That's the moment I learned that the more you believe in yourself, the stronger the vibration touches someone else, and things begin to happen the way you dreamed that they would.

It's weird, but if I decide to do an album, then the ideas start fitting themselves together. I consider myself a nice, slow burn. Plus, it's not a race. And I have a lot to share.

Personally, I don't choose any particular religion or symbol or group of words or teachings to define me. That's between me and the most high. You know, my higher self. The Creator.

A home birth is about being able to create exactly what you want, because it's such a violent moment inside of the body that you want everything else to be as beautiful as it can be.

My style is a little masculine, and what I loved about Pyer Moss was how well he can make a blazer, the looseness of those pants, or color palette that he chooses from season to season.

Whereas I want everything to be peaceful during a birth, I take the total opposite approach when I'm helping someone come to terms with leaving this place - I play Richard Pryor records.

What I work hard at doing is staying on a path of being kind and showing and proving that I'm a good person to society. That's hard. The talent, that's a gift. I just came here like that.

What makes me furious, not just because we're in an interview, but I don't like when writers take your words and put them somewhere else, in the wrong context in their own article about you.

I was the bohemian in my family, the "this is my favorite shoe and I don't care if it has tape around it" kind of person. The tape could become a fashion statement. Or a political statement.

I solidify his [ Riccardo Tisci] vision and what he is trying to manifest, make it a crystal or solid thing because of the relationship I have with my culture and what my music means to him.

I don't have any particular thing I do ritualistically. I do the same thing every day. I get up. Drink a lot of water. Have a wheatgrass shot. Drink some green juice. Eat as healthy as I can.

I don't think it matters what school you go to, but I think it's important for parents to be involved. And to know that when school stops, learning continues, and to continue teaching at home.

I don't sing melodically. Rhyme pattern is how I sing. I also write like a lyricist or an MC because that's what I was before I was a singer. I just took those elements and put them into music.

It just works better for me to discriminate between which thoughts are mine and which come from elsewhere, before I even talk about them or express them - it helps to keep me focused on my path.

During childbirth and hospice I'll sing gospel songs that my grandma taught me when I was younger, or something I've made up, or I'll hum. I just play things that I think the audience will like.

From then on, I realized this is what I want to do, what I'm supposed to do: Giving energy and receiving it back through applause. I love it. That's my world. I love it. I enjoy it. I live for it.

I really can't say what inspires me the most, because I'm inspired by just about everything. My feelings and relationships, my family, Scooby-Doo. Opinion of my work. Everything. Not just one thing.

Artists need some kind of stimulating experience a lot of times, which crystallizes when you sing about it or paint it or sculpt it. You literally mold the experience the way you want. It's therapy.

My work as a doula also extends all the way to the end of life. I sit at the bedsides of people who are passing on in hospices or nursing homes, for the people and families who want that kind of thing.

It's almost like a lot of black people in America, a lot of young black men, are born with this cloud over their heads. It's their penitentiary cloud, this philosophy we all have, that it's harder for us.

I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.

I don't feel like I need to preach to the world or nothing like that. I just feel like I share what I say, and if listeners get it, they get it. And I never underestimate the audience's ability to feel me.

Different periods, different cultures - it's just the way my mind works. My music is that way as well. There's a foundation but the inspiration comes from everywhere. I've been influenced by so many things.

I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.

I strongly believe that the more positive my vibration is, the clearer my message will be. I keep my negative thoughts from infiltrating my pathway and my dreams. Other people's thoughts are none of my business.

We as Black people have to tell our own stories. We have to document our history. When we allow someone else to document our history the history becomes twisted and we get written out. We get our noses blown off.

My third mother is my paternal grandmother. Her name is Viola. She gave me my sense of knowing why, or knowing why it was important to ask why. She made me understand that I don't have to believe everything I hear.

I trust the political system to be what it is. It's a structure to keep the country running, a boat to get us [citizens] from one side to the other, and it has the country's best interests at heart. Not the people's.

I have a daughter who's four, who's dainty and princess-esque. I still get to dress her like my little accessory. I think I have one more year to do that, then she's going to get her own ideas - so I better move quickly!

I relate to that - he inspires me across the board. His music inspires me and reminds me to maintain honesty in the things that I do, to have an absence of fear. Listening to Earl Sweatshirt's music is like therapy to me.

The metal or the stone that's helping me .I'll incorporate them into anything I wear - but I think it's about accessories more than anything, because it's how you accessorize yourself that gives you your own unique style.

What does music mean to me? I don't think I would really be much without it, without it coming through me. It's my means of communication, my means of growth, my means of transportation from one point in my life to another.

[The Land] is a film that just happens to be directed and written by a Puerto Rican guy with a black dad. It seemed like a very natural, human interaction between people who all just came from one common cesspool of bad luck.

When people are going on to the next plateau of whatever this thing is called life, I also want them to breathe easily, even if it's the last one they take here with us. I guess I'm the welcoming committee and ushering committee.

As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion.

I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.

I thought the Billie Holiday comparison was beautiful. I think, Wow, what a wonderful, creative, helpful spirit. She's someone who wanted to help others by sharing her emotion. That's what I do, too, so I think that's a great comparison.

We were all born, and we all came to the music business with everything we had. Some of us just don't get a chance. Now there's a lot of other people like myself, indeed, who are getting heard worldwide. That gives other artists a chance.

I was sitting at home one day and I got a call that Riccardo Tisci was considering me for the face of the Givenchy Spring/Summer 2014 campaign, and I said, "Are you kidding?" and that was the end of the conversation. I'm a really big fan.

Society has a problem with female nudity when it is not . . . ”—Badu pauses to get her words together; she wants this point to be very clear—“. . . when it is not packaged for the consumption of male entertainment. Then it becomes confusing.

Well, if you look at all of the cultures in America, this is a great opportunity for us to really get acquainted with the rest of the world. America is the only place you can do that, but we don't have sense enough to take advantage of that.

I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.

It's just that little box in the middle of Fort Greene, Brooklyn. Most of the time I go I don't even leave that apartment. I have just enough: a little bed, a little kitchen with two pots. I make some tea and I look out the window or just lay down.

André and I are still best of friends, always have been and always will be. When our 18-year-old son, Seven, started high school, we both agreed to be in the same city, so André is in Dallas all the time, and we're always all together doing something.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.

I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.

I have an organization called BLIND [Beautiful Love Incorporated Nonprofit Development], so named because even though my interest is in the black community, because that's where I grew up and that's where I'm most skilled in fixing things, it doesn't end there.

And I figured out that the reason I couldn't get through the day as well as I can now is because I had too many things on my mind, on my plate, you know, for one person to have. So I started to eliminate some of the things that were too heavy to carry and unnecessary.

Im a hip-hopper, and its something you live and do. It makes me angry that were misrepresented, that were being killed every day by one another, by the government, by the food we eat, the choices we make. It makes me angry because it doesnt have to be that way and it is.

Share This Page