Quotes of All Topics . Occasions . Authors
The fact that women have been moving forward, that a woman was running for president, that we had a black president - I think there was, without a doubt, a whitelash and a complete backlash against the liberation of women, against the power of people of color.
We have to bridge and join our struggles and understand how we can't fight violence against women without looking at racism, we can't fight violence against women without looking at economic deprivation or climate change. All these struggles are interconnected.
Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.
Women are the primary resource of the planet. They give birth, we come from them. They are mothers, they are visionaries, they are the future. If we can figure out how to make women feel safe and honor women, it would be parallel or equal to honoring life itself.
People didn't feel so much shame around it and that they didn't feel so much humiliation around it. And the other thing that people have given me a lot of feedback about - something I'm very excited about - is all the stuff around chemo as an "empathetic warrior."
People need to dance. I'd say dance at least twice a day. That's how to get your energy up and how you keep you revolutionary spirit going. It's Emma Goldman who said, "Any revolution where I can't dance is not my revolution." I think that's the revolution we want.
I came out of the nine-hour surgery and I had tubes in every direction, and those nurses at the Mayo Clinic, I could cry for four days at the kindness of those nurses. The care, the detail of the care, the attention that just never wavered, never complained. The love.
I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.
Between the combination of Judeo-Christian religious 'be good be good be good' and Capitalist 'something's wrong with you, buy this' and the parental upbringing, which is 'you're wrong, you're not thin enough, you're not smart enough' I mean, hello! We don't have a shot.
Anorexia was my attempt to have control over my body and manipulate my body and starve my body and shape my body. It was not a very good relationship. It was the sort of relationship my father had to my body. It was a tyrannical, "you'll do what I tell you" relationship.
I live with that contradiction daily. It is a constant struggle. I struggle very deeply. I don't think I've said this to anyone, but I've wondered if I just want to give up this world and live in the Congo and just be there. But I don't think that's what they need from me.
I think the world is always improving and always not improving. I think that both are simultaneously happening all the time. I don't think it's one motion unfortunately - I wish we could say it's better, better, better - but I think it's better, bad, better, bad - you know?
Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.
I think that it was really rock-and-roll stars, women who were breaking boundaries with their bodies and their voices and their beings and their music. I spent a lot of time at concerts,just watching women rock out. They expressed so much of what I believed could be possible.
What we all have to know is the struggle is long. It's long. It may not end in our lifetimes. But the struggle is what gives our lives meaning and purpose. I tell people to take time out of activism every day to take care of their bodies, to take care of their souls and spirits.
Political change and academic change and intellectual change are obviously crucial, but they don't necessarily change society. They can change a particular class and give everybody in that class great arguments, but that doesn't necessarily translate into the body of the culture.
People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.
Good is towing the line, being behaved, being quiet, being passive, fitting in, being liked, and great is being messy, having a belly, speaking your mind, standing up for what you believe in, fighting for another paradigm, not letting people talk you out of what you know to be true.
I think so much of my early life, even though I grew up White and middle class, I was completely shattered by the horrifically violent atmosphere I grew up in. I am a consequence of violence. That opened a door to many realities that I would not have experienced had I not survived what I did.
We can't walk where we want to walk or be who we want to be or dress the way we want to dress or go anywhere any time of day. I am talking about the freedom that comes with just knowing that you're okay, and that you have value and you have identity, and you don't have to keep proving yourself.
I am not saying people shouldn't be held accountable for terrible acts. But holding people in prisons does not necessarily make them responsible or accountable. It makes them bad. It makes them evil. It puts an end to any process of transformation. It hardens them spiritually and psychologically.
Dancing in public spaces and moving your body freely in a public space is reclaiming what was taken from you when you were violated. The energy of that - you can't capture it, you can't own it. Capitalists can't buy it.It can't be sold. It can't be monetized. And that's why I think it's so powerful.
It really occurred to me at a certain point: women have not been embodied. Feminism has not been embodied. It hasn't gotten into us in a way where it is so undeniable that there is nothing to prove. Do you know what I mean? That we are so in our feminist skin, so to speak, that we are that world now.
