Quotes of All Topics . Occasions . Authors
Fashion needs to be worn.
We all look for lost time.
I am not nostalgic for the past.
I look for friends who make me laugh.
You need ego but mine is not blinding.
There's always some kind of hidden logic.
Italy is a divided country without a center.
I never loved the world around me as it was.
The world needs some excitement from fashion.
I translated Beatles songs for my English class.
Very skinny women don't look beautiful in clothes.
Haute Couture should be fun, foolish and almost unwearable.
French design hardly exists, except as artificial modernism.
I am always anxious to know what has happened while I've been asleep.
But the Milanese have made bad choices, bad fashion, and bad jewelry.
The idea of seeing everybody clad the same is not really my cup of tea
Since I was a child I've loved going to the opera, theatre and ballet.
The idea of seeing everybody clad the same is not really my cup of tea.
I think it's always difficult to reconcile the needs of art and business.
There are days when I'm completely depressed and able to do only one drawing
There are days when I'm completely depressed and able to do only one drawing.
For me, elegance is not to pass unnoticed but to get to the very soul of what one is.
I am not nostalgic for the past. And for me, being a museum curator was a childhood dream.
I'd experienced the '40s and '50s by looking at my grandparents' old clothes, books, and magazines
I'd experienced the '40s and '50s by looking at my grandparents' old clothes, books, and magazines.
They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.
If I was a fashion designer just following trends or designing for celebrities, I would not be fulfilled.
For me, I am still very happy to be able to do stage design as it's an opportunity to express the extreme.
Perhaps I shouldn't have been influenced by the idea that my name could be spread across the entire world.
The notion of time bothers me. You look at thirty-year-old photographs and realize how the time has passed.
The exchange by e-mail is more intimate than conversation - you allow yourself to say things you otherwise wouldn't.
In Italy, the Milanese are well organized but follow bourgeois taste. They adhere to certain codes of elegance, but not to individualism.
With the development of the Christian Lacroix house in Paris and my work notably for the theater, it wasn't serious doing things by half.
I am still in love with couture because it is just two months from drawing pad to runway so everything on the catwalk is hot from the oven.
That was the idea behind glam clubs like Seven and The New Eve. You could eat and dance to live music. To enter you had to descend a grand staircase.
But some one will say that this supreme Being, who made all things, and those also who conferred on men particular benefits, are entitled to their respective worship.
Going out in Paris was like going out in the '30s dressed like the Andrews Sisters. It was everything I'd seen in books at my grandparents' house, only it was our generation.
People want to be in their own fashion tribes, so they want to wear the same clothes to be connected to everyone else in that tribe. But they want to be different from other tribes.
If you look back at the history of creativity in clothes - the French Revolution, the First World War and the Second World War - they have all been creative reinventions, the moment new forms of luxury come into play.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.