Quotes of All Topics . Occasions . Authors
When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.
I don't think there's ever been someone with as much presence as Elvis Presley, I mean if he walked into a room I think everyone would be looking at only him. Even when he was dying and through all that when you looked at him it seemed all put together. It fascinates me.
The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
The other day I got out the shower and I bend down to reach for a towel, and I felt a sharp pain in my chest. Shot through my chest and up around my shoulder and down my spine. I thought 'Oh, Lord.' I thought I was dying. I bent over and looked, and I was standing on my own titty.
The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.
Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.
I never hated hip-hop. It became the new rock and roll. It became the biggest thing that Africans have ever done in the history of the Americas. Hip-hop put more black Americans on than anything before it. It fed more people. It allowed them to diversify into clothing lines and billion-dollar headphone companies.
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
Theres this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didnt want to be doing the same thing all the time. Every now and then, you crash and burn, but thats part of it.
There's this little box that African-American actors have to work in, in the first place, and I was able to rise above that box. I could have done a bunch of movies where I stayed as the Axel Foley or Reggie Hammond persona. But I didn't want to be doing the same thing all the time. Every now and then, you crash and burn, but that's part of it.
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
White boys always get the Oscar. It's a known fact. Did I ever get a nomination? No! You know why? Cause I hadn't played any of them slave roles, and get my ass whipped. That's how you get the nomination. A black dude who plays a slave that gets his ass whipped gets the nomination, a white guy who plays an idiot gets the Oscar. That's what I need, I need to play a retarded slave, then I'll get the Oscar.