We have to know people who are outside of our own circle, we have to reach out to people we don't know, we have to protect people who are in tremendous danger. And we also have to not get burned out and let our fear and anxiety and depression sink us. So there's lots of things we have to do right now!
We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
If I had a dream it would be to think, What would it be like for everybody to have the kind of health care I had? What would that feel like? How would that be, to live in that world? Because I'll tell you, to be really, really sick, and to not have money. That is terrifying. And in my opinion, a travesty.
I think when people begin to tell their stories, everything changes, because not only are you legitimized in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
If you just look at the fact that a woman was central in twittering the Cairo revolution, and women were central to the Tunisian uprising. Women are at the center of everything right now and moving everything forward. And I do think in the next year or two, we are going to see such a woman spring, such a rising.
I literally would go to see Tina Turner any opportunity I had because being in the presence of Tina Turner was like being in the presence of transformative energy, and feminist transformative energy. I remember thinking to myself, whatever this is, it's revolution. Whatever this is, it's change embodied in a woman.
An activist is someone who cannot help but fight for something. That person is not usually motivated by a need for power or money or fame, but in fact is driven slightly mad by some injustice, some cruelty, some unfairness, so much so that he or she is compelled by some internal moral engine to act to make it better.
I am worried about this word, this notion - security. I see this word, hear this word, feel this word everywhere. Security check. Security watch. Security clearance. Why has all this focus on security made me feel so much more insecure? ... Why are we suddenly a nation and a people who strive for security above all else?
What I would argue is that real spirituality is the ability to keep encountering two opposite thoughts at the same time and still maintain some kind of morality and perspective in the world. It is not the elimination of one side of the equation or the elimination of what you don't like; it is the investigation of everything.
I think it was a realization of this cancer, an understanding of the broader implications of what cancer is. The greed, the ravaging of lands and seas for profit, the taking of things that don't belong to us; what we've done to the environment in this fast-paced, careless hunger. I think all of that was happening in my body.
What I believe is that we have this extraordinary spirit inside ourselves, which for me is our Buddha nature. I believe we are in the process of opening and getting closer and closer to our Buddha nature and stripping away all that is covering it. I don't think I'm going to end up meeting this one being up there or out there.
One of the things I think about when we talk about a violence,and relationship to spirituality is that it seems to me when you take something from someone that isn't yours or you hurt someone else, fundamentally, you actually do that to yourself. You actually unmake yourself, you work against your own being and your own matter.
Look, you do everything in stages, right? I don't think everything happens at once. There are so many layers we are constantly chipping away at, down and down and down, closer and closer to what would be the body. I think what happened with cancer, was that I woke up out of nine hours of surgery and I was body. I was just body.
When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
With the Gulf spill, I absolutely merged in the time when I had that infection. I couldn't get out of the Gulf spill. There were so many similarities: the drains and the siphoning and the tubes. And also in the way the earth was hurt, the ocean was bleeding. Remember the video cams of the oil gushing? I couldn't stop watching that.
I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
I think there are so many children being brought up in some form of violence, be it violence of poverty or sexism or racism or homophobia or transphobia. That violence takes a life to transform or overcome. I don't think people should be spending their lives dealing with that. I think people should be thriving, playing, creating, evolving.
Naming things, breaking through taboos and denial is the most dangerous, terrifying, and crucial work. This has to happen in spite of political climates or coercions, in spite of careers being won or lost, in spite of the fear of being criticized, outcast, or disliked. I believe freedom begins with naming things. Humanity is preserved by it.
What I feel now is connected to people. I feel connected and I feel a lot of love for people. I feel the possibility of what building social movements and what working together in struggle creates. Whatever that energy is, it feels a lot better than what I felt when I was younger - which was worthless and disconnected and isolated and alone.
I think for me, happiness is crucial, but I think we think that happiness comes from amassing goods and getting things and being loved and being successful, when in fact my experience of happiness comes when you give everything away, when you serve people, when you're watching something you do make somebody happy, that's when happiness happens.
I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.
I really believe that is helping people. I've been talking to oncologists about how we can re-frame and re-think the chemo process, so it becomes a much more spiritual, psychological journey. Where people really could burn away what needs to be burned away. It's happening anyway. Why not frame it in a psychological way where it can serve as a transformation?
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.