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I was part of the Atlanta Boy Choir probably like fourth and fifth grade. I personally didn't enjoy the type of music that we were doing. I was more into like whatever was on Disney Channel and Nickelodeon.
I am so excited for where and what K-pop is doing and how it's growing. In the music industry it's not a trend, it's not a quick 'oh this is cool for a minute,' this is a full genre, which is exciting and cool.
I think representation is something that's absolutely needed. I felt like with K-pop being so hot, we could leverage that to potentially do something bigger with music in the States that people could latch onto.
Korean, yes, I am now fluent in Korean. I was not always. When I got to Korea, I was constantly put on TV shows not knowing what was going on. So that forced me to learn Korean so I could stop looking like an idiot.
I had always wanted to pursue music. It was always a dream, but it was always a dream in the sense of, when you're young, 'I want to be president' or 'I want to be an astronaut and fly to Mars.' That's what it was to me.
My parents, or Asian parents in general, they're like, 'You should be a doctor, a lawyer, or a banker' - all that's laid out. As a kid that's what I bought into, which is why I ended up going the corporate route initially.
I'd love to do some collabs or music with Latin artists and in Latin America - we're working on it! I just really love Latin America and the language, culture, foods, people, and it's a place I grew up visiting pretty often.
I'm the type of person that if I feel strongly about something and if I really want to do something, I'm just gonna do it. And if it works out, amazing, and it's like 'I told you so,' but if it doesn't work out, that's fine.
When I first toured North America, everyone was saying that it was working because there is such as a solid Korean fan base here. The truth is, that is less than five per cent of the audience, which is mixed of all backgrounds.
I think there are probably ghosts in the world. I have not seen one but I feel like I felt the presence of one. In Korea there's been a superstition that ghosts love music, so they're always in a studio or a dance-training place.
Traveling has been a really big part of my upbringing and I've been fortunate enough to travel for different reasons. I'd like to think that it has had an impact on my character and personality, which ultimately affects my music.
A lot of my peers, be seniors or juniors, they'll text me or they'll call me and they'll say, 'Thank you for doing the music that you do because it pushes the genre forward in different ways.' It's a very rewarding thing to hear.
I learned Spanish as my second language from middle school through high school. I grew up volunteering at homeless shelters and tutoring kids of Latin immigrants in Atlanta, who didn't speak any English. That prepared me for when I traveled.
There was a point when dancing to music became cheesy after the boy band era of NSync and Backstreet Boys, but there were always those who craved that kind of visual satisfaction. K-Pop really filled that void, because it's so geared to spectacle.
When you first make money, you're just excited that you have it and just buy things on a whim. You don't really think about the implications that taxes have, because when you owe money, all of a sudden all of the money in your account - it's gone!
I want to position myself as a great singer/songwriter in Korea, then jump off that into different markets. South-east Asia, China, Japan - I've done nothing even though I speak four languages - English, Korean, Spanish, and a little bit of Mandarin.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
I thought it would be so cool to be a musician, but I always thought it was impossible, because I would never be accepted in mainstream media. The fact that I'm able to tour North America and around the world is an incredible blessing, and I am thankful every time I do it.
The coolest thing for me now is when I'm in the States and I meet other Asian-Americans who are like, 'Dude, thank you so much for doing what you do. I love your music, I love whatever. But whatever you do, we're gonna support you because there aren't many Asian faces doing music.'
I don't know why I feel the need to try and do everything. But I kind of have this mentality that you live once, and I have a lot of things that I want to do and there's a lot of things that I want to try. So I have to at least give it a shot before I don't try at all or like, give up on things.
Coming to Korea and becoming a singer, I always had two big goals personally. One was to be able to make it at some point so that I could do good things - I was always raised with an interest in social impact, philanthropy. The other thing was to be able to take my music and do it on a global scale.
Even within K-pop, there should be more representation. It's not just groups, and it's not just incredibly produced, highly choreographed pieces. There are vocalists, there's R&B, there's hip-hop, there are other types of people and voices. There's space for all of that to be shared and to be appreciated.
One way I deal with stress is when I feel a certain way, I just do it. It's like, I want a hamburger, so I'm just going to eat a hamburger. I don't want to answer your phone call right now - I'm not going to answer your phone call. Just be able to say, 'This is how I feel. This is the way it is, deal with it.'
I had accepted a position as a business analyst at Deloitte Consulting in New York. But before I went into that workforce, I decided to take a year off and went to India to do a social enterprise fellowship. It wasn't the best fit, but that was where a TV show in Korea found me and invited me to first come perform.
We recognize that there have been acts in the past that are Asian or Korean who tried to go, 'Hey, I'm a huge star in Korea, I'm a huge star in Asia so you guys need to respect me for being a huge star there.' But I don't know. As much as we may be big, we have to be very humble and start from the ground up in the States.
I feel like people have stereotypes and notions about Latin America that aren't necessarily accurate or aren't particularly positive. For me, Latin America is a place that I personally really love and enjoy visiting and going to, and I wanted to be able to show it in a light that was very different to an Asian, Korean viewer.
I think one thing I wish would be a little different, and it'll take time, is yes BLACKPINK, BTS, these teams are taking over the world and they're everywhere, but I think at a certain point we need to really push for other artists as well, and really help bring them up further, for this to be a sustainable industry, a sustainable genre.
I think Korea is so focused on just the charts, and what's going to chart and what's not, and I'm sure it's like that way in the States as well, to a certain degree. But I enjoy working in the States a little bit more. Because it's more about making music that is the right sound and the right fit to me, not so much just chasing the charts.
For the first four or five years I was in Korea, I took a lot of direction from my management and label in terms of what people want. I found myself trying to fit into that thing I never felt comfortable with because the critique I got was that I was too American, and too sophisticated and polished in terms of my musicality and it won't sell.
