Quotes of All Topics . Occasions . Authors
I do, however, feel reasonably strongly the sense that the job of a piece of argumentative scholarly non-fiction is not the same as the job of a piece of fiction.
I'll tell you, I've never particularly been a Trek person. I feel about Trek the way one feels about known, vaguely liked, but rather distant members of one's family.
I'll tell you, I've never particularly been a 'Trek' person. I feel about 'Trek' the way one feels about known, vaguely liked, but rather distant members of one's family.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
My parents went through the dictionary looking for a beautiful name, nearly called me Banyan, flicked on a few pages and came to China, which is cockney rhyming slang for mate.
Art is something you choose to make... it's a bringing together of... of everything around you into something that makes you more human, more khepri, whatever. More of a person.
The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.
If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments.
I'll never be a minimalist. The fact that the prose is more tightly controlled doesn't for a minute mean that it's minimalist. I very much like arcane words and baroque sentence structure.
But I do think it's important to remember that writers do not have a monopoly of wisdom on their books. They can be wrong about their own books, they can often learn about their own books.
A lot of geeks are pale, bespectacled, wear dark clothing and don't get out much - the stereotype exists because it is very often true. I could pass for a non-geek but it would be inaccurate.
I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.
In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.
Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
What I always try to do in all my books is to make the stories such that if you don't agree with me politically or you're not interested in the thematics, the story will still keep you turning the pages.
PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
Loads of children read books about dinosaurs, underwater monsters, dragons, witches, aliens, and robots. Essentially, the people who read SF, fantasy and horror haven't grown out of enjoying the strange and weird.
Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
There are only so many ways to experience pain. There are an almost limitless number of ways to inflict it, but the pain itself, initially vividly distinct in all its specifications, becomes, inevitably, just pain.
'Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
The Weaver is a really godlike power. It's not even a blind idiot god, a sort of Lovecraft thing, it's just a purely capricious god. It's an intelligence you can't understand, so you can't trust it." -Amazon.com interview
For every action, there's an infinity of outcomes. Countless trillions are possible, many milliards are likely, millions might be considered probable, several occur as possibilities to us as observers - and one comes true.
In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this. I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away. I can't say goodbye.
I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
It had not been a long journey, but the memory of it filled her like an infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.
My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
While yes we can both agree the sudden recovery of this footage smells not a little, and that we appear to be bits of tinfoil-on-string to some malevolent government kitten, yes yes yes but, Borlu, however they've come by this evidence, this is the correct decision.
Geeks run the world. Condoleezza Rice is a geek, Bill Gates is clearly a geek, many of the big filmmakers and writers are geeks, lots of military people are geeks. Anyone who has heard Donald Rumsfeld talk about military hardware knows they are in the presence of a geek.
In the deepest places, where physical norms collapse under the crushing water, bodies still fall softly through the dark, days after their vessels have capsized. They decay on their long journey down. Nothing will hit the black sand at the bottom of the world but algae-covered bones.
To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
Subby Subby Subby," whispered Goss. "Keep those little bells on your slippers as quiet as you can. Sparklehorse and Starpink have managed to creep out of Apple Palace past all the monkeyfish, but if we're silent as tiny goblins we can surprise them and then all frolic off together in the Meadow of Happy Kites.
When I'm writing a book, generally I start with the mood and setting, along with a couple of specific imagesthings that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
We would never call inexplicable little insights hunches, for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.
My parents were hippies, and the story is that they went through a dictionary looking for a beautiful word to name me. They nearly called me Banyan, but flipped a few pages on and reached "China," thankfully. The other reason they liked it is that "china" is Cockney rhyming slang for "mate." People say "my old china," meaning "my old mate," because "china plate" rhymes with "mate.
Someone came in all Starfleet badges today. Not on my shift, sadly.' 'Fascist,' Leon had said. 'Why are you so prejudiced against nerds?' 'Please,' Billy said. 'That would be a bit self-hating, wouldn't it?' 'Yeah, but you pass. You're like, you're in deep cover,' Leon said. 'You can sneak out of the nerd ghetto and hide the badge and bring back food and clothes and word of the outside world.
We speak now or I do, and others do. You've never spoken before. You will. You'll be able to say how the city is a pit and a hill and a standard and an animal that hunts and a vessel on the sea and the sea and how we are fish in it, not like the man who swims weekly with fish but the fish with which he swims, the water, the pool. I love you, you light me, warm me, you are suns. You have never spoken before.
There is no knowing beyond that membrane, the meniscus of death. What can be seen from here is distorted, refracted. All we can know are those untrustworthy glimpses--that and rumour. The prattle. The dead gossip: it is the reverberation of that gossip against the surface tension of death that the better mediums hear. It is like listening to whispered secrets through a toilet door. It is a crude and muffled susurrus.
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act - to Weave - was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.