Quotes of All Topics . Occasions . Authors
The great sins and fires break out of me like the terrible leaves from the bough in the violent spring. I am a walking fire, I am all leaves.
The trouble about most Englishwomen is that they will dress as if they had been a mouse in a previous incarnation, or hope to be one in the next.
The poet is a brother speaking to a brother of "a moment of their other lives" - a moment that had been buried beneath the dust of the busy world.
Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home.
The trouble with most Englishwomen is that they will dress as if they had been a mouse in a previous incarnation they do not want to attract attention.
The trouble with most Englishwomen is that they will dress as if they had been a mouse in a previous incarnation... they do not want to attract attention.
I have taken this step because I want the discipline, the fire and the authority of the Church. I am hopelessly unworthy of it, but I hope to become worthy.
I have never, in all my life, been so odious as to regard myself as 'superior' to any living being, human or animal. I just walked alone - as I have always walked alone.
I'm not the man to baulk at a low smell, I'm not the man to insist on asphodel. This sounds like a He-fellow, don't you think? It sounds like that. I belch, I bawl, I drink.
Our hearts seemed safe in our breasts and sang to the Light The marrow in the bone We dreamed was safe. . . the blood in the veins, the sap in the tree Were springs of Deity.
Picasso was a delightful, kindly, friendly, simple little man. When I met him he was extremely excited and overjoyed that his mother-in-law had just died, and he was looking forward to the funeral.
The ghost of the heart of manred Cain And the more murderous brain Of Man, still redder Nero that conceived the death Of his mother Earth, and tore Her womb, to know the place where he was conceived.
Poetry ennobles the heart and the eyes, and unveils the meaning of all things upon which the heart and the eyes dwell. It discovers the secret rays of the universe, and restores to us forgotten paradises.
But I saw the little-Ant men as they ran Carrying the world's weight of the world's filth And the filth in the heart of Man-- Compressed till those lusts and greeds had a greater heat than that of the Sun.
Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
The last faint spark In the self-murdered heart, the wounds of the sad uncomprehending dark, The wounds of the baited bear,-- The blind and weeping bear whom the keepers beat On his helpless flesh . . . the tears of the hunted hare.
As for the usefulness of poetry, its uses are many. It is the deification of reality. It should make our days holy to us. The poet should speak to all men, for a moment, of that other life of theirs that they have smothered and forgotten.
White as a winding sheet, Masks blowing down the street: Moscow, Paris London, Vienna - all are undone. The drums of death are mumbling, rumbling, and tumbling, Mumbling, rumbling, and tumbling, The world's floors are quaking, crumbling and breaking.
Said the Sun to the Moon-'When you are but a lonely white crone, And I, a dead King in my golden armour somewhere in a dark wood, Remember only this of our hopeless love That never till Time is done Will the fire of the heart and the fire of the mind be one
What is the special privilege of youth? It is, I think, the power of looking forward, the firm belief that the future holds something that is worth possessing, and that, therefore, one can let the present moment drop from one without regret and without fear.
Rhythm is one of the principal translators between dream and reality. Rhythm might be described as, to the world of sound, what light is to the world of sight. It shapes and gives new meaning. Rhythm was described by Schopenhauer as melody deprived of its pitch.
What the reporters are like! They are mad with excitement at the thought of my approaching demise. Kind Sister Farquhar, my nurse, spends much of her time in throwing them downstairs. But one got in the other day, and asked me if I mind the fact that I must die.
By 'happiness' I do not mean worldly success or outside approval, though it would be priggish to deny that both these things are most agreeable. I mean the inner consciousness, the inner conviction that one is doing well the thing that one is best fitted to do by nature.
My temper is not spoilt. I am absolutely non-homicidal. Nor do I ever attack unless I have been attacked first, and then Heaven have mercy upon the attacker, because I don't! I just sharpen my wits on a wooden head as a cat sharpens its claws on the wood legs of a table.
Eccentricity is not, as some would believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.
The reason why Matthew Arnold, to my feeling, fails entirely as a poet (though no doubt his ideas were good - at least, I am told they were) is that he had no sense of touch whatsoever. Nothing made any impression on his skin. He could feel neither the shape nor the texture of a poem with his hands.
In the Augustan age ... poetry was ... the sister of architecture; with the romantics, and their heightened vowel-sense, resulting in different melodic lines, she became the sister of music; in the present day, she appears like the sister of horticulture, each poem growing according to the law of its own nature.
Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home. It is no season in which to wander the world as if one were the wind blowing aimlessly along the streets without a place to rest, without food, and without time meaning anything to one, just as time means nothing to the wind.
Isn't it curious how one has only to open a book of verse to realise immediately that it was written by a very fine poet, or else that it was written by someone who is not a poet at all. In the case of the former, the lines, the images, though they are inherent in each other, leap up and give one this shock of delight. In the case of the latter, they lie flat on the page, never having lived.
The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare Bright pilgrim past our ken, should see Hints of Reality.