Quotes of All Topics . Occasions . Authors
I have a nine handicap in golf - I can always find time for a round - and I'm on my treadmill and cross-trainer every day.
There used to be Engelbert dolls with sideburns. Now they sell Elvis dolls with the sideburns, but I don't begrudge him that.
I never wanted to be a movie star because it takes up too much of your time. I prefer the style of touring and making new music.
From me growing up with a large family and everybody singing around the Christmas tree, it was a wonderful, wonderful upbringing.
I recorded songs with a great deal of meaning, songs of lasting material. That's the legacy I want to leave behind - a legacy of love.
I work out: I do a little jump-rope. I punch a bag in the gym. I do the treadmill. I do stationary-bike exercise. I maintain a healthy diet.
I have a very staunch following, and I've had fan clubs all over the world. And these people I term as my 'cheerleaders' - my 'spark plugs.'
I love what I do, and I'm glad that people still love what I do. I'm booked, I come there, I do my job, and I hope they like what I bring to them.
There are so many people getting dementia. It is like an epidemic now. It is a terrible disease because once you get it, your life changes completely.
When I'm working, I always eat around 5:30-6 P.M. I don't eat anything after that because I don't think you should put anything into your body before bed.
I was very unsure of myself when I was young and an ugly little beggar with protruding teeth, so I used to lie on them at night to try to straighten them.
If I'm in a city I haven't been in before, I believe if I go into a church and ask a favor, it will be granted. It's part of my belief, and that's what I do.
In my concerts, I'm always doing new songs, so someone seeing me for the first time or many times before will be pleasantly surprised and hopefully entertained.
I have always looked after my little girl - my wife - and made sure she is in the safest hands possible at all times. She was always an unbelievably strong woman.
When I'm performing, sometimes a lyric will touch on my personal life, and it can be difficult to sing. For instance, when I sing 'How I Love You,' I'll choke up.
I bought Jayne Mansfield's mansion in L.A. after her death. I had met her in England and remembered her perfume. When I moved in, I could smell her, and I saw her apparition.
At seventeen years old, I found out I could sing, and I got up and sang in a club, and I got a big hand, and I thought, 'I'm gonna continue this.' So that's how it all began.
The job of an artist is to entertain and not get involved with politics. We give the people in the countries we are visiting a good show - that's the purpose of an entertainer.
I played to the biggest audience I've ever played to in my life in New Zealand. I couldn't see the end of the crowd. I understand it was over 200,000 people in a park somewhere.
I had tuberculosis in my mid-20s. I didn't have much work, was living in a damp London basement in a sleeping bag, and ate only every other day. I looked rough and felt very run down.
I don't think you should rely on medicine. I think you should rely upon herbal doctors, acupuncture, and doctors outside the medical world, with different kinds and forms of treatment.
I learned a lot from Elvis. He never took his image seriously. So many performers today put their image before themselves. It can ruin them. Like Elvis, I never took my image seriously.
When I walk on stage, it's a release valve for me. Life is stressful anyway, so therefore, when I walk on stage, it releases all those stressful situations, and I feel good about myself.
I always take a hot shower before I go onstage. It's so refreshing. I let the steam into my throat. That's the way I warm up my vocal cords - in the shower. I start by humming and then finally singing.
In the end, I didn't think I was good enough to use sax as a stage performer to get where I wanted, and thank God I chose my voice as my instrument instead. You need to be honest with yourself, and I was.
I don't have the slightest idea of how to do vocal exercises or scales or anything like that, but I did always know to breath properly from the stomach. I'm a pop singer and never really felt I needed more.
I love to smile. I love to laugh. I like to hear jokes. For instance, when I'm on the road, every night I watch 'Seinfeld.' I find it somewhere. I think it's so funny, and I watch the repeats over and over again.
Retirement has never entered my mind for one moment because I don't feel the age I am - and I don't act it, and I don't speak like it. When God calls me, that's when I stop. Until then, I'm going to just keep going.
Fifty - it's going to be for the rest of my life. I'm going to count myself as a 50-year-old, sing like I'm 50, and act like I am, too. That's how I feel, and I believe if you have that frame of mind, it keeps you young.
I don't ever want to think my time is up as a performer. I have been afforded the opportunity to sell 150 million albums, to travel to places I never thought I would go. I'm going to keep on performing. I hope it never ends.
My father was 91 when he passed away of natural causes, and my mother died aged 88. She had a heart condition and had many heart attacks throughout her life, but she had ten children, so that would have put a strain on her body.
I've seen many great performers on stage, from Dean Martin to Celine Dion, but nothing beats the first time I saw Elvis. There was no pomp, no pyrotechnics, nothing to distract you from the raw talent of the man in the white jumpsuit.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
When I first got successful, I was particularly aware of being immaculate at all times, so I would get on a plane in one outfit, and get off in another. It doesn't happen in today's world, but when you are met by the press at both ends, you do have to.
I've been to New Zealand before, many times. And of course it has a significance to me because I do have something that's very special in New Zealand. I have '10 Guitars,' which is a very popular song, and I understand it's like the second national anthem over there.
I know I haven't spent a lot of time with my children because my job takes me all over the world and takes me away from my children, but I've given them a good education and security. If anything happens to me, my children's future is well-secured. So I think I've done well as a father.
The pomp, power, and military bombast of 'La Marseillaise' draws me into the history of France and my own. The surname I was born with was French: D'Orsay; perhaps an ancestor was amongst those troops that marched to this evocative anthem for the first time as they entered Paris 200 years ago!
'La Marseillaise' sounds best ringing around a packed sports stadium. Its lyrics evoke revolution, conflict, taking up arms, preparing for the fight - everything my music does not! Even in our largely peaceful times, it retains its rousing, martial air that gives it a power that hasn't diminished.
My first manager chose the name Engelbert Humperdinck for me. My real name is Arnold George Dorsey. It didn't really quite hit the entertainment industry the way it should have. But when my manager chose the name Engelbert Humperdinck, I had a hit record immediately, which was called 'Release Me.'