I've tried very hard and I've never found any resemblance between the people I know and the people in my novels.

If you treat life well, life is usually good to you. And I love life. There's a long-standing affair between us.

I have loved to the point of madness; That which is called madness, That which to me, Is the only sensible way to love.

Every time I see a film about Joan of Arc I'm convinced she'll get away with it. It's the only way to get through life.

There are moments when you feel trapped, ill at ease. A year later the same feeling can turn out to be the theme of a book.

After Proust, there are certain things that simply cannot be done again. He marks off for you the boundaries of your talent.

A love affair based on jealousy is doomed from the start ... It is certanly a sign of love, but it's a sign that it's already dying.

You should celebrate the end of a love affair as they celebrate death in New Orleans, with songs, laughter, dancing and a lot of wine.

There is a certain age when a woman must be beautiful to be loved, and then there comes a time when she must be loved to be beautiful.

When you make a decision to write according to a set schedule and really stick to it, you find yourself writing very fast. At least I do.

For this was the round of love: fear which leads on desire, tenderness and fury, and that brutal anguish which triumphantly follows pleasure.

All my life, I will continue obstinately to write about love, solitude and passion among the kind of people I know. The rest don't interest me.

I recognize limitations in the sense that I've read Tolstoy and Dostoyevsky and Shakespeare . . . Aside from that I don't think of limiting myself.

I did not find him absurd. I saw he was kind, that he was on the verge of real love. I thought it would be nice for me to be in love with him, too.

When man, Apollo man, rockets into space, it isn't in order to find his brother, I'm quite sure of that. It's to confirm that he hasn't any brothers.

Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.

No one ever has time to examine himself honestly, and most people look no further than their neighbors' eyes, in which they may see their own reflection.

It seems to me that there are two kinds of trickery: the "fronts" people assume before one another's eyes, and the "front" a writer puts on the face of reality.

It seems to me that there are two kinds of trickery: the 'fronts' people assume before one another's eyes, and the 'front' a writer puts on the face of reality.

If you don't have imagination you're lost. But it's a virtue that's becoming increasingly rare, especially in its higher form: spontaneity. Mad, happy spontaneity.

Passion is the salt of life, and that at the times when we are under its spell this salt is indispensable to us, even if we have got along very well without it before.

The happiness of people who are in love and who are loved shows in their faces. They have an expression that's at once very far away and very much part of the present.

Of course the illusion of art is to make one believe that great literature is very close to life, but exactly the opposite is true. Life is amorphous, literature is formal.

I dreamt of being a writer once I started to read. I started to write 'Bonjour Tristesse' in bistros around the Sorbonne. I finished it, I sent it to editors. It was accepted.

He lifted me up and held me close against him, my head on his shoulder. At that moment I loved him. In the morning light he was as golden, as soft, as gentle as myself, and he would protect me.

For what are we looking for if not to please? I do not know if the desire to attract others comes from a superabundance of vitality, possessiveness, or the hidden, unspoken need to be reassured.

Only by pursuing the extremes in one's nature, with all its contradictions, appetites, aversions, rages, can one hope to understand a little - oh, I admit only a very little - of what life is about.

Usually I avoided college students, whom I considered brutal, wrapped up in themselves, particularly in their youth, in which they found material for drama or an excuse for their own boredom. I did not care for young people.

Art must take reality by surprise. It takes those moments which are for us merely a moment, plus a moment, plus another moment, and arbitrarily transforms them into a special series of moments held together by a major emotion.

I've often found myself preferring second-rate people to supposedly superior people, simply and solely because of their uncontrollable tendency to bang themselves against the sides of life's vast lampshade like fireflies or moths.

Writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.

I was thinking that I should be content to kiss him until the break of day. Bertrand ran out of kisses too soon; desire made them superfluous in his eyes. They were only a stage on the road to pleasure, not something inexhaustible and self-sufficient, as Luc had revealed them to me.

I don't think there's any intrinsic difference between a lover and a husband. ... If I were cynical, I would say that a woman should have both a good husband and a lover. But I'm not cynical so I'll just say that a woman should have a lover who's a good husband and a husband who's a good lover, perhaps both.

He refused categorically all ideas of fidelity or serious commitments. He explained that they were arbitrary and sterile. From anyone else such views would have shocked me, but I knew that in his case they did not exclude tenderness and devotion - feelings which came all the more easily to him since he was determined that they should be transient.

A Strange melancholy pervades me to which I hesitate to give the grave and beautiful name of sorrow. The idea of sorrow has always appealed to me but now I am almost ashamed of it's complete egoism. I have known boredom, regret, and occasionally remorse, but never sorrow. Today it envelops me like a silken web, enervating and soft, and sets me apart from everybody else.

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