Quotes by Craig Zadan - Page 1

I was captivated by Stephanie Mills.
Craig Zadan /
Captivated
Mills
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It's expensive to produce musicals on television.
Craig Zadan /
Expensive
Produce
Musicals
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A lot of people feel that 'Music Man' is a good movie musical.
Craig Zadan /
Good Movie
Good Music Man
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We'd never do 'The Sound of Music' because the movie was perfect.
Craig Zadan /
Sound Of Music
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We couldn't even contemplate doing 'Hairspray' without a live audience.
Craig Zadan /
Hairspray
Contemplate
Live Audience
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He's perfect for anything. I would hire Hugh Jackman to come to my house and have dinner.
Craig Zadan /
Hire
Hugh
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If anything's going to go wrong, it'd go wrong during 'Peter Pan,' not 'The Sound of Music.'
Craig Zadan /
Peter
Sound Of Music
Pan
Peter Pan
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When you work on a passion project, there's always the chance that you'll get your heart broken.
Craig Zadan /
Heart Broken
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I don't understand how other producers who have no experience making a musical jump in and produce one.
Craig Zadan /
Jump
No Experience
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'Chicago' kind of set the bar in terms of how we approach musicals, and tone is one of the key elements.
Craig Zadan /
Elements
Tone
Bar
Musicals
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To battle the odds - loss of interest, no funding, discouragement - requires someone who doesn't give up.
Craig Zadan /
Battle
Discouragement
Funding
Loss
Odds
Requires
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We zero in on family as a theme because it makes the movies emotionally available to a universal audience.
Craig Zadan /
Zero
Emotionally
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We have a particular philosophy in the casting room that we don't really tell the actors - the actors tell us.
Craig Zadan /
Casting
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There were no TV musicals until we did Bette Midler 'Gypsy,' and the success of that opened the door for us to do the rest.
Craig Zadan /
Gypsy
Tv
Bette
Door
Rest
Musicals
Opened
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In the past, once a movie musical was made, it was believed that you were left with that version, good or bad, for posterity.
Craig Zadan /
Posterity
Good Past Bad
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Neil and I are most thrilled that we were able to bring musical theatre to the enormous audience that 'The Sound of Music' reached.
Craig Zadan /
Enormous
Musical Theatre
Sound Of Music
Neil
Reached
Thrilled
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Basically, we had the idea of doing this production of 'Steel Magnolias,' and we spoke to Queen Latifah about it, and she got excited.
Craig Zadan /
Steel
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Carrie Underwood clearly drove 'The Sound of Music.' For 'Peter Pan,' we had terrific actors but not stars, and we did not do nearly as well.
Craig Zadan /
Carrie
Peter
Sound Of Music
Terrific
Drove
Pan
Peter Pan
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I don't think we're going to break the law in terms of what you can or can't do on TV. We're looking to do something edgy, different, and special.
Craig Zadan /
Edgy
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Neil and I had the greatest experience of our lives doing 'Chicago' with Latifah. Then we had the second best experience of our lives doing 'Hairspray.'
Craig Zadan /
Hairspray
Neil
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What usually happens on the Oscar telecast is that as soon as best picture is announced, everyone is up out of their seats and running off to their parties.
Craig Zadan /
Best Picture
Announced
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We're finding that the casting of 'A Few Good Men' is different from the musicals because the kind of actors that you need to do it are movie actors, basically.
Craig Zadan /
Casting
Movie Actors
Good Men
Musicals
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We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'
Craig Zadan /
Our Time
Studios
Audiences
Literally
Musicals
Wasting
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The people with mean things to say, say them. At the end of the day, the mean things and the good things only drive viewership. So what do you want? You want the ratings.
Craig Zadan /
Good Things
Good End Of The Day Day
Ratings
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When we went to Judy Davis and said, 'We want you to play Judy Garland in the mini-series 'Life With Judy Garland,' she was shocked, but we just had an instinct about her.
Craig Zadan /
Instinct
Shocked
Davis
Garland
Judy
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We have a great musical sequence in episode five of 'Smash' called 'Let's Be Bad,' and it probably is the closest to 'Chicago' that I think any of us have ever experienced.
