Famine is a consequence of poverty.

I loathe anyone impressed by fame or money.

Christmas is a time for slipping into familiar patterns.

Many pop songs seem to be more potent now than in their heyday.

The 'PBS NewsHour' podcast is the audio version of the nightly TV broadcast.

Radio 4 Extra is the network which offers the broadcasting version of eternal life.

John Lydon must be more famous for his efforts on behalf of dairy products than his music.

History is written by the victors. The victors in daily life tend to be those who live longest.

The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor.

The opening solo on 'Once in Royal David's City' is still the most dramatic radio moment of the year.

The podcast 'Note to Self' is 'the tech show about being human'. Human notions of privacy have changed.

Podcasting is a personal medium, and I savour those moments where details of the podcasters' lives glint through.

I make no apology for the fact I like to hear people talk about work. It's the acceptable way of talking about life and people.

Half the battle with successful podcasts is in the naming; here, the big media owners have a lot to learn from the smaller operators.

Upload Radio is a new venture offering content creators and bedroom DJs the chance to get their own programmes on the air by buying time.

'The Anthill' is the podcast wing of The Conversation, the site that presents news and views derived from the academic and research community.

Talking about smart thinking, The British-made 'Brain Training Podcast' is a brief daily workout for the mind that could easily get addictive.

Songwriters often seek the company of fellow songwriters to help finish what they've started, and these days, many do it at songwriting camps.

According to the producers of gripping podcast 'Death, Sex & Money', these are the three things we think about a lot but need to talk about more.

The great children's author and illustrator Shirley Hughes marks her 90th birthday by appearing as Michael Berkeley's guest in 'Private Passions'.

Fortunately... 'With Fi and Jane' features BBC veterans Fi Glover and Jane Garvey sitting in the BBC cafe, nattering about whatever interests them.

Podcast listening, much like radio listening, is largely a question of habit. And the most powerful habits are the ones that fit into our daily routine.

There's only one podcast subject that can give Donald Trump a run for his money when it comes to vulgarity, excess, and base comedy, and that's football.

'Unjustly Maligned' is a neat idea for a podcast. Antony Johnston invites a believer to make the case for a cultural artefact that consensus tends to deride.

'The Daily' from the 'New York Times' - which offers smart analysis of one key story - sets the pace here, and can see you through one standard train commute.

'The Canon' is a film podcast that also has much in common with books podcast 'Backlisted.' Both suggest you can get a lot of pleasure out of things that aren't new.

It is the melancholy fate of all young legends to becoming better known for the things they did to exploit fame than the things that made them famous in the first place.

British podcasts tend to shamefacedly shuffle the ads towards the end. Americans put them up front and promote them enthusiastically. I think the Americans have it right.

Some of the vintage comedy on Radio 4 Extra wasn't very funny to begin with, whereas some things just get funnier regardless of the changes in public attitudes over the years.

I don't think most rock stars are particularly calculating. I don't think they sit there and think, 'I will do this; therefore, on Monday, I will sell another 200,000 records'.

Radio people can't entirely shake off radio habits when they start doing podcasts. They sometimes bring with them things we don't need, like producers and explanatory voiceovers.

'Bombshell' is a remarkable podcast. In the course of it, three people who know what they are talking about cover 'military strategy, White House mayhem, and the best cocktails'.

'The Weeds' is a timely podcast from the news and opinion website Vox. It leaves the coverage of the Punch and Judy politics to others and confines itself to the details of policy.

The people who talk on the edgier 'Song Exploder' have often made their entire record on their desktop. It's never been easier to compete, but it's never been harder to win, either.

'Spectator Books' is presented by the genial Sam Leith. Leith has a little catch in his delivery that quickly becomes addictive. It's things like this that give podcasts their charm.

Formed in 1967 and still performing regularly half a century later, Fairport Convention are Britain's equivalent of the Band. Unlike the latter they have maintained cordial relations.

'They Walk Among Us' is the work of husband-and-wife team Benjamin and Rosie. In the past, they've covered the Shannon Matthews case and the career of the prisoner known as Charles Bronson.

For magazines seeking to extend their reach into podcasting, half the battle is finding members of staff who don't sound like the kind of people you wouldn't care to be stuck in a lift with.

One of the reasons why 'Here's The Thing', Alec Baldwin's series of podcasts with 'artists, policymakers and performers', is so good is because he's a big name, so the guests have to deliver.

'You Must Remember This', the podcast about 'the secret and or forgotten history of Hollywood's first century', has a thread dedicated to Dead Blondes, which is a clue to where it's coming from.

'Athletico Mince' started life as a football podcast but has dropped the football, unless the latest on the state of the 'hair island' atop Steve McLaren's head is your idea of football coverage.

Radio 3 shows such as 'Between the Ears' also make the kind of podcasts that draw the most from your noise-cancelling headphones. The programme commissions ideas that make adventurous use of sound.

The podcast most likely to encourage you to fully appreciate your food is the episode of BBC World Service's 'The Food Chain' in which Antonio Carluccio talks to Emily Thomas about his life in five dishes.

From Public Radio International, there's 'PRI's The World', which is the States looking out at the rest of the globe. Elsewhere, the 'Global News Podcast' from the BBC World Service offers something similar.

Jim MacLaine was the hero of Ray Connolly's 1973 movie 'That'll Be the Day', about a young man turning his back on a university education at the turn of the '60s in order to try his hand in a rock n' roll band.

'Podcasting House' is pivotal to the BBC's plan to scatter the seed of its various non-broadcast audio products beyond the narrow silos of the people who happen to listen to the programmes from which they arise.

In 'The High Low', in some respects an audio version of 'Grazia,' Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.

The podcast 'A History of Jazz' began telling its story in February - 100 years after the recording of 'Livery Stable Blues' by the Original Dixieland Jazz Band, the start of jazz as a legitimate branch of music.

Anyone born in the year 1950 who grew to fancy themselves as a soulful 18-year-old bought 'Songs of Leonard Cohen' upon its original release in 1968. For many of them, it was the beginning of a lifelong friendship.

Others may recognise their world in 'Eat Sleep Work Repeat'. This podcast is the side project of Bruce Daisley, who works at Twitter. It consists of him talking to experts about what makes us happy at work and why.

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