Quotes of All Topics . Occasions . Authors
I'll play a character who is getting married to a woman to avoid the draft. Ultimately they fall in love with each other, but at first it's only out of practicality.
This bizarre industry presents so many paths of temptation. If you don't have some kind of foundation, typically from family, then it will be difficult to deal with.
Our bad memories and our bad experiences are what make us who we are and what make us grow and allow us to learn, if we choose to see the lessons in those experiences.
I think as a music listener you have your rock and roll dreams. I personally wouldn't want to apply that necessarily, mainly because I love music too much to mess it up.
So, as much as it is about this continuing war, the reinstated draft, and their individual views, it's really sort of a deeply human tale, and a character study as well.
When I work, I disappear into work, which I like to do, and sometimes I don't really have a choice. It's not a conscious thing. It's just total devotion to what I'm doing.
[Sundance is] giving people a chance - many first-time filmmakers. It carries that weight - if you bring something here, people connect with it and it can launch a career.
The guy is a stud with women just following him around wherever he goes. But he is the last one who'll ask anyone to do anything for him. He'd rather just go do it himself.
["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.
I don't know that I necessarily feel more comfortable in the context of smaller films, but I tend to feel more comfortable more often than not with the material of smaller films.
I was lucky in the sense that I started work very young but had a solid family base provided by my mother. She instilled a strong sense of perspective and humility in me from a very early age.
The predominant difference between television and film is the pace to which you work, but the development of the character or the process for playing the character isn't necessarily different.
I'm just always looking for something that I've never done, or something that feels unique and special. A lot of it is gut and what you emotionally connect with, and that can be a variety of different things.
The approach of 'Game of Thrones' is similar to 'The Lord of the Rings' in that it treats its source material almost like history, and it focuses as much on the human drama as it does on anything fantastical.
A solid base for any comedy is just honesty and truth, and it coming from a real place. As surreal as this show gets and is, ultimately, we're dealing with a character that most can't see the way that I can see it.
We all deal with a certain amount of stress, on a day-to-day basis. I probably smoke too many cigarettes, which isn't a very good thing. I don't have any extraordinary coping mechanism. I certainly don't talk to a dog.
I just can't imagine that people would stand for it. People are wanting to potentially elect someone who will get our troops out, so at this stage, if the draft was reinstated, I just think that people would have none of it.
I think new experiences are extremely important. I think it's really important to constantly challenge yourself. Comfort is not a good thing. It's good to take yourself out of your comfort zone and to look for new challenges.
The other main difference between film and television is that you have the opportunity to flush out a character, over a longer period of time. Whereas with a film, you're confined to two or three hours, or whatever it may be.
Sometimes my interest in working on a film is not always dictated specifically by the character. Sometimes it's simply about wanting to be a part of a vision that I love, or a script that I love. I find exciting and gratifying.
I had a woman breakdown and cry when she met me which was difficult to deal with because immediately when someone starts to cry, you want to comfort them, you know, 'Poor thing.' I comforted her. I tried to make her feel better.
I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].
As much as my primary vocation is that of an actor, if anything, I feel like I am more excited about filmmaking in general, so it's not always a specific role that I'm attracted to, but rather an entire piece that I want to be a part of.
You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.
Those moments of solitude and exhibiting a mental breakdown, and how you do that physically and without it being too obvious, but being relatively settled but relatively intense. There are some intense moments in there that sort of pepper his breakdown.
I've always had a sense of groundedness as a person. I think that's helped me. My mother sort of beat into me the notion of humility, and I think my focus has always been on the right things or the things that I'm passionate about, which is just simply the work.
There's a real purity in New Zealand that doesn't exist in the states. It's actually not an easy thing to find in our world anymore. It's a unique place because it is so far away from the rest of the world. There is a sense of isolation and also being protected.
[Macon Blair] wrote a beautiful - once it was kicking off and we were gonna make the movie - he sent me this really beautiful document on Tony [from "I Don't Feel at Home in This World Anymore" ]. It was like ruminations. "Maybe this ... I don't know ..." And I loved it.
I remember the first horror movie I saw - I was five years old; it was a direct-to-video movie called 'Truth or Dare: a Critical Madness,' which is sort of badly fantastic or fantastically bad. And then 'Gremlins' was an early movie that I saw, and 'Nightmare on Elm Street 3.'
My philosophy has always been to try to put myself into roles and films that are different. That intensified after 'Lord of the Rings' because it was so massive, but it's something I've always believed in - wanting to change people's perceptions and challenge myself as an actor.
As an actor, it's a relatively passive job unless you're generating your own content or writing your own content. So to a certain degree you're at the mercy of what is available, what you're reading, what you become passionate about, and ultimately, what people want to hire you for.
The older I've gotten, the more I've gotten a little precious about music-related films as it comes to biopics. I kind of don't want to see it; I'd rather see a documentary. And this is just coming from me. I love music documentaries; I kind of don't want to see people embodying those people.
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
After 'Rings,' I had two feelings: One, I immediately didn't want to work on anything on a large scale. I wanted to work on something really small after I was finished filming the first three. But the other thing was that I had a continuing interest in working on things that were really different.
The question that comes up a lot is, if you had the chance to erase your memory of something specific, what would you erase? And my answer has always been, I wouldn't erase anything, personally. In some ways, I almost wouldn't want to erase anything from the public consciousness, either, for the same reason.
I've been really lucky from eight years old to continue doing what I do and continue to love it. I've been able to travel all over the world. I've had experiences at my age that a lot of people haven't. So, you know, I've missed out on certain things, but in other ways I've gained, so it balances itself out.
I think people would be up in arms. I think we would most likely have a similar situation to what happened in the 60s. I don't know if it would be as violent, I think it would be difficult to say that. But I think that, from what I can understand, our nation as a whole is largely against the war as it stands.
When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.
[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.
I initially thought it was going to feel weird to be [on Sundance] while [the marches against now-President Donald Trump] was happening. And feel disconnected in that way that feels irresponsible. But the other side of it is that there are people here who believe the right things that are trying to make a difference with art.
The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.
There's a version of Tony [from "I Don't Feel at Home in This World Anymore"] that I think could be heightened. Trying to find the balance. A lot of that comes from "Who is he?" I think we've all kind of met that dude. The comic book enthusiast, or someone who gets too excited about things, but his own enthusiasm tends to alienate him. I relate to it because I've seen that guy.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
I'm always intrigued by new challenges and things that I've never done before and new experiences. It sounds so simple, but the primary interest is just something that's good and instills within me some kind of gut feeling that feels like something that I'm passionate and excited about, and there can be multiple variables that can instill that. It can be simply a filmmaker, it can just be a character, it can just be the script, or a combination of all those things. But, I'm always just looking to do things that I've never done before, primarily.