You have your assigned sex but gender is more of a construct and I think one that is incredibly disillusioning and I think when we buy into those constructs then we start to maybe, unbeknownst to ourselves, cause real damage to our psyches.

I personally feel like the conversation around feminism has advanced a lot. People are starting to realize privileged white feminism isn't cutting it. We have to look at the holistic experience of all women, or assigned women, on the planet.

As an actor, I had the most power than I've ever had before, because I was able to create and arc and pursue that idea fully, because as every new director that came on, no one knew 'Hanna' like I knew 'Hanna.' That is something that I knew inside me.

It honestly affects my mental health, social media, on a really profound level. Because I'm constantly being bombarded with an image of femininity that I feel I have to adhere to. And I think there's a lot of pressure in this industry, as well, being constantly discriminated on your aesthetic appearance.

I think the best privilege that I have in terms of having them as my parents was not just the doors that opened, but, I think, the stability to be graceful in the face of rejection, which is something that actors get every single day, and knowing it's not personal and not having that be part of your psyche.

I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.

I think growing up, the assimilation of most cultural conventions typically encouraged by a heightened awareness of gender and sex encourages a sort of separation of the self. What's so special about 'Hanna' is that her upbringing has negated this indoctrination; she's almost absolved of the pressures of gender or gender itself.

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