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Whenever someone says, or whenever someone harkens back to, a golden age of the U.S. - usually the '40s or '50s - 90 percent of the time, they're a straight white man.
I'm a firm believer that if you're nervous before you go into a scene, it means the scene is going to be good, and it means you're invested in making something special.
I think we all have different ways with coming to terms with celebrity if you're raised within it. Everyone goes through it differently, and there's no one right answer.
I think the truth about male friendship is often left out of the media, and it's that it has a million different shades, because masculinity has a million different forms.
I just survived a Disney career without singing. I don't want to, like, fall back in. I feel like I escaped, so if we could avoid it for as long as possible, that would be great.
I don't regret anything about my younger career, mainly because we were children and didn't have too much power, but also because it gave us the privilege to be where we are now.
My background with acting is deeply interwoven with my family life and my childhood. It's a 'Peter Pan'-like narrative, something that was golden but could also be a bit dubious.
I was having a dilemma whether I wanted to return to acting at all because I was coming from this sort of agency-less childhood career, and I'd never made the choice to go into acting.
If you're a photographer, you end up being the raw creative force that allows other people to see what kind of narrative you want to be giving or what kind of art that you want people to see.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
I had a really, really hard time working with Aniston because I was so in love with her. I was infatuated. I was speechless - I'd get all bubbly and forget my lines and completely blank. It was so difficult.
I've become obsessed with trying to figure out who I am against situations that make me uncomfortable and not settled, ensuring that that fear of stagnation doesn't allow me to flip into that bubble of privilege.
Part of the reason I went to college was that I wanted to fade out peacefully: show everybody I had gone through something that was quite challenging and difficult but did so with grace and poise and got an education.
Arrogance sort of destroys that nervousness because you're having a bunch of people flatter you and tell you you're awesome, and it keeps you from striving as hard for the kind of validation you seek from a good show.
I remember, my very first day at a new school, a bird pooped all down my back. It was like any other day of school except everyone was like, 'Oh my God, you're from the movie 'Big Daddy,'' and I had bird poop all over me.
My secret pleasure is painting these little mini figures that you send into battle - they're called Warhammer figures. It's the nerdiest thing in the world, but it's a lot of fun. It's relaxing; that's the main reason I do it.
The world of fashion and fine arts in New York really took me by surprise, and photography has helped me through a period of personal turmoil. I am glad when people like my portfolio, but its aim is - or was - to keep me at peace.
I'm a believer that we should support various forms of representation because they clearly resonate with unheard groups of people, and for such a huge project like 'Riverdale,' this kind of representation is fundamentally important.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
We chose NYU because their arts program was great, and they're a prestigious institution, but really because you're in a city. You're involved in a completely different way of life. You didn't feel trapped within a campus or in a bubble.
It's easy to get swept up in the trappings of that sort of lifestyle, but I've been doing it for long enough that I know how easy it is to fall victim to that sort of arrogance and cockiness that celebrity culture can bring about, in young men especially.
I get on Facebook, and I love it. Then one day, I get a message that says, 'Your account has been deleted.' I click on the link to see why it was deleted, and it says, 'Your account has been suspended because members are not allowed to impersonate celebrities.'
I think Jughead is a pretty trustworthy character - not only a narrator. I think he might be selfish, but he's obviously selfish, and that is comforting to me. I also think he has a really strong moral fiber and a propensity for good, and he tries to cultivate that in other people.
Photography is a pursuit that allows you to be very hands-on with what you show people of either yourself or the art you want to make, and acting is kind of the exact opposite. You do have a modicum of creative freedom as an actor, but you're still very much a cipher for other people's art.
When you're a child, and you're growing up, and you're mimicking a certain character, or you're trying to live and breathe a certain character on set for eight years that are also your formative years, you oftentimes take a lot of who you're playing into your real life and kind of become that thing.
I think there's still a lot of room in 'Riverdale' for that. Asexuality is not one of those things, in my research, that is so understood at face value, and I think maybe the development of that narrative could also be something very interesting and very unique and still resonate with people and not step on anyone's toes.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
I anticipated we would go to college, and then we would fade out - that was kind of what we wanted at the time - but social media hung onto my brother and I, and thankfully, fans hung onto my brother and I, and I think it's one of the reasons that this reemergence can come back with a little more strength, and I'm very thankful for that.
I think, for many teens, a fundamental fact of the teenage experience is that you're in between this childlike state, in which you're told you're completely unqualified for just about anything in the adult world, and this adult world, where you're being told you have to be responsible, and you're just trying to figure out where you stand.
Disney is very much a child's theater - it's a very specific kind of acting. It's loud and boisterous with the goal to draw the attention of children and keep the attention of children, and it can kind of be cheesy and loud, and I had to unpack a lot of that, because as an actor, you kind of internalize, and you basically become a character.