Quotes of All Topics . Occasions . Authors
My mom and dad just loved the fact that I fooled around. They just embraced it. They'd always kind of enjoy it, and they liked it when I made them laugh.
I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.
I'm turned on by diversity. I'm turned on by things that are different. I like different animals, I like different ways of travel, and I like different people.
If you pay a little bit of attention to something, and then let it go, and then come back to it, and then pay a little bit of attention to something, that's nice and healthy.
I've always traveled, as a kid my parents moved me around, a different place in Germany every four years. But I got the travel bug when I was a kid, living in different countries.
I never thought I could learn much from a dog or cat. They sleep when we sleep. They eat when we eat. I'm into observing animals being as wild as they can be in a captive environment.
Probably a concern to either a major or minor degree with most actors if they're really motivated to kind of make a significant difference in the business is the 'pigeon-holing' thing.
The term 'geek' for me is like you having a passion, interest in something that is unabashed and you don't care if people think it's not cool. You think it's cool and that's your thing.
I used to get quite upset that I'd make friends with a guy or a girl and then within the space of three years we'd move and go and live somewhere else, and you'd have to say goodbye to that person.
I think if you're an actor, then you can work on stage - but if you've never done it before, you're going to have picked up a few things that you're going to need to change when you're working on stage.
People have a fear of the unknown. Insects have different senses than us, different amount of limbs and their body structure is very different. It's hard for us to really relate to them and understand them.
I have a natural curiosity about things, in general. I'm constantly trying to find out how things work and how I can put them back together again, and why they work that way. The natural world is all around us.
I have been heartbroken once and it has affected all my relationships from there on. But now I look at it as a occupational hazard. If you are in the meat market at some point you are gonna get mad cows disease.
I've had a fair amount of experience with snakes, and I find them to be pretty honest in terms of how you read their body language and emotions. They'll tell you when they're grumpy. They'll tell you when they're okay.
My brain kind of rolls pretty fast when I'm conscious. It's constantly looking for stuff to do. Like if I'm in my house and I'm hanging out, I tend to be listening to music whilst watching a film whilst sending e-mails.
If you woke up, every day, and someone punched you in the face, for the first week, you'd go, "Why is someone punching me in the face?" But, by the time you got through week two, you'd take it and just go on with the day.
If you woke up, every day, and someone punched you in the face, for the first week, you'd go, 'Why is someone punching me in the face?' But, by the time you got through week two, you'd take it and just go on with the day.
When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
All those animals that were in the cages, I would spend a lot of time in those cages with the animals in-between shots, just hanging out, because I prefer animals to humans. If I get an opportunity to be with them, I'll usually take it.
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
No one ever told me when I was growing up that make-up and skirts were just for girls. If you're confident and you own it, [the other kids] are fine with it...I've always supported the lifestyle that I will do what I please and deal with it.
I was never a big guy in pubs. I was never the main kind of aggressor or anything like that, but I found myself in trouble because I always had a mouth that would come back with something, and there was just never anyone who could make me be quiet.
Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.
I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.
When I was at college, I worked in a department store called Brit Home Stores, which is a pretty lackluster department store, selling clothes for middle-aged women. My job was to walk the floor and find anything that was damaged, take it to the store room and log it.
I'm in this position where I can afford to wait, I'm lucky enough to be financially secure to not have to do anything that's thrown at me. You know the next couple of jobs are going to be pretty crucial in terms of how you're perceived by people. So I'm just waiting.
I like films that deal with some of those questions that you can never answer. Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong? Those universal questions, I enjoy.
I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
I've worked on films where the budgets are almost limitless and you're in trailers that are bigger than a hotel room. You're taken care of and the food is amazing, the quality of the job is amazing and then you work on smaller things but it never dictates my happiness or my willingness to go to work.
I think we are all interested in end-times ideas and also in the current climate that we are all living in, where money is a little harder to come by, things continue to get expensive; gas prices are not too far from people's heads. There are more and more people. Human society's going to have real problems.
I won't miss having to stand for two hours at 4:30 a.m. and have freezing cold glue applied to my feet. I won't miss two-hour drives to work or long, long, long days sitting in my trailer waiting...waiting...waiting. I won't miss one day off a week. I won't miss glue in my ears. But I would do it all again tomorrow.
What I'm attempting to do is to show people that if I can spend some time with very dangerous spiders and snakes and scorpions, then maybe they'll feel different about the spiders and snakes they find around their areas. I don't need people to keep them as pets. I just like them to be respectful and see that everything in nature has its place.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.