Quotes of All Topics . Occasions . Authors
Love to me has no bounds.
Real love is unconditional.
I create vibe-y dance music.
I started rapping when I was 18-19.
More people should rap about reality.
We're all people at the end of the day.
I really don't want to be a stereotype.
It's the bounce in go-go that inspires me.
I love meeting people, I love seeing faces.
Mac Miller is my best friend in the industry.
I just wear the uniform of the city I'm from.
The only important things are family and love.
Without Mac Miller, there would be no GoldLink.
You know, Slick Rick was tight at telling stories.
There's more to music than just words over tracks.
I used to do push-ups every morning from 6:00 to 8:00.
When I write songs, I write from a lot of perspectives.
I won an ASCAP award two years in a row - that was sick.
Beck's 'Hell Yes' was the most game changing video ever.
Black History in 2019 and beyond is all about inclusivity.
I went to my first go-go when I was in, like, sixth grade.
I grew up with go-go music. We wasn't really hip-hop fans.
I read slowly, I watch movies slowly, because I retain everything.
I don't have a hip-hop goal but I want to headline Bonnaroo one day.
Black women, dark skin women are the original beautiful people to me.
Looking back, I made my mistakes and I understand and learned from them.
Believe it or not, at concerts some records go off more than 'Crew' does.
Balance is good. You should always have balance... you need it to survive.
I feel like the D.C. streets just love Gucci Mane. He's like a hood pastor.
I don't have any idols, I owe it all to hardwork, dedication and competence.
I just love home. I just attached to it since I grew up there my entire life.
Outwardly seeing how your music effects culture and everyday life, is amazing.
The thing is, Mac Miller wrote all of 'Divine Feminine.' That was a great album.
I'm real sexy and I make sexy music so I'm going to be Prince meets Nelson Mandela.
I'm from the DMV. I grew up in Maryland my whole life and I was born in Washington D.C.
At What Cost' means so many things: go-gos were shut down for our good, but at what cost?
I prefer owning something and partnering with other people, instead of like joining something.
I tell stories about the people around me, I tell stories about me. I tell stories about my hood.
I'm going to make my own 'Trapped In The Closet' one day, about a black kid growing up in the hood.
With 'Opening Credit,' we were trying to establish a certain tone and put people in a specific mood.
My biggest influence is my city. There's so much there. We have our own lingo, food, music and culture.
I used to sing in a choir when I was young. My mom forced me hardbody. I was hella young, like 5 years old.
In black culture, you know, we used to go swing dancing. We used to go out to go dance and actually have fun.
If I'm everybody's hero from Canada all the way down to Australia, but I'm not able to come home? Then I failed.
I wanna take what I'm doing and create something around it as opposed to trying to fit into someone else's world.
As cliche as that sounds, Maya Angelou is one of the best writers I've ever read. She's very wise and to the point.
GoldLink is about my music and not so much about me. But it's cool that people are starting to notice who I am outside that.
When I was in senior year of high school, my mom lost her job, we lost our house, and we had to move in with my uncle and my aunt.
I just wanna make more music, legit music as opposed to keeping the same constant thing. I wanna show growth in the music, pretty much.
For me, music doesn't have a color. 'Teen Spirit' is a fire song made by a white guy that me as a black person loves and can identify with.