half hour. He came out, and except for one or two second-degree burns, he was unscathed. You meet a lot of musicians and filmmakers and actors, but it's rare to meet someone who can step inside a pizza oven and take the heat. I was intrigued by that.
Harmony Korine / Film Director
Degrees
Musician
Two
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Harmony Korine Quotes - Page 2

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