Quotes of All Topics . Occasions . Authors
The picture's pretty bleak, gentlemen... The world's climates are changing, the mammals are taking over, and we all have a brain about the size of a walnut.
I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
You always hear a headline like this, 'Man Killed By Shark', you never hear it from the other perspective, 'Man Swims in Shark Infested Waters, Forgets He's Shark Food'.
People get very passionate about saving the whale, but when something like a Florida indigo snake is endangered there are not a lot of people out there holding up placards.
I don't know where my ideas come from. I will admit, however, that one key ingredient is caffeine. I get a couple cups of coffee into me and weird things just start to happen.
Theme-park approach to nature. We judge plants and animals by whether they're entertaining to us. We gravitate toward animals and plants that are big, dramatic, beautiful and at eye-level.
With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.
You know those little snow globes that you shake up? I always thought my brain was sort of like that. You know, where you just give it a shake and watch what comes out and shake it again. It's like that.
As a kid I used to raise snakes. Obviously, my social life was a bit down at the time. But it took me a while to realise that with an interest like that people are going to think there's something wrong with you.
Usually when I sat down to draw a cartoon, it would be more of a reflection of things in my past. Or it could be something I had experienced that morning, or that week, or something I might know that's part of my background.
I thought some of my earlier cartoons were not exactly great shakes at the time I drew them. Now I see a certain innocence in them. The humor has a kind of purity to it, I guess. And it works better on some level for me now.
As for the reasons behind my retirement, they mostly center around simple fatigue and a fear that if I continue for many more years my work will begin to suffer, or at the very least ease into the graveyard of mediocre cartoons.
The problem, Mr. Fudd, is that you've been having a sublimal effect on everyone in the factory. We're proud of our product, Mr. Fudd, and there's no company in the world that build a finer skwoo dwivuh. ... Dang! Now you got me doing it!
I didn't want to go to school for more than four years, and I didn't know what you did with a bachelor's in biology. So I switched over and got my degree in communications. I regret it now. It was one of the most idiotic things I ever did.
My future plans are hazy, and I've yet to experience how much cartooning is in my blood and therefore how much I'll miss it. But I have some other interests, especially in music, and I will probably take the opportunity to delve into those things more deeply.
The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.
Charters give public school teachers the flexibility to design programs to the individual student needs. They no longer have to go to a distant bureaucracy to ask for permission. By being allowed to make their own decisions the teachers are able to create strong partnerships with parents.
Humans have changed ecosystems more rapidly and extensively than in any comparable period of time in human history, largely to meet rapidly growing demands for food, fresh water, timber, fiber and fuel. This has resulted in a substantial and largely irreversible loss in the diversity of life on Earth.
People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
I don't read cartoons because I think for the most part the comics don't have an interest for me. There's just nothing there these days that makes me want to go seek them out. I'm not trying to say my work wouldn't have sparked that same reaction from somebody else. There's just nothing there for me personally.
A long time ago, I became aware that many of us have a tendency to lump nature into simplistic categories, such as what we consider beautiful or ugly, important or unimportant. As human a thing as that is to do, I think it often leads us to misunderstand the respective roles of life forms and their interconnectedness.
Perspective was always important. There are some cartoonists who can stand at the foot of a building looking straight up and they'll capture it perfectly. And then there are those of us who do the same drawing and it's the goofiest-looking thing in the world. But after a while I guess you just learn what you're capable of and what you can and can't do.
I think it's vital to be honest with yourself. You do have to satisfy yourself first. If you're drawing something, you have to ask yourself if it's something you genuinely think is funny. Or is it starting to fall into just a category, just kind of a shtick thing? I think it's important for all cartoonists to be honest with themselves about their own sense of humor and what they're doing.