Quotes of All Topics . Occasions . Authors
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
New York is just an energy. There's a beauty to the way it's laid out: the architecture, the way the planning is. It's huge, but you really do get to experience more than your own existence here. It's kinda hard to isolate yourself from different types of people, different types of ideas or communities.
You've gotta be an outsider a little bit to shake yourself loose from the mill, the "machine." In order to even cut the space in your life to pursue what most people literally cannot afford a moment to pursue. So, yeah. I think that not only is that the role of the artist, but it might be a requirement.
When writing songs, especially if they're kinda semi-true to you, a lot of people hide behind whatever their idea of themselves is in the record, and every now and then, you might make a song that exposes something a little too much about you, and there's a part that doesn't want yourself to be exposed.
Standing up for what you believe is right, as well as standing up for what you believe is funny, standing up for what you believe is cool. As we found each other and the music that we do, we get to live out all of those things. That's what Run The Jewels is: it's all of those aspects of our personality.
There's a segment of this world, there's a mind state that's permeated the intellectual consciousness of this world that comes from a certain type of people that looks at me and you and your average individual as a problem - like a blight on an otherwise potential paradise, something that needs to be cured.
The crews that are going to be self-produced are going to make the great albums, as opposed to making these mix-tapes, these compilations - "Me over this guy" It sounds good individually, but the art of the record is something that is lost. It gets to the point where it's just vocalists and producers coming in and piecing things together.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.
I think Trump is indicative of a larger problem. It existed way before him, it is our generation's issue that all over the world people are and have been suffering from despotic power figures who want nothing more to control than help the people they claim to represent. The difference being is a lot of people had not been paying much attention prior because it wasn't directly impacting them.
People are very afraid. In my country, you had a corrupt party who sabotaged an amazing candidate Bernie Sanders who was stronger than the other. Had Sanders faced Trump even more young people - from black millennials to the gay and lesbian community - would have voted because he represented them at his core. Fear drove the American vote, because if you're choosing from two devils like Hillary and Trump then you're more likely to end up picking the one who is cooler and makes you laugh.
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
Any issue and any problem, no matter what height you look at it from, no matter how much you extend past the first fractal, it's still a fractal of something that emanates from within your consciousness - from within the human consciousness. And it'll move on and manifest itself externally, and then those are what we pick up as societal ills. But all these battles we're fighting are internal. For me, it's reconciling hope with dread and trying to cut out some place in my mind where my heart can be protected a little bit.
