Quotes of All Topics . Occasions . Authors
I know that there are energies that vibrate frequencies that are so subtle you could say that they exist in a different territory or realm or sphere, and people mistake these frequencies for ghosts.
With music there's so many limbs and facets. Video and touring and merchandise and all those little things require attention. They're artist things but I tend to joke around too much with those things.
If you have sensitivity then mysticism will be part of your life. It's a very beautiful thing and a very real thing but it's not something to not take seriously and it's not something to take seriously.
There are so many bad songs that have incredible videos. It's pretty amazing, actually. The power of putting images to music is hypnotizing. It's a real power. That's a realm that I've failed at completely.
I remember when I was a kid I thought I could either be an athletic water drinker, like an Olympic-level water drinker, or I could invent Windex. Which I thought was really smart, because it already existed.
People love to take sides, but it's not effective. It's not really an effective way of communicating something, because you're either already part of the side or you're going to feel attacked and get defensive.
One not-to-be-mentioned major said they would sign me if I worked with a team of songwriters to help me finish songs, ha! Of course, in hindsight, I should've done it just to see what that would have been like.
You've got to be in a place where you can put your guard down. I've got a long list of things I consider to be selling out. But amongst that list, one of them is when you make art without putting your guard down.
A soul singer is always singing to their crowd. They're always singing about their woes to you. And I really appreciate that when a singer is making you feel... when they're directing it at me. When they're including me.
As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: 'Your feet are like A, and your eyes like B.'
As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: "Your feet are like A, and your eyes like B."
At some point in your life, if you live in Venezuela, you come across or own a cuatro. Either at school, either at camp, either at a friend's house, at a birthday or Christmas or bar mitzvah, you end up with a cuatro. It's like a must.
I like clothes. I really do. I like going through colors, in a way. I go, 'Greens, man. Greens. Oh, yellow. This yellow feels good.' So it shapes your psyche in a way. But I don't think about it too much, even though I'm interested in it.
Now everybody knows about this thing that's my secret. It was my thing, the music I turned to when I was alone and needed it. It's what helps me get through these times. It's just between me and music, and now it's been shared with the world.
The real hippie is trying to create something inclusive, something holistic, something loving and healthy which isn't in perpetual conflict with authority and actually knows that the only way to disarm the entire game is to step aside and not take any sides.
I don't even know what a hippy is. I mean, hippy is an evolution of the Sixties movement. A time when people were trying to make a difference, trying to write songs that were political. People grow old. The hippy camp kind of breaks off into different sects.
Of all my childhood books, 'The Giving Tree and Hope for the Flowers' really did change my early world, but after reading 'Momo' in my 30s, I thought, Ahhhhhh, this is the one book I wish I had read as a kid! Then reread at every subsequent chapter of my life.
I can't tell you how many times I've had a friend tell me, in this tender and discreet voice, 'It's just you and me bro, and I want to tell you the truth: make a record of you and an acoustic guitar. Please. That's what everybody actually likes.' That's so funny to me.
I grew up around so much new agey stuff. Part of me takes it lightly because I'm so used to it. It was my parents. It wasn't some path I discovered and want to share with people. It's just been a very natural part of my life. There's humor to it and there's seriousness to it, too.
I know some people really try to avoid music when they're writing and recording, but I am very inspired by so many different musicians, and I need to learn. I sit around and try to play along to certain songs that I really love. It helps you explore new territory. I don't think I listen to enough.
I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.
As an adolescent I saw the Specials at the Glass House in Pomona, and that was life changing. I dressed the part - except not well, because it was a thrift suit. I looked more like David Byrne than a rudeboy; I still have a hard time finding suits that fit me. But I had my braces and I had my Docs. It was unbelievable.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
In my little world, I'm very protected 'cause I'm treated like the idiot I am by my buddies. But, a little bit outside that world, people sometimes expect heavy things from me. For a little time, I tried to appease and not disappoint people but in the end you're just going to kill yourself and fail if you're trying to give more than you are.
I hate having my photograph taken and I try to keep that in mind when I'm photographing other people. But the best photos that I've taken are the ones when people have forgotten that I'm there. If I'm in a recording studio with a musician, for example, maybe I'm not photographing them in the middle of a take but I can just get that stolen moment of them resting and they glance over to me.