Quotes of All Topics . Occasions . Authors
So maybe it’s just a part of who we all are, and always were. My worry now, though, is that we are starting to nurture these neuroses of ours, and treating them like pets. That can’t be a good thing.
One of the coolest things to me about going to a show is you look over, and the guy next to you is sitting there drinking a beer and he's wearing a Donkeys t-shirt. And you're like, "Dude, I love The Donkeys."
I think, Trump ran a very nostalgic campaign. There's an idea of like, to put it bluntly: What if it was like before all our kids got strung out on drugs? You know, what if it was like that? Make America like that.
If we enjoy what we're doing, we shouldn't really need a break. It's fun for us to play music. It's our livelihood, but I don't look at it as a job. It doesn't seem to me to be a problem to constantly be doing this.
I think having a coach or an editor or whatever the novelist's producer is could help. If you finish a chapter and you turn it in to him, and he or she said, "That was pretty good, it might go better." Maybe that's what I'll try to find.
I've tried to write songs for other people and it usually requires them singing it and then changing the phrasing. I can put a lot of words in a song, and one of the reasons is, I'm not that good of a singer, so I don't hold a lot of notes.
I really want to write a novel. A few years ago I went so far as to do the cliché thing and rent this house in upstate [New York]. I still have the story, but I got 15,000, 20,000 words in and it was like, This is falling apart. I can't figure out.
I'm not a horror movie guy, but I think the guy that did Saw, or maybe House or something, he was saying you love that age as a storyteller because a nineteen-year-old is still dumb enough to make really bad decisions, but he's allowed to be out on his own.
The Catholic influence just comes from being raised Catholic, going to church every Sunday, being confirmed, going to church on holy days. So it's coming from where I am. It serves the purpose of having people who have a base or foundation where they know what's right.
Before I had a driver's license, and I lived in the suburbs of Minneapolis and went to high school and came home - I could ride my bike around or get a ride from my parents, but my world was pretty small, limited. Like anyone at that age, I only knew things I could get to.
I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.
It's really easy, in a band, to overstate - you feel like everything you do is different than the past. I think this is just another Hold Steady record, but at the same time, there is some evolution. Like, "How can we make this chorus bigger?" "What do we want this to sound like?"
My big thing is to get onstage sober. Whatever happens from there happens. But you get onstage drunk and it's not going to be good. It takes a while. I have to sing a lot, so I can only drink so much. So most nights it's fine; even if I drink as much as I possibly can, I can't get that drunk.
Springsteen on that record started writing less about having your wind in your hair and turning the radio up and more about being dragged down by adult things. Regular people trying to get ahead. A little less mythical and romantic, and more real. It's a really spectacular record for that reason.
Some people I've talked to have had really an interpretation of this record as being nostalgic. But in some ways, when we were writing Stay Positive, I was really obsessed with age. I kept saying it was a record about trying to age gracefully. This record, I think actually was us aging gracefully.
Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.
The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
There's this moment sometimes, when you do a crossword puzzle and you have the one really long word. And once you get that, the whole thing kind of comes into focus. Sometimes it's just working things over in your mind and then finding that one line that kind of ties the song together, and now it works. It's a puzzle of sorts.
Ray Cappo never tried to convert me into a Krishna, although one of his cohorts probably did. I think it was just about being wrapped up in this thing. Hardcore, at one point, meant everything to me. Now you look back, and I still think it's cool, but to some extent I grew out of it. Other things became a bigger priority for me.
Heaven Is Whenever - the Christian version of reward, the ultimate reward of heaven. I guess what I'm trying to say is this is happening every day. We're blessed always. There is struggle and there is suffering in our lives, but understanding that is part of our lives - a part that just is. Suffering is a part of the joy of life.
It's good to have some kind of California in there. It's almost always appropriate. It's appropriate on a sunny day or late at night. If you grew up on the Grateful Dead, which I certainly did, you listened to 10 million bootlegs. But you realize that American Beauty has some really tight, well-arranged songs that aren't meandering.
I remember I was really into this British band, The Vapors, with that song "Turning Japanese." I thought that they were really next level genius cryptic weirdos. And then I realized when I got older they are just using a lot of British words, and I didn't know what they meant. But I thought, Oh, they are making up their own language.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.
There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.
It's a template record for the intersection between pop and noise, starting out with 'Sunday Morning' - a real beautiful, almost innocent sunny day song. You have a lot of different types of things on one record. It can be really pretty, or it can be really awful inside, depending on where your head's at at the moment. I got it in ninth grade and I think I've listened to it every month since then.
I use a lot of specific places in my songs - traditionally, a lot from Minneapolis and St. Paul, where I grew up. Most people, especially when you get into international touring, have not been there. So you say, "Well, isn't it risky to talk about the corner of Franklin Avenue and Lyndale?" If you do it right, someone should say, "God, I know a corner like that." Offering specific details to describe something universal.
Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.
When we started the band, I was really like, "We just want to make a lot of records" - not quite unlike Guided By Voices' schedule. I've always thought that our live thing is what we do best, and having a really robust, big catalog makes for the most interesting live band - especially with people, at this point, traveling to see us night after night. For us to have almost 100 songs to pull from is a really cool thing. The sets can be different. They can be invigorating on an intellectual level. I definitely hope to continue to release records at an accelerated pace.