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My second year of college, I started performing comedy at an open mic. It was good to do open mics with the kids. It's a good, safe spot to start, you know?
In the future, I want to do an action movie! I'm going to get in shape, get ripped, and have my Chris Pratt transformation. And then become a movie star like that.
Social media is interesting. It helps me connect with fans. It's immediate. It's a big part of my touring business - getting the word out via Twitter, Facebook, and Instagram.
I love stand-up. I look at it as a way to always stay productive. I couldn't imagine only being an actor or a writer. Because what the hell do I do when I'm not working? Mope?
You want to grow where you came up so when you move, you get noticed easier. You can grow in New York but it's better to come here already solid to get your reputation quicker.
The ultimate thing is creating your own stuff and making projects for yourself. That's what Seth Rogen does. He's writing and producing a lot of the movies that he's the lead in.
I'm in awful shape. I'm trying to get in better shape. My girlfriend, she's in good shape. She gives me health tips sometimes, like, 'Hannibal, you're going to die.' Stuff like that.
I had a sketch called 'Fedora Basketball,' which was about basketball players having to wear hats; in addition to scoring points, they have to make sure their fedoras don't fall off.
I go to a lot of rap shows and sometimes take what they do from a performer's aspect, how they interact with the crowd. I always have a DJ with me on the road, as well as some dancers.
I feel like comedy is doing well right now because there's so many avenues to be seen. Whether it's through the Internet with social media or web videos and now there's so many networks and TV shows.
I think one of my first jokes - in the black community, there's people who have jokes about skin tone. People like, 'You so black, you purple.' 'You so black, you gotta smile so we can see you at night.'
I'm doin' something different. I mean, I talk a little bit about race and interracial dating, but it's not the heart of my act. I just try to do what I think is funny; there's no huge message or through line.
There's a lot of dudes in my neighborhood that have handlebar mustaches. Which is cool if you want to have a handlebar mustache but don't try to have a conversation with me like you don't have a handlebar mustache.
I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.
Even on TV appearances or big shows, I don't know if I've ever been as nervous as I was my first time doing stand-up. I just remember getting offstage and sitting down, and my right knee was just shaking from the adrenaline.
I can work as a writer, but I wanted to do stand-up. And I knew I could, at worst, work as a stand-up. And I like to travel, and I knew I wanted to do an hour special, so in order to get ready for that, I had to hit the road.
I like smoking at home. I like it to be one of the last things I do that day. I don't wake and bake at all; I couldn't do that. If I'm waking and baking, then I'm staying inside my place the rest of the day. I can't start my day off high.
There's no room for failure performing [stand-up] for a black audience. If you don't get them right away it's tough winning them back even if you're doing top-notch material. If you didn't win them right when you walked out there, it's tough.
I never have written a movie, but there are some bad movies out there. I can make one. I definitely want to get into that because that's how you, at my level, would get a lead in a movie - by writing a low budget thing for myself. So I gotta get to it.
Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'
The more you progress, the more you learn. I try to pay attention to ticket counts, draws, guarantees and bonuses. I look at my deals closely these days and try to come up with other projects and ideas, since this business [comedy] is about creating content.
I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
The jokes now, it's just more stories and personal experiences. And just talking about things that really happened. It's just becoming more comfortable as a performer, sharing my opinions on things, or things that've happened to me. That's where it's really going.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
A lot of comedians do bits where they say, 'I was listening to this song, and this person said this, and you know how they say that?' And I thought it would work better if I actually had a DJ put that song lyric right there. It makes it more dynamic, and it's more energetic.
I don't even know how to use a semicolon to this day; I use a comma every time. And you know what? If I email somebody and they get upset about me using a comma instead of a semicolon, that's not a person I want to work with anyway. And that's how you weed people out of your life.
Gibberish rap is - I freestyle all the time, just hangin' out with friends. And sometimes when I'm freestyling, I'll lose my flow, you know, but I'll still wanna - I don't wanna just stop rapping because I lose my flow. So I'll just put in nonsense words till I can bring in regular words again.
Once you're in a room like '30 Rock,' it's a creative setting, so you write more even after you go home, just because you're still in that mode of coming up with jokes. So the job wasn't sapping standup jokes, but it was sapping stand up time and energy, and I wouldn't be able to travel as much.
When people say, 'How did you start in comedy,' I say my family was kidnapped by ninjas when I was very young, and to get them released I had to do a killer five-minute set. And even after I did that, you know, I started doing comedy under tough circumstances, I still kept at it because I enjoyed it.
There's been times where I sold the place out, and I walked in and the guy's like, 'Uh, ID?' 'No, you can't ID me, man. I just sold this place out.' People are just doing their jobs, but I think if you're working the door at a venue where there's a headliner, you should at least be like, 'OK, this is the dude.'
I don't like when people say, 'I'll pray for you. I'm going to pray for you. Praying for you.' You're going to pray for me? So you're going to sit at home and do nothing? 'Cause that's what your prayers are; you doing nothing while I struggle with a situation. Don't pray for me - make me a sandwich or something.
I just wear black and gray all the time. If you Google Image me, you'll just see a bunch of black and gray. It's simple. If I like a shirt, I'll buy six or eight of them, wear them back-to-back, and just wait for somebody to say something. 'That's the same shirt you wore yesterday.' 'Yeah, but this one is fresh.'
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
You forget that sometimes comedy is just a big night out for people. Almost every show, people come up to me and go, 'This is the first comedy show I've ever seen,' so you want to do well. If you do horribly at somebody's first time seeing live stand-up, well, you've not only tainted yourself, you've tainted a whole art form.
We'll keep you in our thoughts With the other bullshit in your heads? No, keep me out of your thoughts, because I hear some of the stuff you talk about and if that's close to what you're thinking about, I don't want to be around that, so keep me and my family out of your thoughts, unless you're thinking of making me a sandwich.
I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.
Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.
I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.
I just write and do what I think is funny. Sometimes, you do have it in your head about certain bits. There are certain jokes where I know if I did them in certain situations, it would irk people. There are times where I look at the news and see a story going on, and I'm like, 'Wow, if I tweeted this, I would get press if I wanted to.'
God sounds kinda like a shitty father to me. If God was so powerful why'd he have to give his son up? It sounds like God owed someone some money and they couldn't get to him, so they murked his son. That's what I really think happened. Jesus got stabbed up in an alley... but it's easier to sell crucifixes. You can't sell a pendant of someone getting shanked up In the alley. It's a marketing scheme.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
I don't believe in cancer walks. Well, I believe in them because they exist but I'd rather just give money straight up and save my Saturday afternoon. I can make my own t-shirt, that's not incentive. Plus I don't think cancer responds to how far people walk. I don't think cancer's sitting at home, 'What? How many people walked how far? How many people walked how far wearing the same shirt? That's crazy! I'm out of here!' Remission.
Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.
Whenever I eat at a restaurant I never put the napkin in my lap. People say, 'Hannibal, why don't you put the napkin in your lap?' Because I believe in myself. I believe in my ability to not spill food in my pants 'cause I'm a goddamn adult. And I've mastered the art of getting food from my plate to my mouth without messing up my jeans. You need to believe in yourself, too and get your life together, that's for babies. Have some confidence in your eating abilities and hand/eye coordination.