Quotes of All Topics . Occasions . Authors
It's a pity if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
I'm realizing now that I was always really curious about inviting people into a space and sharing information that way. But I didn't have any context for it. It was just fun because I was homeschooled and lonely and bored, and I'd do things to get people to come over.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
As you go back or move toward insights/ideas/events/words/lessons/mistakes in the past, you develop into the future from the present. I think that's pretty cool that two quote-unquote opposites are intrinsically linked. That whole theme of opposites being two sides of the same whole is a theme that's always been intriguing to me.
People are more used to seeing men who are masters at an instrument than women. When people say, 'Oh, she plays like a dude,' it's usually dudes who are the ones saying it. They're saying, 'Oh, she's as good as us.' Of course, that's a stupid statement. It's totally stereotypical to say, 'We have an advantage on this, and if anyone else can do it well, it's only because they're like us.' I think more men are starting to learn that this attitude is totally hollow and based in imagination. As more women are involved in music, this kind of thing gets said less and less.