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I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
Nas is someone who can communicate with the streets and can still keep it real in terms of being human, he doesn't try to be this super perfect person, but has respect for his history and for his ancestors and for spirituality. So Nas always displayed that in his music, while at the same time keeping it hard and something that you can relate to.
I find it very fascinating that one person or a group of people can get together as a choir and come up with a song that ends up inspiring people to create emotions, love and togetherness. Communication, which comes from this idea that sparks off of humanity and becomes something that is cherished and loved by the people, is very fascinating to me.
The greatest thing to me about Obama is not the individual, it does not have to do with Obama himself - it's really about the people who have elected Obama. It demonstrates that people are ready for change, and I think Obama knows that, because he really came up from the people, the young generation especially. He motivated a lot of African Americans who never voted before to go and vote.
In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it. This year, you have seen a lot of it explode on the international scene. It's great. People are looking for something different. Maybe there was too much of one thing, and now they're looking for something fresh.