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Now, with social media, it's a whole different world, which is good and bad. Back when I was in college, when there was no Twitter, no one knew what Vera Wang looked like - there was no face to the brand.
For me I'm a luxury brand trying to prove to people and the industry that it's not about being a TV celebrity in any which way, it's about being a designer and having a business and being successful at that.
My first retailer was Saks Fifth Avenue. I didn't even know how to ship a box to a retailer. Like, how do you pack it? How do you send it to make sure it gets on the floor? You figure it out as you go along.
We sell in Moda Operandi, which, if you don't know what it is, it's a beautiful luxury site that does pre-trunk shows for designer collections. We got them to change their algorithm online to go up to a size 24.
Working in a salon, you look at trends all day long. You're looking at color all the time, what new products are coming out. You're a part of the fashion industry, especially if you're working in a higher-end salon.
Well I am from Annapolis Maryland. I went to High school in Baltimore, but I grew up in Annapolis. It was a cute town. We lived on a waterfront community. It was good, even though I don't really fit the preppy boater kind of style.
We have dresses that I actually think look better if you have more of a bust or more of a hip... or whatever it is. That's why, in a collection, it should be as diverse as you can be. I think there should be options for a lot of different types of bodies and women.
It was something I was more interested in myself. When I went to see my sister dance at ballet, I was really into costumes and the arts, and my family was also supportive of whatever me and my sister wanted to do. I would say I pushed myself the most to be into design.
There are a ton of A-list stars I'd love to dress - fashionistas like Keira Knightley and Scarlett Johansson. Also, Cate Blanchett would be fun and fabulous. My picks vary by the day and how I'm feeling. But, as a new, young designer, I'm open to working with everyone!
I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
The thing is, if you're a designer, then you want to constantly push yourself and your designs. When we make a new collection, we're changing shapes, we're changing patterns. We get a dress on a model, and it's our first time seeing what the dress really looks like on a woman's body.
These kids are more savvy. They know what people are wearing instantly. It's brutal. We're the ones sending the dresses and we can barely keep up; these kids see it before we do. So we know they're plugged in. Now they can forget that for a few hours. Just go big with ideas! Experiment!
And even with traditional fashion models, where it's their job to be a certain size and a certain proportion, you have to make adjustments once you see your clothes on a real live person. Now imagine doing that with more sizes, more proportions. You really have to play with every piece. So timing is a big part of it. You have to make the time.
I think the "trick" is you have to really want to do it. You're embracing more of the world. Which is great. We're all in the world together, you know? And the models in the show who are "plus size," they're not in a special place, they're not wearing differently styled outfits. They're just beautiful girls who are in the show, like normal. Everything's normal. That's how it should be!
I've been really into a light, bright playfulness that's been missing. I looked at these '60s and '70s photos of Jackie O. She went to Capri every summer, but she was always a little more playful, a little more colorful, than she was in 'normal' life. And it was exciting to see her a little bit "off duty." The colors are from awning stripe umbrellas, from a really clear ocean, and from ripe citrus.
The gays like 'Project Runway' because it's a fashion, and the gays are into fashion and into design. It's a creative industry, and most of the gays are pretty creative, in general. That's just like the culture. We're not all into politics necessarily. We're more into the creative environment. I also think Heidi is a big draw. The boys love Heidi and think she's so fabulous. I just think it's a glitzy, fun show, and there are also always lots of gay boys on it, and, you know, that's fun.