Zombies cannot run.

Movies are about escape.

Collaborate, don't dictate.

Film is a very expensive medium.

I like to use horror as allegory.

My film collection is all oldies.

Nothings ever real until its real.

Zombies are the blue-collar monsters

I'm like my zombies. I won't stay dead!

I'm basically a fairly traditional filmmaker.

I have a soft spot in my heart for the zombies.

I'd love to make a film like 'Pan's Labyrinth.'

I have a very quiet life. There's nothing weird.

I always have CNN on. That's where I get my ideas.

Neighbors are frightening enough when they're alive.

I want 'Dawn' to play like a cowboys and Indians movie.

I don't want a zombie society. I don't want to go that far.

'Day of the Dead' remains my favourite zombie film of mine.

I'll never get sick of zombies. I just get sick of producers.

Everybody knows the rules, even though some break those rules.

I like guys who are understandable and good guys who are flawed.

When there's no more room in Hell, the dead will walk the Earth.

There are very few horror films that I think are worth their salt.

I think you're only free if you're working on very low or huge money.

The Thing from Another World' was the first movie that really scared me.

There aren't that many monsters. It's very hard to create a new monster.

The only advice you can give is, 'Don't let the bad stuff keep you down.'

I can't really make fun of zombies. They're not liars. They're not cheats.

I expect a zombie to show up on Sesame Street soon, teaching kids to count.

The zombie was just an intriguing character; it is a sympathetic character.

I expect a zombie to show up on 'Sesame Street' soon, teaching kids to count.

I won't say I'm uncompromising, but I won't compromise just for the hell of it.

I will never make a film where zombies are threatening to take over the planet.

Horror films are the anchovies of the cinema. Either you like them, or you don't.

In 2007, 'Diary of the Dead' all of a sudden made money. I was blindsided by that.

I grew up in New York City. And I lived in the Bronx in a place called Parkchester.

Zombies are the real lower-class citizens of the monster world and that's why l like them.

My stuff is my stuff. I do it for my own reasons, using my own peculiar set of guidelines.

The most realistic blood I've seen is when Marlon Brando gets beat up in On The Waterfront.

I've made six zombie films; I've tried consciously to make each one different from the next.

I keep a little notebook of things that I can do to the zombies that might be silly and fun.

A lot of my friends are people who do horror films: Wes Craven, John Carpenter, Stephen King.

I always thought of the zombies as being about revolution, one generation consuming the next.

I'm amazed. I go to these conventions, and the fans that come, sometimes my line goes all day.

Ever since 'Lassie' and 'Old Yeller', I won't watch animal movies. Animals in movies always die.

My stuff is my stuff. Sometimes it's not as successful as some of the other stuff. But it's my stuff.

I've never had a zombie eat a brain! I don't know where that comes from. Who says zombies eat brains?

If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.

I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors.

I'm a Turner Classic Movies guy. That's it. I'd much rather sit here and watch an oldie than anything new.

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