There's a level of confidence in the actor you're working with that really helps a lot. It makes all the difference.

Working out is incredibly boring. I swear it's true that the bigger your muscles get, the fewer brain cells you have.

I find what I do for a living really funny. I mean, acting is kind of a hilarious thing for a grown man to call a job.

I never applied to any acting schools. I don't know if that's just bad reporting, or - sometimes I just make stuff up.

If you're doing your job properly, you take the risk of feeling slightly foolish and delve in and bring out the emotions.

I quite like it when you're working with people and you only get to know them through the scenes that you're doing together.

Directors go their whole career without being able to tell personal stories and to work with a cast as talented as they are.

After the modest success of my first film, I found it very daunting to have to live with that kind of burden of expectations.

I'm English. Our dentistry is not world famous. But I made sure I got moldings of my old teeth beforehand because I miss them.

It's the actors who are prepared to make fools of themselves who are usually the ones who come to mean something to the audience.

Art is something to be proud of. Art is no compromise. As an actor, you're giving it up, you're at the mercy of so many other people.

What the hell kind of man decides to dress up as a bat and run around the city? There's got to be something a little bit loose in there.

The blue collar milieu was something that I really understood and resonated with me and I thought was underrepresented in American cinema.

I start from scratch with each movie; I wipe the slate and I certainly don't rely on some bag of acting tricks I've amassed over the years.

The only thing I would unequivocally say is that I have never had any interest in romantic comedy I just couldn't do it. I think I'd be terrible.

The risk element only came from acknowledging other people's attitudes toward it, and realizing that they considered it to be a risk for me to do.

The point of having a director is that they make the final decision; it's their point of view, they set the rhythm and they make the final decisions.

I think there's a limited amount of planning you can do, at least in the position I'm in. Maybe more successful actors can plan more than I'm able to.

Look, I've got incredible pride for my family. I've absolutely fallen into that cliche of a dad who could just happily talk about my daughter endlessly.

I have this theory that, depending on your attitude, your life doesn't have to become this ridiculous charade that it seems so many people end up living.

I certainly liked performing [Patrick Bateman], but it was because he thinks he's so [bloody] cool and just the [stuff], but is really such a cheesy dork.

I feel like I'm pretty good but I don't like to toot my own horn, you know. I want to let the work speak for itself and kind of move on to the next thing.

I do like taking stuff seriously that a lot of people look at as nonsense. I enjoy the insanity of that. And I like the commitment that is needed for that.

In honesty, there are probably a lot of stories that can be told with Batman. I like the idea of him growing older and he can't quite do it as much anymore.

I want to do good work. I want the opportunity to work with good people, and the only way I'm gonna do that is to commit 110% - you get out what you put in.

And I not only inherited an aversion to the nine-to-five routine, but the sense from my parents that being bored and boring is the worst thing that you can be.

I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?

I think it's important when you're acting to be as relaxed as possible even if you're doing something intense. You're basically in a state of dynamic relaxation.

Essentially, I'm untrained, so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.

It's got to do with putting yourself in other people's shoes and seeing how far you can come to truly understand them. I like the empathy that comes from acting.

Nuclear apocalypse-who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops.

There have been many times when you spend a number of months and the finished product is not what you wanted to see. And 'Batman Begins' was what I wanted to see.

Nuclear apocalypse - who do you need? Actors are probably not top of the list. What can I do for you? I can pretend to be somebody who can grow you some nice crops.

If you're smart you're just gonna be all about the work. But as a young person, you want to going out to clubs and doing all the stuff. I'm just glad I survived it.

I swear, the bigger your muscles get, the duller you are. You become fascinated with carbs and protein and ripped abs and things that are just not interesting at all.

I want to be able to just act and never do any interview, but I don't have the balls to stand up to the studio and say, "I'm never doing another interview in my life!"

What I like about it is that I'm not somebody who's in movies. I'm a guy who's not very good going around the track with a bunch of guys who are a hell of a lot better.

If something's true and sincere, it happens regardless of marketing. The more I talk about it, the more I'm telling people how they should react. And that is an asshole.

When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.

As an actor, I don't feel like it's necessary to watch a great deal of films. In fact, I think it can lead to imitation and unhealthy competition, which just isn't needed.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

I'm not really looking forward to wearing a black rubber suit in the summertime in humid Chicago. If you see a pool of sweat through the city, follow it and you will find me.

It was just the two of us, inside there with just mirrors, all the way around us. Everywhere we looked, there were these two freaks, sitting at a table, eyeballing each other.

I never, in any city I've ever been in, never remember the names of streets. The longest place I ever lived in was for five years and I didn't know the name of the next street over.

The biggest rebellion I could've ever had with my father would be to work in a bank. He would have disowned me. As long as I was doing something where I didn't have to wear a tie, I was good.

But I learned that there's a certain character that can be built from embarrassing yourself endlessly. If you can sit happy with embarrassment, there's not much else that can really get to ya.

A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.

You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.

And being as I'm somebody who loves movies like The Machinist, I also love going along to big mass entertainment movies. I get in the mood for all kinds of movies, and so I like to try each of them.

A teenager usually wants to try to get people to notice him in some way, to feel like someone gives a damn. Me, all that attention, I just wanted to fade into the background. Be invisible. Disappear.

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