Quotes of All Topics . Occasions . Authors
Do I know A.J. Styles and I could have an amazing match? Seth Rollins and I could tear it down and have a classic? Yeah, if it were me at 35, not me at 45. And not me at 45 not having stepped in a ring for eight years.
Wrestling is a very demanding thing. But you're also your own manager. You book your own rental cars, you book your own hotels. You carry your own bags. Your day begins as soon as you wake up, and it ends when you get to bed.
It's interesting: I never got stressed before wrestling matches. I always felt completely confident that I had done everything I could do, all my mental preparations when I sat down and envisioned the match, so I never felt stressed.
I'm sure I'll get lambasted for this, but I don't get the Asuka thing. Like, I really don't. She's fine, and she's solid, but I don't know. Even going back to the NXT stuff, I've watched it. I don't know. I just never really bought in.
'Vikings' has been so many different challenges, and some of that is, at times, you have to be big and imposing and violent and vicious, and then you have be pulled back and withdrawn and just more layers and more time to portray those layers, too.
I did those two TV matches in WCW against Kevin Sullivan and Meng, and within five minutes of walking into that locker room, I was like, 'I don't want to be here.' I could tell this is not the place for me. And the dream was still WWF and getting there.
That's one of the things I always tried to do as champ. If you saw me at house shows, I was going to make you think I was going down. If I was wrestling Kane, I could lose. I'm wrestling Batista, I could lose. I'm wrestling Big Show, Undertaker, you name it, I could lose.
It was never my intention to be an actor, and I don't know if I'll ever call myself an actor because I've always said that would be a slap in the face to proper actors, but it's fun, and thankfully, I've had the luxury in my adult life that anything I've done has been fun.
AJ Styles, he is very well established, very well known. He had a name that was very well known. I would think, outside of WWE, his might be the most outside-recognized wrestling name in the world. Samoa Joe as well. He could have debuted straight to Raw or SmackDown, absolutely.
Wrestling has to be more aggressive. It has to be bigger; it has to translate to the back of a football stadium. With acting, when that camera is up close, they can see your nose hairs twitch, and you have to pull back everything for it not to look clownish. There is that different mindset.
To me, the best part of coming up in that, kind of the last era before it went that way with the FCWs or NXTs, kind of the farm system, is that, you know, wrestling Jimmy Valiant in front of 10 people in Cleveland. We didn't touch. I think we did two things, but we were out there for 20 minutes.
Two friends and I decided to get tattoos of different animals. My one friend got a bulldog. My other friend got a bull, I think, and then I got a shark. Two years later, there was a cartoon called 'Street Sharks,' and by happenstance, it looked eerily reminiscent of my tattoo. Actually, it was identical.
I greatly appreciate that people would like to see me have one more match or comeback or, 'Daniel Bryan got cleared, so why can't you?' I will never be cleared. Mine is a completely different injury. He had neck issues, but it wasn't his neck issues that retired him, actually. It was the concussion issues.
I did what I always wanted to do. Wrestling. - conquered that. Can't physically do it anymore. So now what? Maybe I'll paint. Maybe I'll write another book. Yeah, I'll try this acting thing and now actually concentrate on it and try and get better at it and take classes and get coaching and give it a shot.
I did two matches for WCW, for 'Saturday Night' and for 'WorldWide.' Scott D'Amore was booking the extra talent. I remember I was really torn about it. I was like, 'Hmm... I don't want to do that. I don't want to just be an extra guy. I want so much more than that,' but I was flat broke, and it was 500 bucks.
Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.
Whenever I start working on a song, I immediately try to forget everything, to empty my head. I try to approach it like,“This is the first time I've ever played a guitar. What am I going to do?”. That's one way of getting straight through the conscious mind into the subconscious layer where the true creative spirit lies.
Generally, there's a lot of ad-lib involved with live TV and things like that, whereas with acting in front of the camera, it was, if you screwed up a line, well, you've got another take, and you also had a script to be able to study, so it wasn't all ad-lib and flying by the seat of your pants, which I like both aspects, actually.
I got put through a ladder by Jeff Hardy at WrestleMania 23, had bruises from the ladder rungs across my back, but I was back the next night. I did the hardcore match with Mick Foley at WrestleMania 22, went through a flaming table, and had thumbtacks in my back, but I was out there the next night. That mentality does get ingrained in you.
