Quotes of All Topics . Occasions . Authors
I like to be busy. I once shared an agent with the late Sir John Gielgud, who, at 96, was apparently still ringing up, saying, 'Hello, Gielgud here, any work?' Good on him. We've got to keep working. If we retire, there'll be nobody to play the old wrinklies, and that would be a dreadful shame.
I've done a couple of fan conventions and [the fans] are legion. They're rather like Star Wars or Star Trek fans. We're very glad of the loyal fans - but it's a strange way to spend your life, dressing up like Star Wars. At least we change our costumes - I don't spend 40 years dressed up as Tywin Lannister.
The quality of writing attracts me to films, also who the other actors are, who the director is, where it's being shot. Any or all of those things. But if the writing is really appalling, then the money had better be really good. Sometimes you say yes to something you wouldn't always do because you need the money.
I've done maybe twelve of Shakespeare's plays. I was with the Royal Shakespeare Company for years. Whatever influence that has never leaves you. If you learn to drive a car, and you learn the right way if there is ever a right way. You learn the good aspects, you learn to drive properly. And that never leaves you.
It starts with the writing - which is really, really good. And the production values are phenomenal. HBO and Sky have spent money on it, and you get what you pay for. This has money put into it properly - not lavish amounts - but as each season is successful, they maintain the money that's being spent to maintain the quality.
I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.
I've never been one for late nights, which is why I have always preferred making films to theatre. A play takes over your life: you start to feel sick at lunchtime, and by mid-afternoon, you're wishing for a bomb scare so the whole thing will be called off. Of course, if the evening goes well and you get the applause, then it's wonderful.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
Audiences seem to have a limitless appetite for vampires and for fantasy in general. Unlike many other British actors, I haven't been building up my pension appearing in films like 'The Lord of the Rings' and 'Harry Potter,' but fantasy has now got a grip on me. I am also appearing in 'Game of Thrones' as the head of the House of Lannister.
Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.
But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous.