Storytelling is about listening in any media.

I don't consider myself an action hero, at all. My domestic life is the same as anyone else's.

I miss the banter with friends and family, which more often than not takes place within the confines of a decent public house. So I miss the pubs.

If you take yourself too seriously, you're dead in the water. I think the key to all is to have a laugh, have fun, and express every desire you had, as a kid.

Are there any good guys on 'Prison Break?' I suppose there might be. I can't honestly say whether I'm a good guy or a bad guy or I'm a good guy in wolf's clothing or sheep's clothing.

I'd always been the confident guy in school. I was good in math and English, but I was still shy. I couldn't get up and speak in front of people. I was asked to do it when I was 10 years old and I burst out crying.

It was sad leaving 'All Saints' because I was leaving a family that had nurtured me and looked after me for a couple of years, and at the same time that particular storyline wasn't a surprise to me. I knew I was going. It had been worked out very carefully over many months.

I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from Armageddon to The Perfect Storm and Contact, and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.

I remember the first time Bill Fichtner and I had a scene together. I've seen him in a few movies, from 'Armageddon' to 'The Perfect Storm' and 'Contact,' and suddenly he's on a bunk bed and I'm on a bunk bed and we're doing this scene together. That was a real 'pinch me' moment.

Dallas is an extraordinary place in it's own right. The first thing about Dallas that you can't get away from, particularly when I arrived, you've got no idea of the heat in this place. It's over 100 degrees, and with that the humidity is ridiculous. I mean, people don't live here, armadillos live here.

As an actor, I never really had a strategy. I just take projects, as they come. It all comes down to the writing, at the end of the day, for me. I don't care if it's a two-line cameo or the lead of the thing, as long as the project has some weight behind the writing and it's interesting and I think people will enjoy it.

As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.

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