Quotes by Greg Lynn - Page 1

I always try to think in curves.
Greg Lynn / Artist
Curves
Thinking
Trying
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The clothes I like are not necessarily tailored.
Greg Lynn / Artist
Clothes
Tailored
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It turns out it's not rocket science to design a sacred space.
Greg Lynn / Artist
Rocket Science
Sacred
Turns
Rocket
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It's incredibly exciting to know people are using and living with the things I create.
Greg Lynn / Artist
Living People Know
Incredibly
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As sustainability becomes more and more of a concern, we're going to see more plastics.
Greg Lynn / Artist
Concern
Sustainability
More And More
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It's most satisfying to have an effect on the public realm - deep down I think it's what every architect wants to do.
Greg Lynn / Artist
Architect
Deep Down
Satisfying
Effect
Realm
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A very big percentage of small-scale construction is plastic. But its some horrible beige plastic made to look like wood.
Greg Lynn / Artist
Construction
Looks
Woods
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A very big percentage of small-scale construction is plastic. But it's some horrible beige plastic made to look like wood.
Greg Lynn / Artist
Construction
Horrible
Plastic
Percentage
Wood
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I really like the pop culture materials of everyday life, but used in some way that elevates them to something you notice and care about.
Greg Lynn / Artist
Everyday
Everyday Life
Materials
Pop Culture
Notice
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With everything that I design, from a church to a plate to skyscraper to a spoon. I am always thinking about voluptuous volumes and spaces.
Greg Lynn / Artist
Design
Space
Skyscraper
Thinking
Plate
Spaces
Spoon
Volumes
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It's tens of millions of calculations just to design one connection between a piece of structural steel and another piece of structural steel.
Greg Lynn / Artist
Design
Inspiration
Motivation
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Without a computer, every point on a structure has to be calculated with reference to everything else. But by using a PC, I can create complex curves that don't have radii or centers.
Greg Lynn / Artist
Computer
Curves
Structure
Calculated
Centers
Complex
Everything Else
Pc
Reference
Using
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What's interesting about architects is, we always have tried to justify beauty by looking to nature, and arguably, beautiful architecture has always been looking at a model of nature.
Greg Lynn / Artist
Architecture
Justify
Architects
Model
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Before computers, you'd start designing using shapes of cubes. Now I can start with something like a handkerchief, an object that doesn't have strong inside and outside boundaries or much closed volume.
Greg Lynn / Artist
Computers
Boundaries
Cubes
Shapes
Volume
Closed
Designing
Handkerchief
Object
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By supporting all the links in the building chain and giving them an easy, intuitive tool for sharing model-based project information, GTeam enhances workflows and improves communication from design through to fabrication and assembly.
Greg Lynn / Artist
Communication
Assembly
Fabrication
Intuitive
Links
Chain
Enhances
Improves
Sharing
Supporting
Tool
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Plastics, as a material, are very nasty, but as an alternative to, let's say, a brick, which seems really natural, they start to look pretty good. They're very low energy to produce, very lightweight to transport and construct. That's why they're so popular.
Greg Lynn / Artist
Nasty
Produce
Transport
Alternative
Good Start Look
Brick
Construct
Lightweight
Low
Pretty Good
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When my kids were toddlers, they had all these rotomolded plastic things. My life became surrounded by big, hollow plastic toys - from the scale of playhouses down to rocking horses, and everything in between - which we would then take to the secondhand store. But we'd get sentimentally attached and hate to see them go.
Greg Lynn / Artist
Hate
Hollow
Plastic
Toys
Life Hate My Life
Scale
Attached
Became
Horses
Rocking
Secondhand
Store
Surrounded
Toddlers
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To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
Greg Lynn / Artist
Design
Issues
Small Rooms
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To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
Greg Lynn / Artist
Architecture
Design
Break
Identity
Rooms
Scale
Coherent
Field
Unlike
Issue
Object
Organic
Product
Realm
Small Scale
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Greg Lynn Quotes - Page 1

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