Everybody goes through a lot of the same things, and I talk about those, and that's the key. You have to connect with your audience, and I might take them on a trip with me, tell them I went here and I went there and they'll go with me, you know, to hear the stories.

I told a joke and people laughed and it was the best feeling. I knew I wanted to do this as a career. I never knew I could get such a high from telling a joke. There's something so extraordinary about having people listening to you and hanging onto your words - it's a great feeling.

In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.

I like LA. LA is cool, but it ain't like home. Atlanta is home. All my friends are here, I grew up here. But LA is cool. Its more like a big office. Its work and you work, and you're meetin' people all the time, but its more like acquaintances than friends and stuff.I wanted to cut down on the profanity, because I think I'm funnier without sayin' a lot of cuss words.

I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.

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