Quotes of All Topics . Occasions . Authors
Marriage is based on the theory that when a man discovers a brand of beer exactly to his taste, he should at once throw up his job and go to work inthe brewery.
Common sense, in so far as it exists, is all for the bourgeoisie. Nonsense is the privilege of the aristocracy. The worries of the world are for the common people.
It may be said that artist and censor differ in this wise: that the first is a decent mind in an indecent body and that the second is an indecent mind in a decent body.
There is something distinguished about even his failures; they sink not trivially, but with a certain air of majesty, like a great ship, its flags flying, full of holes.
A ready way to lose your friend is to lend him money. Another equally ready way to lose him is to refuse to lend him money. It is six of one and a half dozen of the other.
The Russian dramatist is one who, walking through a cemetery, does not see the flowers on the graves. The American dramatist . . . Does not see the graves under the flowers.
Criticism is the windows and chandeliers of art: it illuminates the enveloping darkness in which art might otherwise rest only vaguely discernible, and perhaps altogether unseen.
The notion that as a man grows older his illusions leave him is not quite true. What is true is that his early illusions are supplanted by new, and to him, equally convincing illusions.
The sweetest memory is that which involves something which one should not have done; the bitterest, that which involves something which one should not have done, and which one did not do.
I know many married men, I even know a few happily married men, but I don't know one who wouldn't fall down the first open coal hole running after the first pretty girl who gave him a wink.
A man reserves his true and deepest love not for the species of woman in whose company he finds himself electrified and enkindled, but for that one in whose company he may feel tenderly drowsy.
There is no legimate actor who can resist the powerful lure of the movies. It isn't the money that fetches him. It isn't the great publicity. It is simply this: the movies enable an actor to look at himself.
A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.
One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.
It is the mark of a superior person that, left to themselves they are able endlessly to amuse, interest and entertain themselves out of their personal stock of meditations, ideas, criticisms, memories, philosophy, humor and what not.