Quotes of All Topics . Occasions . Authors
There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
It's something I've always been passionate about - which is the power of rock and roll itself. I'm a walking example of its power, 'cause I was totally altered in the seminal years of Live by bands like U2 and R.E.M., U2 in particular.
One of the lyrics from Bono that always sticks with me is 'Where the Streets Have No Name.' Just the name of the song, that sort of oneness, and there isn't any division in yourself, and your just at peace and fired up at the same time.
It really has become the singular motivation in my life - to surrender to the art and to the free expression of what I may be experiencing in my life spiritually. It is really hard in the face of people who don't get it, but what do you do?
We take the art seriously. We take communicating it seriously. And maybe we took ourselves a little too seriously in the beginning. Sometimes I watch the videos, and I think, 'Yeah, you could've relaxed a lot in the 'I Alone' video,' you know?
Anarchy would be a world that nobody felt responsible for, that nobody felt any sort of love for. When there's real intelligence happening, when there's real love happening, there's a sense of responsibility: Hey, we've got to take care of this place and each other.
I was into all of the Pennsylvania teams at some point in my childhood. I would flip back and forth between the Pirates and the Phillies, and I was always a Steelers fan but not much of an Eagles fan. Then I became kind of a band nerd in school, and I went the music route.
We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
It's always so rewarding, gratifying to me, as an artist and a writer, to see how this music gets more important for a lot of people as time goes by. And it's not just nostalgia. It's a feeling of it's really relevant to their lives, even though it's 20 or 25 years old or more.
I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
Lots of human-rights tragedies deserve concerts, but there's something extra with Tibet. It's a spiritual culture, a country rooted in humility and compassion. And among artists, there's a lot of Buddhists, people who want an alternative to basic Christianity, which doesn't offer much.
Those first big concerts we played as 'Throwing Copper' started to really reach people worldwide - I think we played our first big arena show at the George Estate basketball arena down in Atlanta. I remember showing up and standing on stage and just being like, 'I can't believe this is going to be full of people. This is huge.'
Open Wings - Broken Strings is an opportunity for you to get to the heart of your favorite artists and their songs in a unique and compelling way. Stripped down, intimate and acoustic, you'll hear the strings on the guitar vibrate and buzz, the vocal chords hum and pulsate as the songs you love come to life like you never knew they could.
When you accept the way things are, there's really no other way to operate than the way you've been conditioned to. You live in America: you're free to vote, you go vote, and you continue to see the problems of being a nationalistic society. You don't really know what to do because you're conditioned to feel that's just the way things are.