I have a huge, active imagination, and I think I'm really scared of being alone; because if I'm left to my own devices, I'll just turn into a madwoman.

I still have a book club with my friends from when I was 5. That's the privilege of growing up in a place where people want to remain. It's a huge gift.

I think because I am as earnest as I am, people were accepting of my evolving into a certified, legitimate, and grown up and I did take three years off.

My skin is a bit sensitive, so Cetaphil is my standby. I also use toner and a light layer of moisturizer—I use a lot of Kiehl's and other natural brands.

The Brexit and Trump phenomena are informed by similar forces and social and economic movements. I think it's been really stressful; it's been really scary.

If I took my characters home with me, half of my life would be a misery, I think. No, I tend to compartmentalize work from my life. I'm not terribly method.

It's funny with jeans now, because if they don't feel like a pair of sweatpants, I don't have patience for them anymore! I think I'm becoming increasingly lazy.

I have to say that my dad's face is very malleable. He's barely got any cartilage in his face. I think I maybe inherited that Play-Doh-like physicality from him.

I'm just always learning lines. I've learned to flag the really crucial scenes, and I start figuring them out and committing them to memory as soon as I get them.

It's very difficult to judge yourself. Extreme self-doubt is only attractive when it's fictionalized. Which is why people love the movies. They are so reassuring.

My first offer was when I was 12, and it was for a soap opera. And I turned it down because I knew that I was an unformed actor, and I didn't want to develop bad habits.

Yeah, there was the Flora Plum thing, where I trained for about a month and I had taken a semester off for that, and two weeks prior to filming, the financing collapsed.

Maybe philosophy - I love talking about ideas. Or maybe art history. I was thinking about psychology, then I got really afraid because everybody says it's terribly boring.

I'm very vain about my performance. I want to give as honest a performance as I can. But I'm not so worried about being regarded as beautiful when I'm playing a character.

If I hadn't been an actress, I was thinking seriously about going into psychology. It's just really what I'm interested in: the human psyche and how we process information.

When somebody's ego is in service of really brilliant, innovative work, it's hard to, cause I'm such an asshole, it's hard to criticize their failures as a human sometimes.

I've never dated (casually). Ever. It's kind of weird. I did have a boyfriend in junior high who was a kleptomaniac. We'd leave stores and he'd come out with something for me.

I took three years off. I differentiated myself from the industry. Found my identity - sort of... I haven't graduated yet. I'm not legitimately educated yet, but maybe one day.

Working gives you this new perspective. You don't take everything too seriously, and you realise that if you don't do too well on a history test, it's not the end of the world.

There's certainly something very uncomfortable about the voyeurism involved in being in the press, being an actor, where people have a seemingly insatiable curiosity about, you.

I'm happier in my thirties. I feel clearer about who I am and less apologetic about it, and more accepting of my limitations and also more aware of the ways in which I'm capable.

However, I'm at a very comfortable place in my career and celebrity, in that I don't have to audition as extensively as I used to for roles but yet I'm not immediately recognizable.

I care about being formally physically attractive in my life, and I think that I am quite vain about my performance. I'm just not vain about how I look while I give the performance.

I guess I stopped acting when I was 18 and didn't pick it up again until I was 21. That wasn't the plan, though. When I first started at Yale, the plan was to do a movie each summer.

At every stage in life you think about death. But teenagers especially are sort of invincible. They're not supposed to be thinking about dying yet, or else they'd be too afraid to live.

I don't want to be coy. It's so important for me to be as genuine as possible, so I don't want to stop when it comes to rendering sex the way that most people have it, which is unclothed.

I was told that my going to college wouldn't be good for my career. I think that's nonsense. It's good to empower yourself by cutting yourself off from this business every once in a while.

By the time I went to Yale, I'd been acting for a long time and I was really tired of it. I was restless - and a little bored - and I was really eager to investigate different parts of myself.

On a film you can really get away with learning the scene the night before and that's often just not possible with TV, so you have to be a little bit more prepared a little bit more in advance.

When I was a kid, I was one of those really obnoxious 'oooh oooh' girls, with my hand up in the air constantly. I've learned over the years that that's not so attractive, so I've censored that.

I played a girl. There's really nothing controversial about her. She's just fine. She has to be fine in order to make Sarah Jessica's character pop, I say I just play a white girl in that movie.

I think people who make movies and have invested a lot of money in them get frightened that if they challenge an audience they are going to repel them. And I think the opposite; it's really true.

It just seems like, you agree to have a certain personality or something. For no reason. Just to make things easier for everyone. But when you think about it, I mean, how do you know it's even you?

I used to have nightmares when I was a little kid that I woke up prematurely and opened all the Christmas presents. And then I would be so relieved when I woke up and I realized that I hadn't done it.

Oh, I'm full of fear. I care about things; therefore, I have fears. I like to think that I'm brave, which is different. Brave means you're able to admit that you care. If you care, you are vulnerable.

There was a solid year and a half, perhaps two years, after making 'Temple Grandin,' when I didn't do anything. I just didn't have much patience for roles that were silly, or light, or inconsequential.

I think people of my generation are really worrying about thier zits and getting that date for Friday night. I think that's their reality. I don't' know if they're worrying too hard about their future.

I was a pretty nerdy kid. I was pretty nerdy. I'm still kind of nerdy. I have all of the worst qualities of being a nerd - all of the affect and none of the smarts. I'm a useless nerd! That's pretty bad.

I got an agent when I was 12, and I started working in more amateur productions well before that. But even as a kid, I never felt like a kid actor, you know? I always took myself kind of absurdly seriously.

In a way, that's really reassuring. I'm not just a very limited person to not have figured it out at this point. But it's also intimidating. Well, how long is it going to take before you can have a good time?

I am a feminist. And I'm so glad that Lena Dunham exists, because she is one too, and she's quite vocal about it. Yes, women have more freedom and more influence than ever, but it's hardly equal. It's just not.

I would sign on for projects that were meant to shoot in July, and then they would postponed and they would bleed into the following semester, and then I'd take a semester off, and then the movie would collapse.

As a young performer, I didn't know that you can have a great time playing someone in terrible crisis. The more you know it's not real, the deeper you can go into it. And the easier it is to let it go when it's done.

People talk about 'date night,' and it is true: Sometimes you have to apply yourself, or at least apply lipstick to yourself. You kind of have to dress up, just because. You know, wear heels to your own dinner table.

People in the CIA, they marry each other. They're like actors! We have to travel without much warning to far-flung places, and it's very hard to communicate what our experiences are like to those in the outside world.

Growing up in New York with artist parents - a very liberal environment, where we were always encouraged to challenge the status quo - I think for a long time I confused jingoism with patriotism. And that is a mistake.

I started working when I was very young. I got an agent when I was 12, and fortunately was employed consistently from that point on. So I didn't really go to a conventional high school. I was tutored on sets and things.

I have this home in New York, I have a long-term relationship with my boyfriend, who's from Australia, and I had this business that I had maintain. Even though I wasn't actively shooting, there's a lot of peripheral work.

I get a little jealous of these actor boys. They walk into a club, and in two seconds flat there are swarms of girls who are wanting so badly to touch them or just say hello. That's not the case with me, or any other girl I know.

But I don't know if people are meant to be together. You have to have a lot in common, choose well and be really fortunate. It's not like you're sprinkled with fairy dust. You have to believe that love will be there when you need it.

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