Quotes of All Topics . Occasions . Authors
As of late, I am more of a homebody. I like having people over. You can smoke in the apartment. I'm just not into going out so much. The crowd is getting younger and younger.
It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like.
I definitely spend the most money on shoes, partly because vintage footwear can be a little funky - in a bad way. I like to keep things pretty simple up top and then go weird with the shoes.
I'd like to find someone to procreate with - as sexy as that sounds. If you're out and about and fit the description, come up and say hi. I won't bite. Well, maybe a little, if you're lucky.
Fashion embraces the weirdos. They're into that. There are always young people that people in fashion are interested in. You know, youth and vitality and energy - it brings something different.
I have the insecurities of any actress, I suppose of any woman. Even the most beautiful ones feel unhappy. Look at Bardot: she was suicidal. But I like to play with the camera. I like to ham it up.
To be a true icon, you have to have style emanating from you. And you have to have figured it out on your own and have a point of view, a perspective, and be able to translate it in some personal way.
I take the subway because I don't like having someone else driving. It's hard for me to be in a cab, because the traffic makes me feel insane. On the subway you're getting there faster and it's easier.
I'm really into a blush on the eyelid and on the high of the cheek. The singer of 'Cocteau Twins' used to do that - really pink eyelids. It added a little romance to the hard kind of street-edge clothes.
A lot of my girlfriends like baggy oversized stuff and put on menswear already. And I also wanted something that my boyfriends - my gay and straight buddies - could wear. I wanted something for everyone.
I want a guy who is masculine, good with his hands, and able to build stuff and who has survival skills. Facial hair is a big turn-on... I like a stronger, more physically imposing man - like a lumberjack.
I am a Scorpio, and playing the seductress appeals to me. There are a lot of women throughout film history, like Marlene Dietrich or Mae West - those are the women I was always attracted to. The bad girls.
Muse. Mu-se. It's a great thing, for someone to feel that they can draw inspiration from you. And I don't think it's necessarily a man 'taking' from a woman. It can go both ways, both can stimulate, excite.
The umlaut isn't on my birth certificate. I had this book as a child called Chloe and Maude, and there was an umlaut on the e, and I said, I want that! It's a little flair. Just to confuse people even more.
I permed my hair 12 years ago, because I always wanted a perm, but my mother would never let me have one! I got a lot of stick, but I didn't care - I loved the curls. The growing out was the difficult part!
I feel terrible about corporate greed. Growing up in a household that was a little more humble and didn't put so much emphasis on money and material goods, I think I have a pretty good head on my shoulders.
I think to be a true style icon, you just have to dress yourself. There are so many actresses floating around who have people picking out their outfits for them; that's hard for me to wrap my head around or celebrate.
I'm frugal. It's often cheaper to take the subway. And I'm an environmentalist, which my mother instilled in me, so I really believe in public transportation. And finally, I love the proximity to people in the subway.
I wish I looked more like my mother, but I think I look like my father. I wish I had one of those naturally beautiful faces. Or a more quirky face. I'm right down the middle: not interesting enough, not pretty enough.
I had done some commercial work in junior high and stuff - my mother would bring me into the city, and we'd go on these crazy castings. Acting was something I always dreamed of doing... it was my passion when I was young.
I'm not the greediest person. Of course, I work in a business where that's all relative and there's a lot of money to be made. I think I'm satisfied making as much as I have and I don't feel particularly driven to have more.
It's not what you spend but how you wear it that counts. The key is often to dress up inexpensive basics with accessories. Something like a beautiful designer bag or belt can make everything else look richer and more luxurious.
If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
I had always wanted to be an actress. I went to summer theater camp from kindergarten on up until high school, and always had the leads in all the plays - even though they were at the YMCA - but it was something I always wanted to do.
Most of the models have this thing I call slouchy sexy, not only in the way they dress, but in the way carry themselves. I don't think they would look hot in one of my dresses. They are more into A. Wang. Most of my clothes are nerdy sexy.
I'm definitely a lash girl. I feel they are my best feature. I have tried lots of mascaras. I was drawn to Lancome Doll Lashes recently. Not only because of the name, but it smells like roses! I usually add a few coats of it for a night out.
Even having to do the amount of press that I have to do is dreadful and gives me so much anxiety. After having done this whole slew of press for 'Big Love', now I'll have anxiety dreams for like a week and a half about all the stupid things I said.
Even having to do the amount of press that I have to do is dreadful and gives me so much anxiety. After having done this whole slew of press for 'Big Love,' now I'll have anxiety dreams for like a week and a half about all the stupid things I said.
I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like. Maybe that will always keep me an outsider, I don't know. But that's fine.
In Hollywood, you can't say anything bad about anybody or everyone is going to attack you. It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like.
I want a guy who is masculine, good with his hands and able to build stuff and who has survival skills. Facial hair is a big turn-on. Most of the kids I hang out with in New York are hipster arty types, but I like a stronger, more physically imposing man - like a lumberjack.
It's hard to encapsulate my inspiration because there are so many different looks, but I think it's just like, sexy girl you see walking down the street in a cool outfit. A lot of eyelet, a lot of leather, playing with the hard and the soft, the good and bad inside of us all.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
After having done this whole slew of press for 'Big Love', now I'll have anxiety dreams for like a week and a half about all the stupid things I said. I can't even imagine being in front of the cameras all the time. I had a weird dream the other night that I was on 'Jersey Shore.'
There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is Zodiac, and that didn't perform that well.
There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is 'Zodiac,' and that didn't perform that well.
My first job was in sixth grade, sweeping the clay tennis courts at the yacht club near my house, which I was not a member of. Always had to pay my own rent. But I don't really have any concept of how money works. I don't know how much things cost. Like a BMW. Or a quart of milk. It's embarrassing.
It was always a fantasy of mine growing up - my favorite program was always 'Little House on the Prairie' - so I always wanted to wear those looks. When I was a child, I wouldn't let my mom put me in anything but calico dresses and now... whaddaya know, every day I'm in a calico dress, basically, so it's kind of funny.
From when I was a really small girl on, I would pick every fabric, every color on the walls, and I was always redecorating. Like once every couple of months I would redecorate my room. I had a full wall that was all collage - the entire wall - when I was in junior high. And then it would kind of morph with me as I was growing.
The other day I got a text from a boy, but it wasn't hot. I mean, if you're going to text me every day, you haven't seen me for months and you're trying to seduce me, you'd better spice up that text and make it more exciting than 'How was your day? I hope you're having a beautiful one.' Sadly, I haven't been doing a lot of kissing lately.
Growing up I was very into art. In high school I was into the surrealists and impressionists, and I loved Klimt. In '91 or '92 I saw one of those Felix Gonzalez-Torres Untitled billboards. I was just really arrested by it. It was kind of my first foray into contemporary art. It was a turning point for me as to what art could be and what it meant and the impact it could have.
My parents found tradition and ritual very important, because they were both brought up that way and found comfort in it. They thought it was important for children to be kept on a schedule. You went home for the holidays, you went to mass on Sunday - no ifs, ands, or buts. That was ingrained in me from a very young age, and I think that's informed who I am in so many aspects of my life. I crave stability and a schedule and the security that comes along with it.