Craig Zadan /
Closest
Sequence
Episode
Experienced
Smash
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Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
Craig Zadan /
Work Great Look
Neil
Offered
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It is very, very important that people understand that you can tell different kinds of stories, and they do, related to gay and lesbian issues - especially when you know the people behind them.
Craig Zadan /
Different Kinds
Related
Gay People Important
Lesbian
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Live TV is the future. It's the only way you can beat the DVRing of America. Everything is DVRed, and no one watches stuff when it's on. Awards shows and sports are watched when they're broadcast.
Craig Zadan /
Awards
Live Tv
Watches
Broadcast
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The reality of producing the Oscars is that it's a blood sport. With social media, everyone has a chance to voice their opinions. You have to know that entering into this special world requires a very thick skin.
Craig Zadan /
Entering
Oscars
Thick
Thick Skin
Opinions
Producing
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It was very, very difficult to be a student in the drama department and also review my professors' school shows. I got a lot of pressure from them to quit the paper and concentrate on studying dramatic literature.
Craig Zadan /
Department
Dramatic
Professors
Concentrate
Quit
Review
Studying
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It rests in the hands of 'Dreamgirls' and 'Hairspray.' If they're successful, we'll be back on track - people will continue to greenlight musicals. If they don't work, then you're going to see everyone go back to the way it was before 'Chicago.'
Craig Zadan /
Hairspray
Work Hands People
Musicals
Rests
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The truth of the matter is - when we look at things - every movie we do - no matter what the subject matter is - we go to the universal theme of family. We always go to that because if the movie is about family, then any audience can relate to it.
Craig Zadan /
Subject Matter
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Some filmmakers set out to re-create the theater experience they got on Broadway. They kept everything the same. They shot the original casts. We reinvent the whole thing, look at it solely as a movie. We pretend that nobody saw 'Chicago' or 'Hairspray.'
Craig Zadan /
Broadway
Casts
Hairspray
Pretend
Reinvent
Solely
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I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
Craig Zadan /
Annie
Broadway
Gypsy
Desires
Hammerstein
Musicals
Rodgers
Smash
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I would say that, first of all, if you have the honor of being chosen to produce the Oscars, you usually get only one crack at it. We were the first people in sixteen years to do it three times in a row, and it was one of the most profound experiences you could ever imagine.
Craig Zadan /
Chosen
Oscars
Profound
Sixteen
Crack
First Of All
Row
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People think, 'Oh, you're doing 'The Wiz' because 'Empire' is such a big hit.' The truth is, staging this musical has been a dream of ours since the '90s, but the rights were tied up. It's just coincidental that, this year, when we were choosing a new musical, the rights were cleared.
Craig Zadan /
Staging
Tied
Big Hit
Choosing
Cleared
Empire
Ours
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I think maybe the most important thing that we have to say is that people don't often talk about network executives being brave. You don't talk about them as having integrity and a higher purpose, because it's a job... except for Bob Greenblatt. He is a theatre person. He loves and understands it.
Craig Zadan /
Executives
Higher
Purpose
Except
Loves
Important Thing
Most Important Thing
Network
The Most Important
Understands
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We wanted to take on social and political and LGBTQ stories which no one at the upper level of the entertainment industry ever really wants to do. So you have to fight, and you have to persuade, and you have to manipulate the studios and the networks. And you have to go back - over and over again - until they say yes.
Craig Zadan /
Entertainment Industry
Manipulate
Studios
Networks
Persuade
Upper
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We've spoken to a lot of friends who are stars who could be great, and they say to us, 'Look, if you were doing a movie musical, and we could pre-record and lip-synch, sure. But live? So if we hit a bad note it's there for posterity? We're not going to go out there without a safety net.' People are scared to death of that.
Craig Zadan /
Posterity
Safety
Safety Net
Net
Note
Spoken
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When we did 'Chicago' and we announced Renee Zellweger, Catherine Zeta-Jones, Richard Gere, and Queen Latifah, everybody went crazy and said, 'What are they doing? What are they thinking?' And, now, you look at the movie, and you see that we chose the people that we wanted for that movie, and we were so proud of all of them.
Craig Zadan /
Announced
Catherine
Chose
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We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
Craig Zadan /
Big Movie
Commitment
Fantasy
Feels
Gypsy
Movie Star
Television
Tv
Bette
Cbs
Star
Consider
Fantasy World
Musicals
Network
Network Television
Yes
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