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Bear in mind the simple rule, X squared to the power of two minus five over the seven point eight three times nineteen is approximately equal to the cube root of MCC squared divided by X minus a quarter of a third percent. Keep that in mind, and you can't go very far wrong.
The next step will be for the colonists on Mars to throw off the hand of the United States. There will be this wonderful historical irony. When the people on Mars write a declaration of independence saying, 'We hold these truths to be self-evident...', the US will be rather pissed off.
Well we were lucky because we started in Canada where everybody has a sense of humour! We flirted a little while with Josh Groban. He was personally interested in it. He said oh I'd love to do something different, and I said well it's pretty different! But in the end the dates didn't work out.
I live in a Spanish-style hillside home in Los Angeles, California. I paid $900,000 in 1995. It's perhaps worth about $3m now. Thankfully, I paid off my mortgage before the crash because I could see it coming. I worried that I would be caught having to pay off a very high mortgage for a house I couldn't sell.
My father, who was a sergeant in the RAF during the Second World War, was killed in a hitchhiking accident while returning home on compassionate leave. As a result, my mother had to get work, as a nurse, and at seven the RAF put me into a boarding school and ex-orphanage called the Royal Wolverhampton School.
I used to think I was like the wicket- keeper, which is like the catcher in base- ball, y'know what I mean? You can call the play a lot from behind the plate, y'know what I mean? You're not necessarily the star, you're not the one that makes the mark, but usually in the end, you're called upon to get a run when it's needed.
You could feel the place going crazy because we hadn't been on stage together for maybe 35 years and the audience could just feel us in the darkness come on and they went nuts. It made the little hairs stand up on the back of my neck and we sang Sit on My Face, which I thought was wonderfully appropriate for George's memorial, and then we bowed and we showed our bare asses.
We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.
So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John Du Prez. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind.
I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun.