I saw the 'Wizard of Oz' recently and realized that, all my life, I thought they were real monkeys with wings. That's how scary that movie was for me.

I've been in a lot of shows, I will say that. Every once in a while, I'll look at a tape of something I've done, and I won't even remember having done it.

Looking back, I was a very good kid, very studious and all. But I would always come out with a quip - and I was sent to the principal's office several times.

I once was in a project. They were going to do a remake. Somebody started a rumor I wanted more money. I said, 'This is ridiculous. I'd kill for this project!'

Christopher Guest, he'll call and say, 'We're doing this movie, and I'd like you to play _' and he gives you the character, then I always like to enlarge on the character.

I still think 'Texas Chain Saw Massacre' was what they call one of those watershed movies. That and 'The Exorcist' and 'Psycho' were just landmarks for those horror films.

I used to collect autographs outside of the old Cleveland Stadium. I can still remember everyone who took the time and spent a few minutes to make your day. That sticks with you.

As an actor, and as you get to a certain level... and it's pilot season and you read the trades, you could have a nervous breakdown. 'So-and-so's signed for a pilot. Why aren't I?'

To a New Yorker, a 1948 Indians World Series baseball signed by the whole team might be worth only $200 to $300, but to a Clevelander like myself, it might be, like, $1,000 to $2,000.

My father passed away when I was 12, so it was very difficult. But I was always the class clown. I don't know why - maybe as an escape. But then I was sent away to military prep school.

Comedy relieves you. A lot of times, we think we're the only people bothered by certain things. Then you hear a comic say, 'Don't you hate it when...' And it's, 'Oh, my God! Of course!'

Comedy is harder, because if there's no laughs, it's pretty bad. But drama, if there's no reaction, you can say, 'Well, it's not their cup of tea. Maybe it's too heavy for the audience.'

'Field of Dreams.' Definitely one of the best baseball films of all time. When Kevin Costner spoke to his dad, and his dad answered, I, um, I mean a lot of guys I know couldn't help crying.

I am re-collecting the baseball cards my mom had thrown out when I went away to school. You know you are an adult when you can buy a whole set of baseball cards instead of two packs at a time.

It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off

It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off.

Someone I've always admired is Catherine O'Hara... I think she's one of the best actresses in the country, not only comedy. I just think she's just a step aside from everybody, she's just wonderful.

Some of the Christopher Guest movies, when I'm not really like myself, when I have my hair dyed blonde or had a faux-hawk haircut. Those I like to watch because it takes you away from your real self.

When you think about accountants, who would want to be an accountant? But, what would we do without accountants? Whether it's soldiers or garbage men or doctors, everyone has the thing that they love.

Because I started my career in improv, performing with Second City and the Ace Trucking Company, I always enjoy being in situations where - as an actor - you have to think fast & be light on your feet.

I love sketch; it's my favorite form. But if it's all improv, they're either very good, and it's annoying how good they are, and it makes you feel bad, or they're not too good; then you're sweating for them.

I think my wife saw a picture of the rock group Journey, and they're kind of aging, and the one guy had dyed blonde hair with black roots, and... my idea was to get a little earring, I wanted to have a dangling earring.

I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.

I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.

With improv or a full length play - you know how you go to a theater, and after 10 minutes you say, 'Oh, I don't like this thing,' but you don't want to get up and leave? At a sketch show, it's always something new every few minutes.

If I have to play an obnoxious character, try to find a redeeming feature of him. The most obnoxious people in the world were people, and they had had a reason for doing what they did. So you try to find that and let the obnoxiousness come out.

I think everyone has a door in their brain that says, 'Do not exit here.' If you go past it, you'll find all the dumb thoughts in there, all the stupid things that shouldn't be said. I've probably gone there more than anyone should in a given lifetime.

I did a show called 'Lois & Clark' - it was about Superman - years ago. They wanted someone to play the president of the United States. The plot was the president got kidnapped by a group, and they made a clone of him, who was very irresponsible and silly.

One of the first shows I ever did was 'Laverne & Shirley.' I played this sleazy guy that came into town with a friend and was going to date Laverne and Shirley, but we really wanted to get into the bowling alley because it was next to the bank we wanted to rob.

I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only trying to help.

I had just done a movie called 'How to Beat the High Cost of Living,' and it didn't get a good review. And the same people sent me the script for 'Airplane!' for the Robert Hays part. I read it, and there were a lot of plays on words, and I said, 'I don't like this kind of comedy.'

It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.

There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.

I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.

I'll look through a script, and if there's a lot of night shooting I tend not to want to do it. If there's huge party scenes and I'll go through a few pages and say "Well, at least I'm not in this," then the last page my character walks in and says something, I say, "Uh oh, that's going to be three days on the set sitting around drinking coffee at the craft-service table." Unless it's a great part. All in all if it's a great part you'll do it and I'll say, "Well, I'm gonna be on the set for three days."

I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.

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