Sometimes I feel like, those superheroes, if you threw a cookie at them, they would be more terrified than the villain because they might have to eat a carbohydrate.

I feel like Shakespeare is so epic, in a way that sci-fi genre stuff is epic, it transcends the mundane, and it takes you to this place of real passion and real beauty.

If I was in high school, and we had Twitter, and Harrison Ford was on Twitter, I totally would have tweeted him and asked for him to take my high school photos with me.

In this business, certainly it's a lot crazier for women than it is for men, but there's such a thing where there's a lot of judgment on the way you look and on your body.

I try to keep it separate as I can, but also, I'm not going to live my life in complete privacy. If I'm feeling something, I'm going to live my life. I will not hide things.

That's all I've ever wanted to do is to feel like what you're doing moves someone, and that ultimately, maybe they can make a different choice in their life that may be better, right?

I think one of the worst notes I think I've ever received was Ang Lee on 'Brokeback Mountain.' He came in on coverage, and he was like, 'More, more handsome.' I was like, 'I'll try that.'

When I got to be, like, in high school and stuff, I sort of was drawn to that feeling of feeling uncomfortable in my skin and being confused by human beings, like, just constantly confused.

Social media should be more like a cocktail party than anything else. You can have your fun jokes, and you can also express yourself and your beliefs. It's a conversation, not a sledgehammer.

One of the things I've been interested in my whole career is exploring masculinity and what it means to be a man. The sensitivity of a man, but also the violence and power that goes along with it.

I have one thing to say about the mental asylum. I've romanticized two things in my life, and both have fallen short. One is being in a mental asylum. Really, really not as fun as you think it is.

I think people feel like other people are very different from them... And that people who are different from them are actually sort of unworthy of the same rights or empathy. I don't understand that.

I'm terrified of the ocean. I think it's beautiful and magical, but I never go in. That deep, dark water, with no understanding of what goes on behind it - I think that's a metaphor for a lot of things.

The one thing I can say about the 'Stranger Things' cast that I don't often feel when I do television and movies is that every single actor on that show that I've interacted with is a good-hearted person.

The mythos of superheroes is our mythos today. They are American myths. 'Captain America,' 'Iron Man,' 'Hulk' - these are the biggest movies in the world. But sometimes, superhero movies can be a little bit thin.

In a sense, human beings are human beings. Their feelings of aloneness, of brokenness, their feelings of hurt and disappointment, are universal. It's the ways they choose to act on their feelings that separates them.

I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.

At the end of the day, my biggest fear in life is that I'm gonna wind up being an actor who plays the dad on a TV show like 'Full House' or 'Small Wonder' or something - I'm, like, the desexualized dad in the show 'Alf.'

I feel like the most human among us are the weirdest among us. Those voices can be the most creative and the most special. You look around at your parents, your friends, your aunts and uncles, and you realize nobody is normal.

There are certain societal laws that are just accepted, things that are arbitrary. I think the fun thing about psychotics is that they question that. It can be very freeing... like, my ego or my individuality trumps society's law.

I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.

Myself, I suffer from loneliness. And I think we all feel alone. I'm looking for stories that help people deal with loneliness and help them if they are monsters: they don't have to undertake monstrous actions. And maybe they're not monsters.

There is a lot of good television out there, stuff that is better for you than 'Stranger Things,' that, critically, people would be like, 'This is an important show,' but I would press you to find a show that's more watchable. That's hard to do.

I got the 'Stranger Things' script, like, a week before NBC canceled 'State of Affairs.' I really had this moment where I'm like, 'I'm done.' My neuroses is very sophisticated: I was like, 'I am done. Hollywood is done with David Harbour. They are finished.'

The interesting thing about my career is for years I was trying to do that thing of getting in shape and looking cool - I would look at myself in camera angles and think how my chin looked the best and all this stuff. And I really couldn't get that much work.

What I'm dealing with in 'Hellboy' is a lot different, bigger in a certain way. It's very Shakespearean. It's demons and witches and stuff like that. But it has a similar core to a dude who's trapped in horrible circumstances who's just trying to be a good guy.

When that Twitter account came out, @HopperDancingTo, and they put me to all these different songs, I thought that's pretty much one of the funniest things I've ever seen. I watched that for a couple hours straight, him dancing to George Michael and all these stupid songs.

I do feel like anything benefits from character logic. That can be from the dumbest ad to the greatest Shakespearean drama to the silliest 'Saturday Night Live' sketch. There is a certain specificity in detail, which you can get when you're paying attention to stuff like that.

One of the things about having played a lot of villains is... I don't have the same experience of someone who maybe has been a leading man since they were 22 and therefore looks at certain things in a character to romanticize themselves. I actually very much embrace the bad stuff.

One of the most beautiful things about Shakespeare's Hamlet is when he stops in the middle of the play to ask, 'To be or not to be?' Then, right at the end, he decides to 'let be.' The first season of 'Stranger Things' was Hopper asking whether 'to be or not to be' and the second is to 'let be.'

Some people get very successful for something they're very cynical about - like Alec Guinness in 'Star Wars.' He thought it was ridiculous. Whereas for me, I'm so proud of 'Stranger Things.' I'm so proud of everyone's work in it. And it's become so successful. So for those two to meet is incredible.

My natural state is a state of an explorer - a performer, but someone who wants to explore their experience and reflect on their experience more than just lie on the beach. Even when I go on vacations, I get stressed out if I'm at the beach for, like, two days. I'm like, 'Can't we do something? I can't just sit there.'

I love taking people on that journey, which I feel like can open them up to seeing human beings a little more complexly. People that you originally don't like, maybe they have reasons for the way they are, and maybe we can start to understand each other a little better as opposed to being quick to judge and dismiss people.

I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.

I think that storytelling, at its essence, allows us to feel like we all suffer the same insanity or a similar insanity of existence: that nobody escapes scot-free. We're all going to wind up - at the best-case scenario - 80, 85, 90, broken, in pain, and feeling like it was all a dream and not really understanding the point of any of it.

If you want to really get in shape and get strong, there's these things called 'sleds.' You take a weighted sled, and you just push it across the floor, and then you drag it back. And, basically, if you do that for 20 minutes a day, you'll look like Arnold Schwarzenegger. If you put enough weight on it, it's the hardest thing in the world.

I did this movie, 'A Walk Among the Tombstones' - I truly play a horrible, horrible individual in that - and I would occasionally go to the theater and watch what people's responses were, and they would laugh. He makes jokes, and people would respond to him in a human way. Then I've really done my job if I've humanized a really horrible person.

All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'

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