Quotes of All Topics . Occasions . Authors
Actually I'm not that involved in the fan site.
As a director he was not that interested in Vader.
I suppose the most fun I had was on the second film.
But I must say the work I'm proudest of is the Green Cross Code man.
Actually, the Department of Transport were at one stage going to sack me.
My agent set up a meeting with George Lucas. They were casting in England.
The ability to destroy a planet is insignificant next to the power of the force.
Training has been such a huge part of my life and career I hope to keep going with it.
I am doing better now though one of my legs is shorter than the other due to the operations.
I've seen the teaser trailer for Revenge of the Sith though and I think it will be excellent.
Not much to be perfectly honest! I thought The Phantom Menace was terrible, except for the Pod Race.
The agency was desperate to get started with the commercials in 1976, but I was working on Star Wars.
The attraction, and my particular participation is in being able to communicate with my fans, answer their questions, get a feel for how they respond to Vader.
I'd worked in Clockwork Orange with Stanley Kubrick and since Stanley was such a prestigious director this opened all sorts of doors for me - one of them being Star Wars.
I'm also involved in the rights of the disabled and do some fundraising for that and I thought it would have been a big boost for the campaign but it couldn't be worked out.
So I went to George and told him I had the opportunity to become the figurehead of a government safety campaign, and he agreed to give me the week off and reschedule shooting!
I do remember smiling quite a bit inside it though since I knew it wouldn't be seen on film - so of course while the poor planet is being blown up I'm smiling and laughing like mad!
I can't get my head around the fact that the technology of the first two movies, which are forty years prior to Star Wars, is so much better than any technology they had in Star Wars!
George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!
I think if you think of our lives as musicians, it's craftsmanship. We're not artists, we're more artisans. You know, I don't think we view ourselves as musical geniuses who can just make some sort of wonderfully beautiful record out of nothing. It's something that we work at. And if we keep working, hopefully we'll keep improving.
I think it's good to, especially when you start to get to achieve certain levels of success and start doing a lot of interviews and having a lot of reviews, it would be quite easy to get pretty full of yourself. I think it's an important thing to try and keep yourself in check and just be aware that popularity doesn't necessarily run in parallel to quality.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.