Film lovers are sick people.

Life has more imagination than we do.

Is the cinema more important than life?

Taste is a result of a thousand distastes.

There's no such thing as an anti-war film.

The film of tomorrow will be an act of love.

I warmly recommend to you the films of poets.

In love, women are professionals, men are amateurs.

Airing one's dirty linen never makes for a masterpiece.

There are no good and bad movies, only good and bad directors

We often forgive those who bore us, but never those whom we bore.

I have always preferred the reflection of the life to life itself.

I had thought of writing, actually, and that later on I'd be a novelist.

During the war, I saw many films that made me fall in love with the cinema.

Some day I'll make a film that critics will like. When I have money to waste.

Purely cinematic film ... actually the purest expression of a cinematic idea.

I am less instinctive as I try to be more professional - about the music, about the sound.

I prefer to be busy all day long, and when you work for someone else, you're not busy enough.

What switched me to films was the flood of American pictures into Paris after the Liberation.

When I begin a film, I want to make a great film. Halfway through, I just hope to finish the film.

Hitchcock loves to be misunderstood, because he has based his whole life around misunderstandings.

At first, I wasn't sure whether I'd be a critic or a filmmaker, but I knew it would be something like that.

Everyone who works in the domain of fiction is a bit crazy. The problem is to render this craziness interesting.

I'd skip school regularly to see movies - even in the morning, in the small Parisian theaters that opened early.

If I have some free time, I leave Paris with some books about the cinema. If I'm not filming, I'm watching films.

Three films a day, three books a week and records of great music would be enough to make me happy to the day I die.

I've always had the impression that real militants are like cleaning women, doing a thankless, daily but necessary job.

An actor is never so great as when he reminds you of an animal - falling like a cat, lying like a dog, moving like a fox.

Although men flatter themselves with their great actions, they are not so often the result of a great design as of chance.

A film is a boat which is always on the point of sinking-it always tends to break up as you go along and drag you under with it.

I want my audience to be constantly captivated, bewitched, so that it leaves the theatre dazed, stunned to be back on the pavement.

The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.

I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.

The man who thinks he can do without the world is indeed mistaken; but the man who thinks the world cannot do without him is mistaken even worse.

The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has.

When humor can be made to alternate with melancholy, one has a success, but when the same things are funny and melancholic at the same time, it's just wonderful.

To be a film-maker, you are almost forced to be surrounded by contradictions... You must have talents of so many different kinds - talents that are contradictory.

The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.

All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They're obliged to overstate their own importance.

The most beautiful thing I have ever seen in a movie theatre is to go down to the front and turn around, and look at all the uplifted faces, the light from the screen reflected upon them.

I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.

I am often asked at what point in my love affair with films I began to want to be a director or a critic. Truthfully, I don't know. All I know is that I wanted to get closer and closer to films.

I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.

But the cinephile is … a neurotic! (That’s not a pejorative term.) The Bronte sisters were neurotic, and it’s because they were neurotic that they read all those books and became writers. The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.

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