It’s one thing if a person learns you’re a witch. It’s quite another if he learns you’re a murderer. I almost forget I’m a witch now that I know I’m a murderer—murderess, actually. Murderess sounds so much worse.

I don't like my shoes,' said Rose. 'I'm wearing my shoes and you don't see me complain.' 'You only hear a person complain,' said Rose. 'Not see.' How has Rose lived for seventeen years and no one has killed her, not once?

The beach has a language of its own, with its undulating ribbons of silt, the imponderable hieroglyphs of bird tracks. The receding waves catch on innumerable holes in the sand. Bubbles form and fade. A new language, with a new alphabet.

I am entirely well,” said Eldric, “which has Dr. Rannigan exploring first one theory, then another, trying to understand. But not being a man of science, I don’t care about understanding. I simply want to go outside and break a few windows.

Father’s silence is not merely the absence of sound. It’s a creature with a life of its own. It chokes you. It pinches you small as a grain of rice. It twists in your gut like a worm. Silence clawed at my throat. It left a taste of burnt matches.

I explained we lost the porch to the flood. Father hasn't gotten around to rebuilding it, although he's quite a good carpenter. He says if Jesus was a carpenter, its good enough for a clergyman. But I don't remember that Jesus let his house fall down.

Life and stories are alike in one way: They are full of hollows. The king and queen have no children: They have a child hollow. The girl has a wicked stepmother: She has a mother hollow. In a story, a baby comes along to fill the child hollow. But in life, the hollows continue empty.

There are no preconditions for jealousy. You don't have to be right, you don't have to be reasonable. Take Othello. He was neither right nor reasonable, and Desdemona ended up dead. I wouldn't mind Leanne ending up dead. I wouldn't mind exploding her into fireworks of peacock and pearl.

When Rose takes to screaming, she starts loud, continues loud, and ends loud. Rose has a very good ear and always screams on the same note. I'd tested her before I burnt the library, and our piano along with it. Rose screams on the note B flat. We don't need a piano anymore now that we have a human tuning fork.

It is true that I can trip over anything and nothing – a speck of dust, a patch of sunlight, an idea. I move through life like a person with one eye, through a landscape that looks flat, but is really tricked out with hidden depths and shallows. It didn’t use to be so, but no matter. I navigate the world well enough in my own way.

We laughed a lot and I grew warmer still, lovely and warm. I do realize that some of that warmth was due to the wine, but there was much more to it than that. There are two distinct aspects to Communion wine: one aspect is the wine itself, the other is the idea of communion. Wine is certainly warming, but communion is a great deal more so.

I have some questions about betrayal,” I said. “Think about this: A person who calls you his best friend, and says he has dinner plans with you, goes off with a beautiful woman, saying he’ll be back directly, then makes you wait half an hour because he’s kissing the woman in the alley. Is that betrayal?” “Oh, Lord.” Eldric tossed back his wine.

This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.

The handkerchief dabbed at my forehead. 'Ouch! You'll have a fine-looking bruise tomorrow.' 'Then you'll be able to distinguish me from Rose.' The handkerchief paused. 'I could tell you apart from the beginning. You're quite different to each other, you know.' Perhaps he could tell, in the obvious ways. The odd one was Rose; the other odd one was Briony.

I don’t mind the disapproving ones so much. It’s the tolerant ones I can’t stand, the ones who smile at Rose, who speak to her ever so slowly and gently. They don’t realize how very intelligent Rose really is. They’re just terrifically pleased with themselves. Look at me! they all but shout. See how broad-minded I am! How wonderfully progressive, how fantastically twentieth century!

Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Briony's heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.

I should hate to be a regular girl with a sugar-plum voice. I should hate to have swan-like lashes, and a thick, sooty neck. I sound as though I’m joking, I know, but I should truly hate to be like Leanne, so charming and ordinary and stuffed with clichéd feelings. I’m glad I’m the ice maiden. Who wants to be crying over every stray dog? Not I. Scratch my surface and what do you see? More surface.

When we were small, Rose and I used to play a game called connect the dots. I loved it. I loved drawing a line from dot number 1 to dot number 2 and so on. Most of all, I loved the moment when the chaotic sprinkle of dots resolved itself into a picture. That's what stories do. They connect the random dots of life into a picture. But it's all an illusion. Just try to connect the dots of life. You'll end up with a lunatic scribble.

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