Quotes of All Topics . Occasions . Authors
Every city began as a campsite - pg. 25
The real power of comics is writing as you draw.
My head looks like an uncooked ham with glasses.
Comics are not a genre, but a developing language.
I guess we all make choices as to how we want to live, right?
The modern world seems to make fun of people in a lot of ways.
My mother was always encouraging about my wanting to be an artist.
Drawing on a computer doesn't make any sense to me. It's not intuitive.
Cartoons are not real drawings, because they are drawings intended to be read.
Fundamentally, I have no idea how the world works, though I am trying to figure it out.
A book sometimes seems to impose a through-line to life that real life doesn't actually have.
The thing I like most about books is that anybody can afford them. They have an innate valuelessness.
I think cartooning gets at, and re-creates on the page, some sixth sense ... in a way no other medium can.
I have a preponderance to look smug in photos; something to do with the way my mouth turns up at the corners.
Even the disappointing diffusion of a sheer curtain can suggest the most colorful bouquet of unspeakable secrets.
I had a messy signature as a child, and my grandmother said this suggested I had no regard for other people. She was right.
Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done.
My grandmother was an unparalleled storyteller who gave me a preview of how life might turn out, and also fortified my empathy.
I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.
One of the things that appealed to me most about comics was that you can pick the ones you like and build your own personal pantheon.
The thing I don't understand is why so often one hears discussion of the fruits of human labor as if it's all the creation of some alien race.
No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
When I was a kid, I liked books that just seemed so dense you could lose yourself in them for a whole afternoon. They were like their own whole world.
I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the honesty of the story.
It's somehow more comforting to imagine that one's suffering is unique, and to measure against what one doesn't know, rather than against what one does.
I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story.
Comics, at least in periodical form, exist almost entirely free of any pretense; the critical world of art hardly touches them, and they're 100% personal.
I guess I just don't like being physically in front of people I don't know very well, because I expect to be 'seen through,' or, even worse, instantly hated.
I guess I just don't like being physically in front of people I don't know very well, because I expect to be "seen through," or, even worse, instantly hated.
I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.
Sometimes I get worried I'm getting too caught up in the nauseatingly oily smoothness of my own line, when all I'm trying to do is make it as clear as possible.
One of the most valuable things one of my art teachers said to me was, ‘Don’t get upset by criticism. Value the fact that at least someone noticed what you did.
I prefer to imagine that my wife, a few friends, and occasionally my mom are the only ones who read what I do, though I realize that this is somewhat unrealistic.
The first thing I do when I get up is I look out the window. I've been looking at the same image for six years. It's imprinted in my mind like an afterimage template.
Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.
Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.
When I was 11 years old, I thought, 'All I really wanna be able to do is my own comic book,' and I'm doing it. I don't have any other real ambitions. I have nothing to conquer at all.
I still can't get over the idea that respectable adults now go to see superhero movies and that such films get reviewed in the 'New Yorker.' Clearly, I am seriously out of step with the times.
My wife has joked that if anything ever happened to me, she'd gladly live out her life without anyone else around. I think it bugs her I'm home all the time; such is the life cycle of the cartoonist, however.
As a cartoonist, my single goal is to create people with whom, for better or for worse - and regardless of how embarrassing it sounds - I can "fall in love" and somehow feel something deeply about, and through.
I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.
There seems to be such a laziness in - and I hate to use this phrase - the modern world. Everything is pumped out so quickly so that you can read it while passing by, like billboards or those flashcards before movie shows.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
I wouldn't classify television as "cool," because to me anything that involves the reader's consciousness to drive and carry a story is an "active" medium, and anything that sort of just pours into the eyeballs and ears is the opposite.
Lately, I cant shake the feeling that Ive been living a dream for the last 10 years or so; I cant account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.
During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and "style" as much as I could, since I knew that I'd calcify as I got older.
During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and 'style' as much as I could, since I knew that I'd calcify as I got older.
I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.